Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I had to go back and re-read the Stars of the Lesser. It informed me a great deal relating to the context but I am still reaching to grasp the last line.
Unthinking, darkly, he wrote.
I'd ask a question, but I'm not sure how to formulate it. Seems like he is doing a lot of thinking in this piece. Well, any drabble that causes me to do so much stewing and thinking is definitely a piece of substance.
Are you trying to say that he is deliberately deciding to slant his telling of this story?
He is making a choice to abandon pursuit of a line of thought that is both troubling and going to cause him trouble. I don't think he is making a conscious decision to lie or even bend the truth but rather to not examine his assumptions, as we are all guilty of doing from time to time. Is there a person who hasn't given up on a thought that could lead to unacceptable realizations or conclusions? And for much less cause than he had: His people had ample reason to bear the resentment they did toward the Feanorians.
Of course, the end result is a subcreation of a much more complex story. My old song and dance, in other words. :)
Thank you for spending so much thought on a mere 100 words!
I don't think he is making a conscious decision to lie or even bend the truth but rather to not examine his assumptions, as we are all guilty of doing from time to time.
OK. I got you. I understand now completely. I was wrestling with variations of that. I did get to read Stars of the Lesser again, which is a meaty story and has some terrifically memorable lines. It's all good.
Further, there is wobbling and ambiguity in the texts which was why The Silmarillion originally hooked me so deeply and keeps me coming back. Perhaps it would have been a shame if Tolkien lived another 20 years and had ironed out all the wrinkles. Or, alternately, he was just that brilliant--to write those contradictory elements into his history to make it more convincing.
I read a bunch of these stories last night--not even all yet--and there are a number challenging ones and some terrific writing! Impressive bit of organization that you have the skill and the authority to pull that together virtually overnight on practically no notice at all. Thanks! I feel honored and humble to be included in that collection. OMG! I wrote mine in less than an hour! So embarrassed.
I wrote mine in under ten minutes! It was a necessity and even kind of the point. Subcreation on the fly. ;)
That ambiguity is precisely why I write Silmfic and no other fandom. The story seems to invite--even require--those other hands in mind. You have this "vast backcloth" and then only a quick glimpse of it from a rather problematic (heh) PoV. To someone like me, who is always wanting to challenge the "authoritative" view on everything, that's like kicking in your open door! :D
It is probably heretical to say but I am glad Tolkien didn't do much more with the Silm than what he did. Not only because MT shows he was contemplating some big changes that I'm not sure would improve the story but because my sense--never quantified! someday!--is that, as he aged, he moved away from the morally complex and almost openly pagan mythology he initially created to something that fit a lot better with his own Catholic sentiments. Which makes sense: the difference between a young man writing to entertain himself and an author who has become, like it or not, part of pop culture currency and whose message carries weight. Hence his despair over how some people were using LotR ... I can see why his Silm myth would become also problematic (heheh) to him in places.
> Impressive bit of organization that you have the skill and the authority to pull that together virtually overnight on practically no notice at all.
Thank you! It took a lot of time I didn't have and a lot of angst, truth be told! I didn't expect the response I got, which was rather stupid ... one would think I would have figured out by now that I'm going to get more rather than less. It then became a feat of organization (and HTML on the fly!) more than anything. And I've only caught one mistake I made so far, which is fixable. Not bad.
I didn't finish till 11 PM, mostly because I an after-school meeting at the district office, then a meeting for a friend's organization ... I didn't even get home to start working on Silm40 till after 8 o'clock!
But last night it took all of six minutes to do the day's posting. That will be the norm.
That moment when a bead of ink hangs on the nib is my fav, because all those characters are my, my own, my precioussss and I still have the power to stop the pen from giving them out to the public.
There is a certain loveliness to the time when a story exists only in your mind and is still perfect, still exactly as you imagine it, before it becomes diluted by the attempt to put it into words. ;) Thank you for reading and commenting, Binka!
I thought this drabble was darkly wonderful. It may be short but as Pengolodh was thinking, "for once told it would fill the world". I love your descriptions as usual: "the deep ache that lingered in Gondolin" and the "bead of black ink...threatened to fall...and mar the page".
You said so much in so few words, and now I must read "Stars of the Lesser" so I can fill in the blanks.
Thank you, Jenni! It probably helps that I've thought more than any healthy person should about Pengolodh and his worldview. :D I rarely write drabbles anymore but found the minimalist form fun for this project--trying to put as much meaning into those 100 words as I could.
If you get to "Stars of the Lesser," I hope you enjoy it! I wrote it for Pandemonium now some years ago, but it is definitely a fave among my own stories.
I read this over the holidays and forgot to comment, I'm sorry! I just wanted to say that I love the weight of it, the sense of responsibility that you convey in so few words.
Thank you! I do like to think that Pengolodh was aware of the responsibility behind what he was doing ... and would be vaguely mortified to know that "his First Age" has become "the First Age." But I'm sympathetic to the guy despite disagreeing with him on nearly everything! :D
Comments on The View from within the Mountains
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.