Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Scavenger Hunt In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
The fate of lovers has been sealed. After Aegnor pledges his love to Andreth, he seeks out council one last time from his wiser and more grounded eldest brother. However, his hopes that Finrod would join him in this newfound happiness are quickly dashed and it does not go well between the…
After the fall of Dorthonion, Edhellos (originally named in Quenya Eldalote), Angrod's wife, has chosen to move to Barad Nimras, the tower that Finrod built in the Falas on a headland west of Eglarest.
A series of half-drabbles using the one word prompts for the March/April 2025 Birthday Bash Challenge, looking at the perception of time through the eyes of Maiar (in general), Maedhros (specifically), and Aragorn and Arwen (specifically).
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
Scribbles and Drabbles 2026
Scribbles & Drabbles is a fic and art exchange with a minimum word count of 100 words.
Russingon Week 2026
A Tumblr week event focusing on the relationship between Maedhros and Fingon.
Boromir Week 2026
If you are Boromir girlies/gents/stans/simps, then this event is for you! So, come join us, and bring your fanfiction, art, gifs, moodboards, and headcanons that highlight everything you love about our Captain of Gondor!
Silmarillion Epistolary Week 2026
Silmarillion Epistolary Week is a Tumblr challenge dedicated to creating fanworks to tell the story of the Silmarillion in the style of an epistolary novel.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Yes, a fellow poet! I really enjoyed your piece and its ability to reflect a perspective little explored in the annals of Arda. I also to must praise your ability to capture art in simplisity, depth in brevity, and reason through one of the more complicated of Tolkien's literary inventions. Keep up the good work and continue writing!
This story contains a lot to recommend it. The voice of the narrator and the beliefs expressed remind me of Native Americans and of Australian indigenous people. I am not sure how much the more isolated groups of the Avari actually knew much about the return of Noldor or realized its direct or indirect effect on their day-to-day life. One point that fascinates me is mentioned in the notes to the Quendi and the Eldar that the first Avari that the returning Noldor are said to have encountered are of the group who were their historical brethren, sharing common roots within the original second group, the Tatyar. I am intrigued to know more about the narrator, if he was of that grouping. I would love to read a story with plot and characterization that tells his story. Perhaps he is reacting not simply to received information but to an actual face-to-face encounter with some of those exiled Noldor.
I'm still figuring out the SWG site, so bear with late replies...
Actually, I was aiming at a more biased POV :). The narrator hasn't met the Noldor--she is actually young (though not very young) and doesn't yet understand that there are two sides to the story. But she's old enough to understand the ancestral wisdom passed down to her, and to 'feel' the power of the land (Yes, you're right. I had Native Americans in mind when I was writing this, but also the natives of my country, the Veddhas). But she's also exceptionally wise for her age.
Dialogue is not my storng point, but I do have an idea simmering in my mind, when my narrator meets Celegorm...(And the sparks fly, obviously, both being who they are)
Lovely - there are certainly some lessons here for today. Also a nice change from the fanon notion that the Sindar abandonned or slew those who escaped from Morgoth. Sorry, no. (Of course, the Sindar aren't Avari, but they did stay behind.) I'm not much of an Ayn Rand fan, either.
Thank you. (It was certainley a surprise to post a story and find that another story has reviews I didn't realize it had!)
That particular fanon, I suspect, comes from the general misrepresenation of Sindar and Avari. Of course, in times of war, it would have been a necessity, but otherwise? I don't think so. I'm pretty sure that Melian could have put her power to good use and weeded out any spies.
Ayn Rand...her works are too one-sided for me. She tends to forget 'the other side' of the story. That being said, I do agree with her sometimes (especially in Atlas Shrugged. It was The Fountainhead that irked me, though even there, she has a valid point).
I had no idea that the narrator was a woman. My assumption is based upon the prejudicial treatment within the original text itself (male unless stated otherwise). I wonder if I missed a clue? Oh, I just looked up the Veddha people online. Oh, yes. I really, really like the idea of using them as a model here. "The Veddhas are proud of their distinct sylvan heritage and call themselves Vanniyalette, 'those of the forest'." Could not be more perfect.
That's because there wasn't anything obvious in the text. But I envision my character as a 'wise woman' (we know that the Edain had those, so why not the Avari? Because, keeping with Tolkien's world, the Edain must have learnt that from somewhere). Or a magician, or shaman. Whatever you call it, it's clear that most nomadic people had a special position for those who 'communed with spirits or the land'. Except, in this case, the Avari girl really can feel the 'voice' of the earth (the Music of the Ainur, as it were).
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Why am I burdening other people with my headcanon?
Actually, 'Vanniyalette' is less accurate than 'Wanniyala-aetto', but that's just nitpicking. I wasn't aware of those lines, but what really stuck with me was a speech by the then Veddha Chief, Uru Warige, that we learnt back in elementary school. I can't find the exact words right now, because my house is a mess, but even translated into English, it was just beautiful. And I unconciously modeled my story on that, I think. (And also because of a whole lot of irony regarding the tangled history of my country)
Comments on Sing With the Land
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.