Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Reembodied in Aman, Celebrimbor decides to return to Middle earth to help heal the darkness and hurt wrought by the ring.
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In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I like the way this investigates one of the really missing areas of the text! The potential for stories about the early relations among Dwarves and Elves is so broad, because so little is there in the canon. It makes sense that Celeborn might be the one to do the ethical thing, and confess what happened.
Thank you! I'm glad you like it. The possible stories are endless, depending on how the author handles it - I mean, you can have the elves reveal it, you can have the dwarves discover it then, you can have the dwarves not discover it, you can have it told after the First Age ends, etc. But I felt like it added to the later betrayal the elves of Doriath must have felt when they realized the Finarfinions hadn't told them about the Kinslaying, because hey, they told the Dwarves, and the Dwarves aren't even their kin. I'm glad it made sense that Celeborn might be the ethical one.
This also throws an interesting light both on what we later see of the attitudes of the elves of Doriath to the elves of Aman and the attitudes of the Dwarves of Nogrod to Thingol and Doriath.
The Elves of Doriath have a reason for believing that the Finarfinions should have told them about the kinslaying. Same for how the Dwarves of Nogrod feel about Thingol and Doriath. :P (The other option is it has no effect ever, and I'd really like to believe that killing almost an entire group would have some effects).
"If something was to happen to them, I would prefer to know the truth instead of pretty lies about their fate. Not speaking of it would only compound the guilt of having killed them, in my view."
Uh-oh...
Very well written account of something that may have gone on behind the scenes, but is never adressed in the book. The parallels between the killing of the petty-dwarves and the Kinslaying make it especially painful.
Wow. Even with the calculation that they're unlikely to be killed, it's still fairly brave of the elves to walk in unarmed to confess their (sins? mistakes? I don't quite know what word to go with here.) I like that the elves acknowledge that there cannot be a sufficient recompense for what they did, since the dead cannot be brought back. The actions of the elves of Doriath also throws a new light on Thingol's anger at the omission of the Kinslaying from the Finarfinions' tale of how they left Valinor.
Thank you! It is brave of the elves - after all, if it goes badly, the fact that there are numerous elves in the forest isn't going to make them any less dead.
Thingol's feelings about the Finarfinions (who he greeted as his own family) not telling him about the Kinslaying are definitely affected by the fact that he allowed Celeborn to go in and tell the truth to the Dwarves, who are not his family and who could have easily killed them for telling the truth. He's not very pleased with lies.
It is a corageous-- and necessary-- thing the Elves did, and yet, as Gunnvör said, it can neither fully repair their relationship nor heal the wound. Very well done and you've given me something to think about.
Comments on The Fates of Our Kin
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.