Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Cultus Dispatches: Revelations from Marquette's Fanzine Dataset In September 2026, Marquette University released a dataset about their Tolkien fanzine collection. Analysis of the data reveals what these fanzines contained and show how pre-internet Tolkien fandom responded to the publication of "The Silmarillion."
New Challenge: Unquote Choose a prompt from our selection of misheard, miswritten, and misrepresented unquotes that are in no way part of the actual "Silmarillon."
Character of the Month: Eönwë This month's biography focuses on Eönwë, who started with a variety of identities but settled into the role of Manwë's herald, exemplifying the values of strong leadership and justice.
Unquote
Choose a prompt from our selection of misheard, miswritten, and misrepresented unquotes that are in no way part of the actual "Silmarillon." Read more ...
In September 2026, Marquette University released a dataset about their Tolkien fanzine collection. Analysis of the data reveals what these fanzines contained and show how pre-internet Tolkien fandom responded to the publication of "The Silmarillion."
Across the history of the "Silmarillion," Eönwë's role settles on a character who leads without taking upon himself the power to mete out justice and who acts with equanimity across some of the most harrowing conflicts in the early legendarium.
Across three surveys and ten years, the Tolkien Fanfiction Survey has document when authors began writing. These data reveal trends in how film promotions, the films themselves, the books, and other historical contexts have influenced not only who writes but how long they stay.
Thirteen years before the War of the Ring, an orcling — more intelligent and more curious than most — is born in Mordor. His curiosity will lead him to both incredible discoveries and perilous situations, all of which will shape him into a leader unlike any Mordor has ever known. But to become…
“Oh.” Frodo’s voice was soft, almost more sigh than sound. “Sam, look.”
Around the World and Web
Nolofinwëan Week 2026
Nolofinwëan Week is Tumblr fandom event celebrating the House of Fingolfin, running from November 9th - 16th
14th International Tolkien Mailing Competition
The Hungarian Tolkien Society invites you to join the international “Quendi” category of the Tolkien Mailing Competition: five rounds of quizzes, riddles and creative tasks. This category is organised in English, open to any individual participant, and also to teams of 2–5 people. The five rounds of the competition will last from November to April.
Tolkien Food Week 2026
fandom event from the 2-8th nov 2026 where we share recipes, fics and comfort food for body and soul.
The White Oliphaunt 2026
The White Oliphaunt gift exchange, a yearly event where Tolkien fans sign up to exchange humorous gifts with each other.
In September 2026, Marquette University released a dataset about their Tolkien fanzine collection. Analysis of the data reveals what these fanzines contained and show how pre-internet Tolkien fandom responded to the publication of "The Silmarillion."
Across the history of the "Silmarillion," Eönwë's role settles on a character who leads without taking upon himself the power to mete out justice and who acts with equanimity across some of the most harrowing conflicts in the early legendarium.
Across three surveys and ten years, the Tolkien Fanfiction Survey has document when authors began writing. These data reveal trends in how film promotions, the films themselves, the books, and other historical contexts have influenced not only who writes but how long they stay.
There are few details in the texts about Marach, but he is noteworthy for his allegiances and his descendants, who would become pivotal to the history of Middle-earth and the eventual defeat of Morgoth and Sauron.
A dissenting voice in Marach's alliance with the Elves of Beleriand, Amlach experiences a change of mind after a mysterious twist in the story reorients his priorities toward enmity with Morgoth.
The Lord of the Rings and Hobbit film trilogies mark perhaps the most influential events in the history of the Tolkien fanfiction fandom. As the Rings of Power show approaches its third season, data from the Tolkien Fanfiction Survey shows that it is not even close to matching the impact of the films ... yet.
Data from the 2025 Tolkien Fanfiction Survey shows demographic changes in participant gender, age, and education and new revelations about neurodiversity.
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
Theft is heavily stigmatized in the Old English legal literature. This stigma carries over to fictional sources, including Beowulf. As a professor of Anglo-Saxon, Tolkien was heavily influenced by these sources. Multiple characters in Middle-earth shy away from the label of 'thief', even as they take actions which many would describe as stealing (see Bilbo, Beren, Lúthien). The balance between historical stigma and the more modern hero thief is mediated by judicious word choice and framing.
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
This Mereth Aderthad 2025 presentation considers what we know of Gil-galad beyond his primary role in the text as king. While we have some information about his character, such as his appearance, other facts—names and parentage, for instance—remain unsettled. In other areas, we know almost nothing about Gil-galad, especially compared to the other Noldorin kings, which "leads to him feeling unmoored in the narrative." Gil-galad does not speak, performs no actions outside of kingship, and is given no meaningful relationships. Basic facts, such as his burial, are missing. He is seen from the outside, becoming a side character despite being the longest-reigning Noldorin king. It becomes the task of fans to answer the question Merry asks in "The Lord of the Rings": Who was Gil-galad? Fan creativity plus tantalizing glimpses of his character have filled in the blanks Tolkien left.
Presented at Mereth Aderthad 2025, this paper considers how the themes of love and grief run parallel throughout The Silmarillion and are central to Tolkien's imagination. Also central is alliterative verse, and the paper discusses Tolkien's use of alliterative verse in the legendarium, his literary and scholarly influences, and his professional interest in alliterative verse. The paper draws parallels between alliterative verse in the legendarium and in the English literary tradition, making the case that alliterative verse was used in-universe by the Elves. Finally, the paper uses this evidence to advocate for fanworks that use alliterative verse.
This paper looks at the origins of the popular fanfiction "kidnap fam" trope in the editorial history of the published "Silmarillion." With much of the attack on Sirion written in 1930, prior to Tolkien writing The Lord of the Rings, Christopher Tolkien was faced with an editorial choice in how to reconcile this event with the later invention of the character of Gil-galad. Adding Gil-galad and Círdan to the tale of Sirion's destruction, however, raises questions for many readers about the motives and choices of Maglor and Maedhros in choosing to take Elwing's sons. Survey data, shows that readers tend to interpret characters' morals and motives based on what they believe those characters knew. The introduction of Gil-galad and Círdan by Christopher Tolkien, therefore, generates the moral complexity that drives the wealth of fanfiction about the "kidnap family." These many layers of intervention in the story—by Tolkien, by Christopher, by fan creators—mimics the storytelling tradition and creates a living legendarium: not a mess, as some readers despair of the multiple contradictory "Silmarillion" texts, but an opportunity.
Elu Thingol is a complicated character in "The Silmarillion." Faced with tough choices, he makes both good and bad decisions. But, as this paper argues, the Silmarillion fandom tends to file Thingol away as a convenient villain. This paper makes the case that many of his decisions are more complex than fans tend to assume and defends his place as one of the legendarium's complex characters and deserving of empathy.
Sesame is the featured artist for Jaz's Mereth Aderthad 2025 presentation "Twilight, Child Of: Comparisons Between Tinúviel, Lómion, and Undómiel" and spoke with Dawn about their artwork and the evolution from a kid who loved The Hobbit to taking notes on the fall of Gondolin.
Cindy Gates' presentation for Mereth Aderthad 2025, "Tolkien, Lunatic Physicists, and Abnegation," explores the ethics of refusal in the (mis)use of science and technology. A retired scientist herself, Cindy spoke to Grundy about her upcoming presentation and its inspiration in Cindy's fascination with the Manhattan Project.
Kai is the featured artist for Maglor's Mereth Aderthad 2025 presentation, "Gil-galad was an Elven King: Kingship and Personhood in the last High King of the Noldor." Shadow spoke with Kai about his wide range of interests and inspirations in the legendarium and why Maglor's presentation so intrigued him that he finished the art for it the first night.
Fish is the featured artist for Stella's Mereth Aderthad 2025 presentation "Cherished antagonist, despised protagonist - a defence of Elu Thingol." Shadow spoke with fish about his creative process, the importance of both tragedy and eucatastrophe to Tolkien's works, and the appeal of "greyness" in Silmarillion characters like Elu Thingol.
Zdenka is a fan writer, poet, and musician who will be performing both a song and an alliterative poem at Mereth Aderthad 2025. Zdenka spoke with Himring about about her love of music and her evolving understanding of what it means to be a Jewish Tolkien fan.
Idrils Scribe is the featured author for Stella Getreuer-Kostrouch's Mereth Aderthad 2025 presentation, "Cherished antagonist, despised protagonist - a defence of Elu Thingol." Shadow spoke with Idril about her story for the event, about the disproportionate criticism Thingol tends to receive in the fandom, the endless layers of the legendarium, and the arc of fandom history that makes inclusive communities essential for creators to thrive.
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Welcome to the SWG Reference Library!
In our Reference Library, we collect fan-made resources, analysis, and interpretation related to The Silmarillion, the fan culture that surrounds it, and the fanworks based on this remarkable text and the fictional world it establishes.