Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
Reembodied in Aman, Celebrimbor decides to return to Middle earth to help heal the darkness and hurt wrought by the ring.
Current Challenge
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Random Challenge
Middle-earth Museum
Stroll the halls of an imaginary Middle-earth Museum and choose one (or more!) objects from our prompt list to inspire the creation of a fanwork. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Thank you very much! I really appreciate your commenting here, too!
It must have been really traumatic. I guess it is one of the reasons why Elemmire's poem about it later became so popular--it helped them deal with that memory.
This was a very charming piece. Estë knows her job! I can imagine her arranging things so that they would look familiar and comforting (if not wholly so) to Celebrian. I also loved Celebrian's observations: That she does not want to have the painful memories removed magically, and that she welcomes the sensation of homesickness. I think that already shows that some healing has taken place: the pain is no longer between Celebrian and her feelings for the place she left behind. And of course, everything is easier with tea!
Thank you very much, Lyra! I'm glad you liked it. Of course everything is easier with tea!
I downplayed this a little in the ficlet itself because of my recipient, who hadn't read the earlier story, as far as I know, but my own thoughts were that some healing indeed had taken place already--Celebrian experiencing Finrod's support and managing to trust him is the first step in Valinor before she is able to engage with Este, even with this unexpectedly familiar and comforting Este. Thus we find that some healing has taken place already and it opens the door to further healing, as it were!
WOW! The idea of the early Eldar not only consciously hearing, but actively analysing and discussion the echoes of the Ainulindale, is already fascinating... but writing it so effectively in so few words is actual genius. You even manage to characterise the Unbegotten through what little they say! And Tata's final question is a real killer. Absolutely love this!
This came to me while I was having a real struggle with my main piece for Silmarillion40. I guess Dawn's previous posts about the Ainulindale were churning somewhere in the back of my mind.
Aww, Gil-galad is such a sweetheart! And Finarfin's initial naivety and later disillusionment are very believable and quite heartbreaking. I like that among his difficult tasks you listed keeping the people on their side talking to each other. That can't have been easy with all those easily ruffled tempers and (sometimes justified) animosities!
Yes, I think it was difficult to keep people talking to each other and it was also one of the things in which Finarfin did not quite succeed! Because of people's tempers and the sometimes justified animosities, because of the cultural divides (more than one), and because of the chaos of war that kept cutting communication and supply lines. (We don't hear of him in that final episode with Maedhros and Maglor and maybe that is because he is worn out and overwhelmed and distracted, by then, although alternatively maybe, of course, his reaction has just dropped out of the narrative.)
I'm glad you found his disillusionment believable! And I wanted someone to appreciate nevertheless how hard he had tried!
It is an odd thing, how Halloween and it's train of horror movies and the like follow so closely in the footsteps of the actual meaning of the holiday, which is and has always been remembrance of the dead. It is fitting that Remembrance/Memorial Day falls around this time, and it is fitting that you write about it now. You said that my work adhered to the prompts and their source, and that might to an extent be true, but this little vignette more closely resembles what I believe to be the true spirit of this time of year, and that took a great deal more skill. Thank you for sharing this.
This feels very honest and raw. Sometimes that happens, that fiction is too close to reality, or history, for comfort... and yet we find continue to find comfort in it. A sad, but lovely and very fitting story at this time.
Comments on Taking Readings II
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.