Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Instadrabbling Sessions for April, May, and June
Instadrabbling continues on the first Saturday of each month on our Discord server.
[Writing] A Very Fire by Deborah Judge
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
"The madness will not end," Feanor…
[Writing] After the Kinslaying by Deborah Judge
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
[Writing] Add Another Stone by StarSpray
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
[Writing] How Tolkien Presents Ordinary People in "The Silmarillion" by Dawn Felagund
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
[Writing] Blessed are the Leave-takers by Isilme_among_the_stars
As prince Curufinwë Fëanáro makes an historical speech from the high court of the King upon Túna, those at the back of the crowd strain to hear.
A silly little scene inspired by Monty Python's "Blessed are the Cheesemakers" scene from The Life of Brian, written for …
[Writing] I Sit and Think of Times There Were Before by Erdariel
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
[Writing] Until the Stars are All Alight by Dagstjarna
Reembodied in Aman, Celebrimbor decides to return to Middle earth to help heal the darkness and hurt wrought by the ring.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Caprice and Chance
Prompts for this Matryoshka challenge are loosely based on the plot arcs and tropes of romance novels. Read more ...
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Week of Kiliel
A Tumblr event dedicated to the relationship between Kili and Tauriel.
Aspec Arda Week 2026
This week-long event celebrates asexual and aromantic spectrum interpretations and headcanons of Tolkien’s Legendarium.
April/May Teitho Challenge
Teithio is running a prompt challenge around the theme of "heartbreak."
Tolkien Reverse Summer Bang 2026
The Tolkien Reverse Summer Bang is back for another summer of collaboration between artists and writers!
I could have sworn I commented on this last night - I hope I didn't accidentally post the comment meant for here on your most recent fic...
I knew going in that it would be a bit lopsided, but even so I have to say your numbers surprised me - I would have thought that Yavanna, Nienna, and Varda would have been worth more mentions. I guess I shouldn't be surprised, though. I'll keep track over on HL as well - interested to see what kind of discussion this provokes.
I did not have a new comment on "Peril," so I'm hoping that the comment didn't get eaten by a database blip or something ...
I was also surprised when I initially ran the data. And like a lot of the historical bias stuff I've done, as I've run more data, it has all reinforced my initial conclusions.
So far not a lot of chatter on the HL--maybe because HL readers saw most of this data when I initially posted it a couple years ago--but maybe something will get kicking! :) Thanks for reading and commenting! (I'm psyched for your essay, which I haven't had a chance to read yet!)
Thank you for writing this!
As a woman functioning in an overwhelmingly male professional environment, my only response is nodding so hard my head is about to fall off.
Just because something looks like equality, does not mean it actually is, and often the difference will not come out until someone goes through the trouble of applying a numerical metric to the matter at hand. You have done a great job with the counts of mentions and words spoken: your data is objective, value-neutral and very, very eloquent.
I think your last paragraph is very significant: just like fishes have no concept of being wet, we tend to lose sight of how steeped we all are in thousands of years of culture that rendered women and their achievements invisible.
Thank <u>you</u> for reading ... and especially for commenting! ^_^
Numbers do possess a force that "qualitative" measurements often seem to lack. I mean, we've all read the Silm, most of us many times (many of us more times than we can now recall ... >.>) and yet simply seeing how various characters are treated, even once we are called to notice it, often lacks the power to convince the way that saying, "Hey, the guys talk more than four times as much as the women do ..." It's always interesting to me to visualize the legendarium through numerical data.
I'm glad you liked the last paragraph. I started the research for this years ago now, and having occasionally waded into the feminist side of the Tolkien studies pool, I can say that my kind of conclusions do not sit well with many fans, many of whom seem to think that feminist fans want to censor or rewrite his work ... but that misses the point entirely, which is simply to avoid prototypes when we know we can now do better. We are all, after all, carriers of his tradition.
Thank you again for reading and commenting! <3
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Comments on The Inequality Prototype: Gender, Inequality, and the Valar in Tolkien's Silmarillion
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