New Challenge: Epic 80s
This month's challenge features hundreds of fresh prompts from the bodacious decade of the 1980s.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Epic 80s
This month's challenge features hundreds of fresh prompts from the bodacious decade of the 1980s.
Cultus Dispatches: Communities Do Comment
Comment data from the SWG underscores community as an essential component to a robust commenting culture.
Instadrabbling Sessions for July, August, and September
Instadrabbling continues on the first Saturday of each month on our Discord server.
New Challenge: Scavenger Hunt
In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
[Writing] Is it raining with you? by AdmirableMonster
In the last days of Númenor, two very different men meet in Umbar and fall in love.
(Please note that while this work is heavily inspired by Disco Elysium, no knowledge of the game is necessary to read the fic!)
[Writing] Nasyalossë by Lovimmy3365
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
[Writing] From That Rubble by StarSpray
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.”
“It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?”
“It’s not as though I…
[Writing] Eä's Redemption by AaronAzrael
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
[Writing] Wrensong and Roses by Isilme_among_the_stars
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
[Writing] The Mirror Crack'd by AdmirableMonster
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
[Writing] Bon(e)fire by Fuin
On the night before the battle, Caranthir and his ally share thoughts about their peoples' traditions:
Burning bones ward off evil.
Epic 80s
Create a fanwork using on of our righteous prompts based on popular culture from the 1980s. Read more ...
Meet & Greet
For our annual Matryoshka challenge, we add an interactive component. Receive your first prompt and track down the rest by interacting with other SWG members or finding prompts posted online. Read more ...
Communities Do Comment: Expanding the 3C's of Commenting with SWG Data by Dawn Walls-Thumma
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Tolkien Gen Week 2026
Tolkien Gen Week will run from July 6-12, 2026 to appreciate all of the incredible characters and relationships within Tolkien’s legendarium that fall under the broad category of “gen.”
Tolkien Disability Pride 2026
This Tumblr event focuses on ALL creative works focusing on disability in Tolkien's universe.
Tolkien Native Language Appreciation Fest 2026
A Tumblr event to celebrate the linguistic diversity of the Tolkien fandom.
Scribbles and Drabbles 2026
Scribbles & Drabbles is a fic and art exchange with a minimum word count of 100 words.
Poor Erkenhild, daughter of two worlds and not really at home in either! You brought her inner conflict across in so few words, and I really like that you didn't limit her sense of alienation to Rohan only. That made it very believable to me. And I liked the reconciliatory ending! (If that's what it is. After all, …owyn's and Faramir's offspring might face the same difficulties one day...)
Thank you very much, Lyra! I really appreciate your insightful reviews!
Yes, although moving from Gondor to Rohan might be the change that would trigger a lot of this, I think it likely that the sense of alienation would be something she would feel in both worlds, not only in Rohan. I'm glad it was believable.
And it is meant to be a reconciliatory ending, even if it won't stop others, like Eowyn and Faramir's offspring, from encountering the same problems, maybe. I was trying to hint at that, with the reference to Erkenhild's sisters (not too schematically, I hope). Not everyone would be affected in the same way--and for some, minor feelings of alienation might not be such a great price to pay for the broadening of their horizon.
I've always been fascinated by the ties between Gondor and Rohan and the possible cultural differences and overlaps.
I spent a lot of time digging into the question for purposes of my Third-Age novel The Princess and the Horse Lord, wherein I wanted to take a hard position on what language[s] Eowyn and Eomer might have spoken and how well-educated they would have been by Gondorian standards [very well, I decided!]. At the time, mainly on HASA and ff net, there was a subset of works about Rohan within which fanfic authors posited they were illiterate because the language of the Rohirrim of Rohan was not a written language. I objected.
Here was one of my assertions from my author's notes to that story related to that line of researcg (I was always a geek):
He [David Salo in his book on Sindarin] goes on to note that native Sindarin speakers were largely limited to Minas Tirith and the surrounding area, the Dúnedain of the North and Dol Amroth. He claims that it was most persistently used among Men as a first language in Dol Amroth. He goes on to say "In the last years of the Third Age as a result of the marriage (2943) of Thengel of Rohan to Morwen of Lossanarch (whose family was from Belfalas), Sindarin came to be spoken also by the Kings of Rohan." (He references Peoples of Middle Earth, Return of the King, and Unfinished Tales. I also found references to that effect in Tolkien's letters as well.)
I am insufferable! My point is that I really enjoyed your exploration of these connections and cultural overlap and contrasts/differences in this story!
Thank you very much, Oshun! Glad that this caught your interest! It is an interesting subject, isn't it?
There are hints that there was a bit of cultural backlash to the the pro-Gondorian attitudes and encouragement of Sindarin at Thengel's court. So I suppose it's possible that some nobles of Rohan refused to learn to read or to learn to write, out of principle, and there were clearly some who were reluctant to speak Sindarin. But it doesn't seem very likely that Eomer and Eowyn would have been part of this movement.
I may be wrong about this, but I get the impression that Morwen being ultimately from Belfalas is a post-LOTR revision. Is that right, do you think? The implications of that irritate me just a bit, because I suspect that one of the motivations was that Tolkien decided that Forlong was not poetic enough for major characters to be related to. And I like Forlong, so I'm a bit indignant on his behalf. But I suppose there are ways that Morwen could be related by blood or marriage to Forlong and still be from Belfalas and also related to the Princes of Dol Amroth. And besides, maybe I'm doing Tolkien an injustice and he just wanted to tidy up his ideas about the distribution of Sindarin.
Anyway I left all that very much in the background here!
It's always difficult to belong to two different worlds, two different cultures.
The Rohirrim would see her as an aloof woman, perhaps too refined, too distant. And the Gondoriand would see her as a "wild maiden of the North".
And Morwen is right: perhaps it's harder for a woman. Perhaps it'll be harder for Éowyn, too, in a sense. But she has Faramir. And he makes her feel they are kin.
Yes, I think that is how a daughter of Thengel might be perceived.
It may be harder for a woman--although it could be hard for a man, too. Theoden, the only son, had a role waiting for him in Rohan, of course: the heir and future king.
I was also trying to hint that Morwen, who seems to have impressed the Rohirrim, may herself have found it hard at times. She was a fully grown woman, though, when she left Gondor, so her experience was a bit different from her daughters'.
Thank you for reading and commenting!
oh, I like this a lot!!! :) As an avid reader and writer of both Silmfic and that set in later Ages, I found this to be exciting :) Erkenhild, so betwixt and between...poor Princess! But she links Faramir and Eowyn together in more ways than one. :)
I do hope to see that other ficlet someday!
Thank you very much, Kaylee! Glad you like it and the subject appeals to you!
Yes, Erkenhild links Faramir and Eowyn. I was also interested in speculating what other sources Faramir might have for his views on the history of Gondor and its relation to the rest of Middle-earth, besides conversations with Gandalf and his own reading.
The other ficlet I mentioned was written for the Art's Desire challenge at the LOTR community on LJ, so it will be revealed in a couple of days. It's written from Gleowine's point of view, who doesn't like Erkenhild very much. I found it difficult to get Erkenhild's point of view into the same story--and that is why there are now two, rather different ficlets!
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