Fanworks Tagged with Amarië

When a dumb song's made worse/by nonsensical verse/that's a parody

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She has made her decision, and all he feels is relief.

Or, Amárië and Finrod establish their feelings in the wake of his re-embodiment. Gen Amárië and Finrod, Finrod/Andreth undertones.

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"It is said by the Eldar that in water there lives yet the echo of the Music of the Ainur more than in any substance that is in this Earth; and many of the Children of Ilúvatar hearken still unsated to the voices of the Sea, and yet know not for what they listen."

Finrod writes of love and nightingales (until all he can hear is the sound of water flowing).

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Caranthir is a socially awkward public servant and Amarië is a politically radical performance artist when a prestigious battle of the bards entices them to come together in an unexpected friendship that produces an even less-expected new musical genre. Part of the Republic of Tirion series but you don't have to be familiar with the other stories to understand this one. Also featuring the printing press, underground nightclubs, an electric guitar, and Caranthir's bitchy resting face.

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When Finrod had previously considered his death, he had thought it would come in battle, at the end of a sword or a mace or an arrow.

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When Celebrían sails to Valinor following her attack and injury, she is accompanied by her friend Ianneth, wife of Fingon and mother of Gil-galad. Together, the two women seek to find a place in an unfamiliar land.

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Amarië considers love, and Finrod.

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"She whom he had loved was Amárië of the Vanyar, and she was not permitted to go with him into exile." 

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A young Vanyarin poet makes some clever observations, the relevance of which only grows apparent in good time.
Inspired by Oshun's character biography of Barahir, and written for the "New Directions" challenge... and a different character altogether.

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It's the Fifth Age. Tirion has developed suburban sprawl, and psychotherapists are in high demand. An unkinged Finarfin experiments with political radicalism and has turned the palace into a memorial of the kinslaying. Amarië composes beat poetry. And Finrod has been reembodied into a world and among people he barely recognizes. Dark humor, for Kenaz for the Around the Fire challenge.

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Amarie visits Elwing in her tower by the sea.

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“This was supposed to be different,” he says, his eyes focused beyond them. “I was supposed to warn different people, help others. You two were not part of the tale.”

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Two women stand as the funeral procession of everyone they've ever known rolls by and they hold hands. The Valar have much to pay for. Amarië/Elenwë, modern AU dystopia.

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It’s a Years of the Trees’ story of Finrod and Amarië as young lovers, long before the rebellion of the Noldor separates them.

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The quilt stayed with him — first on Balar, then in Lindon, then in Rivendell. It kept his children warm at night and, later, covered the bed of a small boy named Estel. And when Sauron was finally defeated — the One Ring destroyed at the tiny hands of two brave Hobbits — and it was time for the Ringbearers to depart Middle-earth forever, Elrond took the quilt, worn and threadbare though it was, with him.

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Finrod, Reborn, goes to visit Amarie, but isn't expecting the reaction he receives.

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(Or, One Flew Over the Halls of Mandos)

The Silmarillion is so full of heartbreaking, wasteful, tragic deaths that it sometimes seems as if the not-tragically-deadly parts of the narrative are there only to give the readers a little breather.

I expect that everyone has a death or two that they find particularly distressing. Amarië certainly does. But at least she can do something about it...

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All of Caranthir's preconceived notions are turned on their head when he finds himself falling for the most unlikely person possible -- his annoyingly perfect half-cousin, Finrod.

Written for Dawn Felegund for Sultry in September 2013.

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In her youth, Amarië of the Vanyar was an idealistic and gifted poet, a rising star among the Vanyar. Many thousands of years later, having weathered unimaginable loss, Amarië is called to Lórien to witness the awakening of her once-beloved and newly reembodied Finrod. For B2MeM 2013, Day One, archetype and loss of innocence.

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A farewell between Finrod and Amarie at Aman.

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Aegnor and Andreth share a moment by Tarn Aeluin.

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Amarie reminisces about Finrod and must make a difficult decision. 

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In the aftermath of the Darkening, three kings search for meaning in the midst of tragedy. One seeks absolution; another, vengeance, while the third merely endeavors to salvage what he can from the disaster and protect his people from future harm. All may find what they are looking for, though not necessarily in the way they expect, for, as always, the Valar have their own agenda. Many thanks go to my betas, Alassiel and Ellie.

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A hundred years before Glorfindel was released from Mandos, Finrod Felagund, once King of Nargothrond, was reborn to walk with his father in Eldamar. This is his story. A companion tale to Elf, Interrupted. As always, my sincerest thanks go to Alassiel for the beta.

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Left behind by Finrod, Amárië considers the paradox of her situation: her wish for his return and the only means by which her wish would be granted. A sonnet.

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