Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
Reembodied in Aman, Celebrimbor decides to return to Middle earth to help heal the darkness and hurt wrought by the ring.
Current Challenge
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Random Challenge
Discovery
In this challenge inspired by the Polynesian wayfinders, choose a video, song, or historical fact as inspiration to create a fanwork. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Imaginative and entertaining! I've always thought that story had a shady sound to it. I think I would tend to find a more straightforward explanation--e.g., they lied or exaggerated, perhaps she actually spent more time ruling than the history books said she did--than that of Barahir, but love that he tried to explain an unsatisfactory bit of history and particularly with a theory which reflected a clever woman's successful method of subverting a misogynistic system. (The older I get and the more I read, the more often I encounter contemporary sources which disprove historical pseudo-facts I learned at highly regarded universities!) Maybe Tolkien throws those details in to mimic real-world puzzles and half-truths that historians love to chase.
I'd like to try to read some of those Tumblr discussions. Perhaps I'll look, but usually the time expenditure in tracking them down and then following the threads wears me out. The more that people use Tumblr for intriguing discussions, the more I wish it were more easily searchable.
I'd loved the ending! Her reflections on her own history and her desire to be more supportive of his assumption that one might find stronger and more capable women than the histories reflect.
I'm so glad you enjoyed both parts, Oshun, Barahir's theory about Vanimelde and the ending, with Ivriniel looking back on her own life!
My actual take on the politics of Vanimelde is: Vanimelde Dances, and it's more straightforward, saying that what she was attempting was a kind of cultural politics and the historians missed the point, because they failed to grasp that there could be such a thing.
I did wonder briefly whether I should try and write Barahirs' theory as the plot of a canon divergence AU. But then I decided I would be more interested in writing the story, as well as get more of the theme of the challenge in, if there was a overarching narrative featuring a female historian rising above her beginnings and coaching a young historian.
I'm afraid I didn't file any links to those Tumblr discussions for future reference (I'm pretty sure there were at least two), because it was some time back and I didn't realize they would feed into a story. I might try and find and link them, but it would be a bit like a needle in a haystack, looking for them!
Fics where characters have the same discussions we do as readers are so much fun, because for them it's not fiction it's real history. Barahir's theory is an interesting one, and a great use of both prompts in this fic. I love budding-historian Barahir, and his relationship with Ivriniel.
That's an excellent theory, young Barahir, even though Ivriniel rightly points out the holes in the fabric. I do hope he'll continue to think about the hidden injustices of history. It is rather suspicious that so many Númenórean princesses weren't interested in the sceptre apparently, or that those who were supposedly didn't do a particularly great job! (But then, as the great Mary Beard has also observed, women not only have to fight harder to succeed, but also face much harsher judgement if they fail...)
Yes, I regret that I don't remember who raised this on Tumblr, about the Numenorean princesses, I think I saw it raised at least twice.
It's sort of striking, how the Numenorean succession is invoked to support Aragorn's right to the the throne of Gondor (via Firiel), but when Tolkien comes to write out the details of that succession, he seems so very lukewarm about all that. Well, I guess he always preferred all that about the straight male line from Isildur and the other claim was always very secondary to him. Nevertheless, he could have really done something with Telperien, for example, and that would have made Arvedui and Firiel's claim look better, but no.
I’ve always associated the Numenoreans with Ancient Egypt, so I’m in total agreement with this take! It is (as pointed out) a bit fanciful, but wouldn’t it be such a great story? I know your own fanon diverges, but I would 10/10 be down for a ficlet exploring this!
I'd be quite happy if someone decided to adopt this as a plot bunny and write it as a story!
I don't often write AUs to my own 'verse, though. As you see, it's not because I can't imagine other plots or fanons. It's more that once I've gotten a feel for a character, I usually find it difficult to tweak or switch their personality.
I'm glad you enjoyed this piece! Thank you for reading and commenting!
Comments on History and Conspiracy
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.