Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Scavenger Hunt In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I really have no idea to start what I liked about this piece. Perhaps with the genuine feeling that it reads as it was written around that time? The timeperiod, worries, law and people he encountered are so well depictured. Then there is also the writers thoughts and worries, how a piece of fiction will reflect on the writer, his family and career. Yet that inkling of doubt, the story he did found and how he ponders to go about it is so immensely well captured. And I very muchly like the idea that the story of the Silmarillion was found in a trunk, a history that did happen is making me squee inwardly a lot! I think if I read this again, many more impressions will come to the surface. What a wonderful piece Marta, I truly enjoyed reading this!
Thank you so much, Rhapsody! I am so glad this resonated, as I am always a bit nervous writing about Silmarillion events; it feels like I know so little of those events and so I am especially glad this tale worked for you.
This caught my attention immediately--very interesting to feature Tolkien in a fic! The hint that his stories could be real just tickles me. Thanks for sharing.
A writer's doubts and insecurity are immensely well conveyed here. The question what is more important: the truth or, let's say, customs, and how said truth will affect the writer's life in all aspects, is very well analyzed. And I'll second Rhapsy: I too would like the Silm to be part of history -- not fiction :)
Excellent piece of writing, and a treat to read, not only for the Silm fans :D Thank you!
Thanks, Robinka. I'm glad you thought I captured Tolkien's conflict well here.
As it happens, I write Third Age stuff more often than Silmarillion-based pieces, and actually checked with Dawn on whether this fit at the archive. I do think it works well for all ages. Glad you enjoyed it.
Oh, this was not an uncomfortable read for me in the least, but that shouldn't surprise you, given my skeptic's nature to question everything. In this story, through a cleverly wrought vehicle -- the Man Himself -- you pose an excellent line of questioning.
Coincidentally, when I was waiting for my daughter at her physician's office recently, I read a fascinating article about the Gospel of Judas in the May 2006 issue of National Geographic. That, and the Gnostic writings in general, take Christianity in quite a different direction than the orthodox beliefs which took hold and shoved aside the Gnostics as "heretics."
Your piece hits on strikingly similar themes: a decision made that changes "canon," which, in turn, causes one to question jsut what is canon and how objective are the decisions applied to declare something as canonical?
The story is atmospheric and the use of historical sleuthing and accompanying jargon is effective. I have to say, I wonder what Ramer and Lowdham would make of JRRT's revisionism. ;^)
Well, I can be heretical when the mood strikes me, but I'm still a bit uncertain without a CYA move in the form of notes. It is one thing to write slash, quite another to insist that was the way it really should have been. :-) But I am perhaps more skittish on that note than I need to be.
In either case, I'm glad for your review. Thanks for reading this piece.
Of course, in my fanciful semi-canonical view of the story of the dragon helm, I have always been fond of imagining it as a lover’s gift to Fingon. Now how Fingon would have been moved to present such a precious-by-association item to Hador was something I had not yet worked out in my head for my personal canon.
Oh, Marta! That was a terrific tale. Love the way it is written. Found myself reading it like a mystery novel (a very well written one at that!). The suspense was killing me all the way through it. I totally accepted JRRT as you portrayed him also.
And what a fabulous fantasy for a taleteller: to find out the stories one believes that one is inventing are actually true. And, in my case, that my own stubbornly "almost canon" concept of Fingon and Maedhros could be included in the reality warp of what is purported to be a true story was almost more than I could bear.
Giant squee for this one! What fun and what an appropriate occasion on which to share it.
Great use of the prompt and the Eliot quotations in general.
Thank you, Oshun. Your review gave *me* a little squee, too. I particularly am pleased that it read like a mystery novel; I will admit to having a noir-ish vibe as I was writing it myself.
On your other review: he would only pass the helm along because the elves had exchanged enough gifts by that point that some achieved "mathom" status. It's the only way - proof that they were close, see? :-)
Comments on Walking Down Narrow Streets
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.