Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I loved the feel of it, Himring. They would be like this, they would talk each other down. They would be a team - after all, there is no one else like them over there.
I'm amazed how much you've got going on in this short piece. The consideration you've given to the practicalities of their particular situation is brilliant - Elwing's birdlike shriek, Eärendil's frozen tongue, the calming and warming influence they exert on each other. The way in which she needs to return to being human, and in which he needs to find his way back into the world of speech. Following their exchange (and change) was quite exhilarating, and I suspect this fic is going to reverberate with me for quite a while.
I actually managed to leave out a line that had seemed important before I started writing. Now I wonder whether I should take that as a sign that it wasn't such a good idea after all or whether I was just too out of it, at the time of writing.
I love the way you make her a flapping cawing gull, and earendil like his ship's rigging- really effective imagery. I never liked Elwing so have no sympathy for her but the strangeness of their story is brought sharply into focus here- like a folktale. I like the way you point out that it is never resolved though and that hanging ending gives it a poignancy I don't find in Tolkien.
Thank you, ziggy! Good to hear the imagery works for you.
Whether one likes Elwing or not, her story starts with displacement and the loss of her parents and siblings and ends by taking her even farther away--a strange story, as you say.
I think Tolkien wants it to be a happy end, but it seems to me that he only achieves that by looking at it and describing it from a distance.
What a punch in a short piece! I'm completely in love with the way Elwing takes some time to transition from gull to woman and how Eärendil needs to unthaw from the deep space he has been exploring. You hint at so many things here, that I can hardly believe the story is less than 200 words...
I like this!It must be an alien change to have to cope with, from bird to woman and from stars to solid ground again. I like the way they support each other, and how they help put each other back together.
Comments on Far From The World We Know
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.