Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Current Challenge
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
Random Challenge
Dear Irmo
Historians trace the first advice column to 1690, and in the three centuries hence, the heartsore, woebegone, and perpetually puzzled have turned to these "agony aunts" (and uncles) to solve their most debilitating dilemmas about family, work, and of course, love. Choose one of our real advice columns, tweaked just slightly, for your prompt. Read more ...
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
Around the World and Web
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Thank you very much! I really appreciate your commenting here, too!
It must have been really traumatic. I guess it is one of the reasons why Elemmire's poem about it later became so popular--it helped them deal with that memory.
This was a very charming piece. Estë knows her job! I can imagine her arranging things so that they would look familiar and comforting (if not wholly so) to Celebrian. I also loved Celebrian's observations: That she does not want to have the painful memories removed magically, and that she welcomes the sensation of homesickness. I think that already shows that some healing has taken place: the pain is no longer between Celebrian and her feelings for the place she left behind. And of course, everything is easier with tea!
Thank you very much, Lyra! I'm glad you liked it. Of course everything is easier with tea!
I downplayed this a little in the ficlet itself because of my recipient, who hadn't read the earlier story, as far as I know, but my own thoughts were that some healing indeed had taken place already--Celebrian experiencing Finrod's support and managing to trust him is the first step in Valinor before she is able to engage with Este, even with this unexpectedly familiar and comforting Este. Thus we find that some healing has taken place already and it opens the door to further healing, as it were!
WOW! The idea of the early Eldar not only consciously hearing, but actively analysing and discussion the echoes of the Ainulindale, is already fascinating... but writing it so effectively in so few words is actual genius. You even manage to characterise the Unbegotten through what little they say! And Tata's final question is a real killer. Absolutely love this!
This came to me while I was having a real struggle with my main piece for Silmarillion40. I guess Dawn's previous posts about the Ainulindale were churning somewhere in the back of my mind.
Aww, Gil-galad is such a sweetheart! And Finarfin's initial naivety and later disillusionment are very believable and quite heartbreaking. I like that among his difficult tasks you listed keeping the people on their side talking to each other. That can't have been easy with all those easily ruffled tempers and (sometimes justified) animosities!
Yes, I think it was difficult to keep people talking to each other and it was also one of the things in which Finarfin did not quite succeed! Because of people's tempers and the sometimes justified animosities, because of the cultural divides (more than one), and because of the chaos of war that kept cutting communication and supply lines. (We don't hear of him in that final episode with Maedhros and Maglor and maybe that is because he is worn out and overwhelmed and distracted, by then, although alternatively maybe, of course, his reaction has just dropped out of the narrative.)
I'm glad you found his disillusionment believable! And I wanted someone to appreciate nevertheless how hard he had tried!
It is an odd thing, how Halloween and it's train of horror movies and the like follow so closely in the footsteps of the actual meaning of the holiday, which is and has always been remembrance of the dead. It is fitting that Remembrance/Memorial Day falls around this time, and it is fitting that you write about it now. You said that my work adhered to the prompts and their source, and that might to an extent be true, but this little vignette more closely resembles what I believe to be the true spirit of this time of year, and that took a great deal more skill. Thank you for sharing this.
This feels very honest and raw. Sometimes that happens, that fiction is too close to reality, or history, for comfort... and yet we find continue to find comfort in it. A sad, but lovely and very fitting story at this time.
Comments on Taking Readings II
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.