Da Capo by Lordnelson100
Fanwork Notes
Fanwork Information
Summary: Da Capo - musical term: an instruction to play over from the beginning. "There must have been another way to solve the equation, a different path to other results," he thought. Major Characters: Fëanor Major Relationships: Genre: Drama Challenges: Rating: General Warnings: Character Death |
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Chapters: 1 | Word Count: 100 |
Posted on 15 January 2018 | Updated on 15 January 2018 |
This fanwork is complete. |
Chapter 1
Read Chapter 1
Da Capo - musical term: an instruction to play over from the beginning
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They bore him over hill and valley in a crude sort of stretcher, and the stars shone above in their glory and indifference.
“Seven sons, and I did not think to make any of them a healer!” he said to himself, and inwardly laughed. Even the idea of laughing hurt: his chest was all crushed from the balrog’s blows, and every breath was a desperate wheeze.
At one point he drifted in delirium: again he was a child holding Finwë’s hand. Father, impossibly tall and stern and graceful and wise. Hand in hand they climbed a winding street in Tirion. Flowers cascaded over white walls. Someone was singing in a garden, invisible to the eye. Father’s stride was very long and he all but ran to keep up.
What would Finwë have said to him now? He could vividly imagine his face, framed by long dark hair; saddened, disappointed: Where is your brother, Curufinwë?
He should not have burnt the ships.
He should have left Nerdanel the twins.
He thought of five different ways he could have better worded the Oath, so as to more effectively bring home vengeance to the Enemy.
The silver lamps made rings of light on the quays of Alqualondë . The need was painfully urgent, why would not Olwë understand? The terrible wrongs of Morgoth, the cold silence and inaction of the Valar!
Were their people to be slaves, to be craven animals in a pen, watching the wolf with bloody jaw devour the bodies of their beloved, huddled in the corner with frightened eyes?
No, a thousand times—but then he saw his sons with black-gored swords, and his own weapon, wet. The blade had seemed a bright thing, fell and noble, when he wrought it.
When he drew it on his arrogant brother, and saw the shock in Nolofinwë’s face—
Nolofinwë had been a pretty little boy, hanging on Finwë’s hand. They were walking up a steep street in Tirion again (the same? he did not know): and his father’s robes flowed and his stride was long. Nolofinwë had reached out his free hand to Fëanor, who was tall as their father by then, and—
What a curious accident of the mind, to bring such inconsequent moments before him now: he would liked to have asked Estë if it were always so for the wounded, and if so, whether there were some interaction between the damaged flesh and the seat of consciousness —
But he had had sons of his own since then. Why had he not taken the small boy’s hand? Was he himself really so little, so petty?
The next time he saw Nolofinwë he would —
In his mind’s eye he saw his sword again, blooded, and before him lay a dead sailor. A poor weak thing, with a chain of shells around his neck and a fishing spear and a surprised look on his face. What right had he to look surprised, so? He had come at Fëanor as a bird will fly at any great ravening thing that comes near his nest. And been struck down by the beast’s paw, predictably.
Wait, that was not right, it was Morgoth who was the wolf, not he—
Nerdanel would never forgive him now. The rebellion against the Valar, she would have; but not that dead sailor. Her heart was like that.
There must have been a different way. He was Fëanor — it was in him, always, to invent and to create mighty things beyond the limited imaginings of others. Reason therefore argued that there must have been another way to solve the equation, a different path to other results: if only he could take up a fresh blank sheet, and start again.
They would have taken the Silmarils from him! Before they knew the bloody jest that Morgoth had made, the fools he made out of them all—
Now, so far from the Trees, it did not seem so important after all. Not compared to — to Father.
Father’s ruined body and the empty case that held his greatest work: it was all wound together.
The spoiled wreckage of the Trees came before him, the living, murdered things— poor Yavanna with her hair of leaves and flowers, and Aulë had his fists clenched— his great bearded face wroth. And yet he had a moment of pity for Fëanor, maker to maker— not so mighty, so untouchable as they seemed, these Vala. Perhaps a bridge might have been made out of the sense of loss itself, a union against the author of their bereavement.
But the hour was late, and the ocean wide. His head hurt dreadfully; he knew he did not reason well.
All around him he saw glimpses of his sons’ faces in the starlight. He would have liked to say their names aloud one more time. They, they were his greatest creation, in the end.
There was this: he had brought them to a new land, wide and grand and free, far away from the sterility of Aman. His sons would here do great deeds, make new things: when they had overcome the Enemy. Perhaps even greater than all his creations: all his stolen works, that seemed in the end less precious and beautiful then their faces.
He saw a field at home in Formenos. Late afternoon, a meadow of long grass touched with the red and gold of autumn in the slanting sunlight. All the boys were running (it was a race — or a game? he had forgotten) and the tall youths fleeted fast, their hair streaming, and the little ones chased after, their hands out, wait for me, wait for me — Nerdanel beside him laughed: See your sons Curufinwe! They are none of them willing to yield.
In the present, in the wide strange lands of Beleriand, they set the litter down. Every limb was on fire with agony: he feared he must have groaned aloud against his wish.
He gasped, with a great painful effort. He tried to speak: “Again. Over again. I would — my sons — again—”
And around him he heard their fair voices raised. Great was his dismay, as he listened:
Be he foe or friend, be he foul or clean,
brood of Morgoth or bright Vala --
Chapter End Notes
For Tolkien Gen Week 2018 on Tumblr. Prompt: Familial Relationships
(1) Comment by Angelica for Da Capo [Ch 1]
Ouch! Ouch! Ouch! What a bad way to go! When he reconsiders his decisions and sees his mistakes, when he finally realizes that his best creation are his sons, they react to the *bad* Feanor who swore the Oath, not the *good* Feanor who loves them and whose parting memory was going to be fun time with all the family together. So many regrets to work out in Mandos.:(
Great story.
Re: (1) Comment by Angelica for Da Capo [Ch 1]
I've had moments as a reader when I assumed he was blind to the wrongs he did, and felt only the wrongs done to him: but I realized that tragedy also lies in the possibility that he *had* such a realization: but all the mechanics of doom are already set going!
(2) Comment by Lotrfan for Da Capo [Ch 1]
Oh this was so utterly heartbreaking. I love the memories you have chosen, the regret as he sees himself with more objective eyes and finds his actions petty, wrong, regretful. And that horrible misunderstanding at the end--he would do things diffently with the clarity death is giving him. Such a devastating comprehension.
But. I will find a shred of hope--for he goes to Mandos' Halls enlightened by his thoughts here. Not in anger or in rebellion but thinking of those he loved or who loved him tat evshould have cherished more. And that gives me hope for him in the Halls.
Re: (2) Comment by Lotrfan for Da Capo [Ch 1]
That's a wonderful thought. I am a HUGE fan of "what happens in Mandos, and beyond" stories: the second chances.
It's fascinating, isn't it? Tolkien gave us some of the most poignant character moments ever, of those who realized some great error they had made, and tried to make up for it in the face of doom: Thorin, Boromir. But he also gave us characters who make similarly tragic errors and never get the chance to change anything: Isildur. And those whom he lets us see only from the outside: and we are left to guess or imagine whether they felt regret or not: not only Feanor but Thingol come to mind.
And in every case. we readers say (and write, and draw): what if?
(3) Comment by Lotrfan for Da Capo [Ch 1]
That he should have cherished more is what it should say in the previous comment! Sorry for typo--no way to edit it.
(4) Comment by Lyra for Da Capo [Ch 1]
Oh wow, this story really packed a punch! Such a bitter list of regrets and could-have-beens already... and such an awful, heavy misunderstanding to finish it off. Powerful writing and such a satisfying, thought-provoking look at what may have gone through Feanor's head as he died. Brilliant work!
Re: (4) Comment by Lyra for Da Capo [Ch 1]
It flowed from the dense net of objects and connections that the first part of the Silm gives us: the sword, his brother, the sons . . . the wide lands of Beleriand, that are *meant* to mean freedom as well as vengeance.
So glad it worked for you!
(5) Comment by oshun for Da Capo [Ch 1]
I know I praised this on Tumblr and commented on AO3 but just want to go on record here (what I consider my home site) at how wonderful it is. Very special to me over the last couple of days, because I have been examining a lot why I find Feanor and sons so compelling.
Anyway, here is a cut and paste of my initial AO3 comment.
Re: (5) Comment by oshun for Da Capo [Ch 1]
And I thank you for commenting here, too. This site has the totally unique--Silmarillion-ness---that steeped-ness in the legendarium that just delights me.
This week I ended up reading a story here from 2010 and it was amazing: that layered sense of fan creation and imagination, which this site can offer as a dedicated archive.
I am rambling a bit, I blame wine and Netflix.
But, that's why I cross post and why I appreciate your commenting here after being kind enough to do so on the other platforms.