Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Finrod and Bëor stop for a while on the road to Nargothrond to rest. The bodies of the Secondborn often grow weary, and Finrod laments, massaging Bëor's back and renewing his beloved's vigor with the work of his hands. But Finrod has other burdens of his own, Bëor soon discovers, returning…
Maglor without Maedhros, Daeron without Lúthien. Alone, they are nothing, but together, they can be something more. Where do you turn, when you have no one else left?
Written for Tolkien Reverse Summer Bang 2023, featuring artwork by athlai.
It was only the second time Finwë had come out foraging with them, and of course this would happen—of course the Hunter would come, the Dark Rider on his steed with its terrible, heavy footfalls, and the deep-throated laughter that held no mirth, only malice.
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
For most of my life, when reading Lord of the Rings, I read it through the perspective of Gandalf's words about Éowyn, that she'd spent years trapped as a caregiver, watching the realm she love fall from honor into disgrace.
But what if Éowyn was also a student of history?
…
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Angbang Week 2026
Angbang Week is a tumblr event focusing on the relationship between Morgoth and Sauron, running from May 5-11, 2026
Gondor Week 2026
A Tumblr week event focusing on the history of the realm of Gondor.
Crablor Day
A day dedicated to everyone's favourite warcriminal crustacean - April 26, 2026
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I was swayed by the mystery of the music and the emotions evoked as if I was a hidden spectator.
Who is this mysterious silvery fluet player? Will Maglor ever see him again? or will he be a passing moment of katharsis? Whichever, it is a precious moment.
thank you, glad you liked it. The mysterious flute player is Tinfang Gelion (Warble), but the name was not yet in the list. Well, Maglor at least has no clue who this mysereious elf is. They will meet again, not in this story but in one set several years later. This ficlet will be a kind of prequel. I plan to write a second chapter nevertheless, with the focus on Tinfang's thoughts and emotions, as I had to keep a certain word limit, so I focussed on Maglor.
I'll echo Scarlet's words. This is enchanting. Your prose is gorgeous and riveting, and I felt myself immersed in the realm of Faerie when reading this. You've taken a rather obscure character from BoLT and brought him to life. Tinfang Warble comes across as elvish but Other, too, and that is just perfect. The build-up of sexual and aesthetic tension is conveyed beautifully through the imagery of music entwined with humanity. Very, very nice, Lintalómë a.k.a. Amaranth!
Thank you so much for your kind words. I think my mind was floating in the realm of Faerie when I wrote this; I had an exact picture of the scene in mind and tried to capture it with words. I found the ficlet a bit difficult to write, I had a word limit of 2000 words and never before had to keep a word limit, so I had to make the descriptions short yet wanted them to convey as much of the emotions and the magic of the moment as possible.
I really fell in love with Tinfang when I read the few details Tolkien mentioned in BoLT and he is spooking my mind ever since. That Tolkien played with the thought of Tinfang being a half-Maia and the few things he mentioned about the magic of Tinfang’s flute play makes him even more special and mysterious…it is so inviting to take those few details, add own ideas and make Tinfang come to life.
The Book of Lost Tales has always had a raw, ethereal magic to it that JRRT's later writings lost, in my opinion. It is rare when I read a story or find a writer who can capture the unique feeling of that book, but you do that here. This story is breathtaking; Maglor's first sight of Tinfang was such that I nearly gasped along with him. The synesthetic imagery, where music unleashes memories and perception, is very effectively done and maintains that magical quality to the end. Very beautifully done--thank you! :)
Thank you, glad you liked it. And thanks for adding Tinfang to the name list, I might need him again in future. I had a rather detailed picture of the scene in mind, Tinfang with his pale hair and skin bathed in moonlight while he dances and plays. And the magic that hung in the air, inspired by the remarks in BoLT where it says that the stars come out too soon when Tinfang plays and that the people who hear him play feel a strange longing, I think this was roughly what BoLT said. And I thought it interesting to let two musicians of such skill express themselves with music instead of words, music that evokes vivid pictures in the mind and conveys their emotions and thought with far more depth as any spoken word could.
I love picking BoLT, opening one of the books at a random page and then having a look what new mysteries I encounter. Whenever I do this, I find something new and interesting that I seemingly overlooked or that did not draw my attention at first. Tinfang was one of the cases where I purposefully researched after I encountered him in the Lay of Leithian, but only after reading what was written about him in BoLT, I became totally hooked.
Faerie indeed! The atmosphere is magical and your description of Tinfang conveys his otherwordliness (even for a Valinor elf). The way tension builds up (both music and sex) is wonderfully described.
Thank you, glad you enjoyed it. Tinfang enchanted me when I read about him in BoLT, he has something special about him and I tried to get this across as best as I could. I think trimming and tightening it because I had to keep a word limit of 2000 words added greatly to the tension, yet it was challenging to say everything I wanted to say in those few words and keep a certain level I thought pleasing.
Sorry for the late reply, I had a hell of a week and was too tired to spend additional time at the computer in the evening. Thank you for your review, I am glad you liked the story. I always try to be descriptive when it comes to the emotions of the characters, trying to give a certain depth.
Sorry for the late reply, I had a hell of a week: second week at the new job, a rather nasty cold and looking for a new car; I collapsed into bed like a stone each evening. Thank you for your review, I am glad you liked the story. It really amazes me how well it was received and it is very encouraging. It was a hard piece of work, it always is, as I often think too German and have problems to word my thoughts in English…I try to think in English to make it easier.
Tinfang is a rather inspiring little muse; he is so enchanting and always sets my mind in motion.
Comments on The Dance of Flute and Harp
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.