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Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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Every line screamed ‘Galadriel’. I like how different the first two are from the last one. She was restless and very proud and it’s clear how she matured as she found her place in Middle Earth (though the pride is still there).
Thank you--I'm very glad that you think I got her right!
Yes, a great many things have happened between the first two and the last one, and they've all had their effect on her. She is not the kind of person who would ever lose her pride entirely, I think, but it has become leavened with more complex emotions.
"... it is almost possible to believe that you were not really party to the Flight of the Noldor, that you were just going on a trip of exploration and accidentally got mixed up with us at Alqualonde."
All with her cousin, Teleporno, of course. :D
But that aside, I love this. Galadriel is always strong, of course, but it is good to see her vulnerable too, and maturing too.
Do you know you are the first person who commented on this story to take notice of that sneaky allusion to the alternate version in HoME? I suppose it is perhaps not entirely polite to the Professor, but I enjoyed working it in in a way that made sense to me.
My Celeborn, of course, is proud to be a Sinda and is neither Tele- nor -porno!
I'm very glad you think it works as a character study of Galadriel!
I love your characterisation of Galadriel in these little pieces. Her musings on the beaches of Losgar are a little heart-breaking - I love that she considers sending a message "home", so to say, and then realises how futile that would be. Her conversation with Finrod actually made me laugh out loud. Finrod's observation is so spot-on! "Does not apply" - keep telling yourself that, Professor. XD And finally, I loved the idea that Galadriel wasn't so much subject to "fading" after Nenya lost her power, but simply suffered from the same effect as Frodo. Finally-finally, your reconstruction of how the phial was made was also fascinating - and beautifully written, like all of these. This was excellent!
Glad you enjoyed my attempts to make sense of Galadriel and her arc!
Yes, I couldn't resist the attempt to poke a little fun, gently, at the Professor and his Galadriel AU.
As for the fading, I'm not denying it as such, since it's clearly a thing, but it seemed to me that it might have been a bit more and other than that, in Galadriel's case.
Wow. I simply loved this. Galadriel is a character we don't see much in Silmfic (for whatever reason!), and you've managed to capture so much of her character, so keenly and poignantly and in so few words, across the span of her history. You show both her pride and her vulnerability--Galadriel the little sister/cousin whom others feel they must still protect--and also her strength and the kind of no-nonsense wisdom that likely led her to survive when others did not. (I loved how she washed her hands of worry about her father under the observation--the very true observation!--that she could do nothing for him. That felt very true to her character.)
The line about feeling Endore being ripped out of her by the roots really struck me for whatever reason. Something, maybe, about an attachment that she felt toward the land and its people, shown in her help toward the Fellowship (evidenced in the final, stunning double-drabble) when others would abandon them.
I'm very glad you think I've managed to capture some of Galadriel's character here!
I don't know about issues others might have, of course, but I do find her quite difficult because there is such an unusual amount of source material, but it is so disparate and sometimes contradictory and has worrying gaps. As I'm not even trying to write a Galadriel novel, I don't feel the need to solve everything, but I was trying to get a feel for her.
I know others have questioned Galadriel's attitude to Endore and Lothlorien (especially from a post-colonial or anti-Noldorin angle), but I rather see her as gradually engaging more and more fully and more deeply, over the Ages--and I feel that this makes her both stronger against Sauron and in support of the Fellowship and, in the end, more vulnerable.
It's really good to hear that the final drabble works for you here as it does! It was written much later, for a different challenge, and I only decided to add it to the earlier pieces after I had written it.
<i>He makes her impatient sometimes, does Findekano. She knows it is partly jealousy. He has so clearly arrived where he was going, in Hithlum, in Beleriand. She has not. She has quite a long way still to go.</i>
I like your depiction of a younger Galadriel who does not quite understand the implications of her new reality. You can see here that Finrod is the eldest. Well done!
Thank you very much for your comments on the chapters of this fic!
Galadriel has perhaps not lost quite as much as she thinks, at that moment. But Middle-earth and especially Lothlorien had very much become part of her, so it does feel as if she is losing that part of herself.
Of course, if readers read LOTR first and the Silmarillion later, as they still mostly do, they usually only work out afterwards the extent to which the Star Glass condenses all that!
Comments on Galadriel: There and Back Again
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