Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Instadrabbling Sessions for April, May, and June
Instadrabbling continues on the first Saturday of each month on our Discord server.
[Writing] Add Another Stone by StarSpray
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
[Writing] How Tolkien Presents Ordinary People in "The Silmarillion" by Dawn Felagund
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
[Writing] Blessed are the Leave-takers by Isilme_among_the_stars
As prince Curufinwë Fëanáro makes an historical speech from the high court of the King upon Túna, those at the back of the crowd strain to hear.
A silly little scene inspired by Monty Python's "Blessed are the Cheesemakers" scene from The Life of Brian, written for …
[Writing] After the Kinslaying by Deborah Judge
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
[Writing] I Sit and Think of Times There Were Before by Erdariel
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
[Writing] Until the Stars are All Alight by Dagstjarna
Reembodied in Aman, Celebrimbor decides to return to Middle earth to help heal the darkness and hurt wrought by the ring.
[Writing] a riot of shadow and shine by Elrond's Library
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
But…
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Hero's Journey
Prompts for this Matryoshka challenge are based on the stages of the hero's journey archetype. Read more ...
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Week of Kiliel
A Tumblr event dedicated to the relationship between Kili and Tauriel.
Aspec Arda Week 2026
This week-long event celebrates asexual and aromantic spectrum interpretations and headcanons of Tolkien’s Legendarium.
April/May Teitho Challenge
Teithio is running a prompt challenge around the theme of "heartbreak."
Tolkien Reverse Summer Bang 2026
The Tolkien Reverse Summer Bang is back for another summer of collaboration between artists and writers!
Poor Erkenhild, daughter of two worlds and not really at home in either! You brought her inner conflict across in so few words, and I really like that you didn't limit her sense of alienation to Rohan only. That made it very believable to me. And I liked the reconciliatory ending! (If that's what it is. After all, …owyn's and Faramir's offspring might face the same difficulties one day...)
Thank you very much, Lyra! I really appreciate your insightful reviews!
Yes, although moving from Gondor to Rohan might be the change that would trigger a lot of this, I think it likely that the sense of alienation would be something she would feel in both worlds, not only in Rohan. I'm glad it was believable.
And it is meant to be a reconciliatory ending, even if it won't stop others, like Eowyn and Faramir's offspring, from encountering the same problems, maybe. I was trying to hint at that, with the reference to Erkenhild's sisters (not too schematically, I hope). Not everyone would be affected in the same way--and for some, minor feelings of alienation might not be such a great price to pay for the broadening of their horizon.
I've always been fascinated by the ties between Gondor and Rohan and the possible cultural differences and overlaps.
I spent a lot of time digging into the question for purposes of my Third-Age novel The Princess and the Horse Lord, wherein I wanted to take a hard position on what language[s] Eowyn and Eomer might have spoken and how well-educated they would have been by Gondorian standards [very well, I decided!]. At the time, mainly on HASA and ff net, there was a subset of works about Rohan within which fanfic authors posited they were illiterate because the language of the Rohirrim of Rohan was not a written language. I objected.
Here was one of my assertions from my author's notes to that story related to that line of researcg (I was always a geek):
He [David Salo in his book on Sindarin] goes on to note that native Sindarin speakers were largely limited to Minas Tirith and the surrounding area, the Dúnedain of the North and Dol Amroth. He claims that it was most persistently used among Men as a first language in Dol Amroth. He goes on to say "In the last years of the Third Age as a result of the marriage (2943) of Thengel of Rohan to Morwen of Lossanarch (whose family was from Belfalas), Sindarin came to be spoken also by the Kings of Rohan." (He references Peoples of Middle Earth, Return of the King, and Unfinished Tales. I also found references to that effect in Tolkien's letters as well.)
I am insufferable! My point is that I really enjoyed your exploration of these connections and cultural overlap and contrasts/differences in this story!
Thank you very much, Oshun! Glad that this caught your interest! It is an interesting subject, isn't it?
There are hints that there was a bit of cultural backlash to the the pro-Gondorian attitudes and encouragement of Sindarin at Thengel's court. So I suppose it's possible that some nobles of Rohan refused to learn to read or to learn to write, out of principle, and there were clearly some who were reluctant to speak Sindarin. But it doesn't seem very likely that Eomer and Eowyn would have been part of this movement.
I may be wrong about this, but I get the impression that Morwen being ultimately from Belfalas is a post-LOTR revision. Is that right, do you think? The implications of that irritate me just a bit, because I suspect that one of the motivations was that Tolkien decided that Forlong was not poetic enough for major characters to be related to. And I like Forlong, so I'm a bit indignant on his behalf. But I suppose there are ways that Morwen could be related by blood or marriage to Forlong and still be from Belfalas and also related to the Princes of Dol Amroth. And besides, maybe I'm doing Tolkien an injustice and he just wanted to tidy up his ideas about the distribution of Sindarin.
Anyway I left all that very much in the background here!
It's always difficult to belong to two different worlds, two different cultures.
The Rohirrim would see her as an aloof woman, perhaps too refined, too distant. And the Gondoriand would see her as a "wild maiden of the North".
And Morwen is right: perhaps it's harder for a woman. Perhaps it'll be harder for Éowyn, too, in a sense. But she has Faramir. And he makes her feel they are kin.
Yes, I think that is how a daughter of Thengel might be perceived.
It may be harder for a woman--although it could be hard for a man, too. Theoden, the only son, had a role waiting for him in Rohan, of course: the heir and future king.
I was also trying to hint that Morwen, who seems to have impressed the Rohirrim, may herself have found it hard at times. She was a fully grown woman, though, when she left Gondor, so her experience was a bit different from her daughters'.
Thank you for reading and commenting!
oh, I like this a lot!!! :) As an avid reader and writer of both Silmfic and that set in later Ages, I found this to be exciting :) Erkenhild, so betwixt and between...poor Princess! But she links Faramir and Eowyn together in more ways than one. :)
I do hope to see that other ficlet someday!
Thank you very much, Kaylee! Glad you like it and the subject appeals to you!
Yes, Erkenhild links Faramir and Eowyn. I was also interested in speculating what other sources Faramir might have for his views on the history of Gondor and its relation to the rest of Middle-earth, besides conversations with Gandalf and his own reading.
The other ficlet I mentioned was written for the Art's Desire challenge at the LOTR community on LJ, so it will be revealed in a couple of days. It's written from Gleowine's point of view, who doesn't like Erkenhild very much. I found it difficult to get Erkenhild's point of view into the same story--and that is why there are now two, rather different ficlets!
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