New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Instadrabbling Sessions for April, May, and June
Instadrabbling continues on the first Saturday of each month on our Discord server.
New Challenge: Famous Last Words
For our March challenge, our moderators will assign you a famous last line to use as a prompt.
[Writing] a life freely given, a favor returned by skywardstruck
Finrod and Bëor stop for a while on the road to Nargothrond to rest. The bodies of the Secondborn often grow weary, and Finrod laments, massaging Bëor's back and renewing his beloved's vigor with the work of his hands. But Finrod has other burdens of his own, Bëor soon discovers, returning…
[Writing] dye me, nocturne by skywardstruck
Maglor without Maedhros, Daeron without Lúthien. Alone, they are nothing, but together, they can be something more.
Where do you turn, when you have no one else left?
Written for Tolkien Reverse Summer Bang 2023, featuring artwork by athlai.
[Writing] Til We're on the Other Side by StarSpray
It was only the second time Finwë had come out foraging with them, and of course this would happen—of course the Hunter would come, the Dark Rider on his steed with its terrible, heavy footfalls, and the deep-throated laughter that held no mirth, only malice.
In the dark…
[Writing] A Hundred Miles Through the Desert by StarSpray
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
[Writing] Hill and Water Under Sky by StarSpray
a collection of drabbles and mini ficlets in the meanwhile the world goes on 'verse that aren't long enough to stand on their own
[Writing] The Long Arm of the Law by Elrond's Library
Turgon cannot be above the law.
[Writing] Despair and Shadows by octopus_fool
Haleth leaves to find her brother, even though her father does not permit her to.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Taboo
What is taboo? Use a bingo card of taboo-related prompts to inspire your fanwork. Read more ...
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
[Writing] Why did Éowyn ask Faramir if he'd rather have a "woman of the race of Númenor"? by Quente
For most of my life, when reading Lord of the Rings, I read it through the perspective of Gandalf's words about Éowyn, that she'd spent years trapped as a caregiver, watching the realm she love fall from honor into disgrace.
But what if Éowyn was also a student of history?
…
Angbang Week 2026
Angbang Week is a tumblr event focusing on the relationship between Morgoth and Sauron, running from May 5-11, 2026
Gondor Week 2026
A Tumblr week event focusing on the history of the realm of Gondor.
Crablor Day
A day dedicated to everyone's favourite warcriminal crustacean - April 26, 2026
April/May Teitho Challenge
Teithio is running a prompt challenge around the theme of "heartbreak."
April Challenge Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge around the theme of "fools," "foolishness," or "being fooled."
*hugs you, and hugs this fic* I already rambled to you at length about how much I love this - the image of Idril in the ivy garden will stay with me for a long time, I think, in fact the whole scene will - so I'll spare you further ramblings and say thank you - again. ♥
Astris, I thoroughly enjoyed this short story! Your Aredhel has such a wonderfully strong, confident voice (as one might expect) and yet, you show her vulnerability and uncertainty, too. I really like how you've built the concept of the gilded cage of Gondolin (that's certainly how I see it, too): beautiful, elegant, but also claustrophobic with the spectres of stasis and stagnation looming in the background. Aredhel's desire for freedom, but her loyalty to her brother and her affection for her niece clearly cause conflict.
I loved the interactions between brother and sister and aunt and niece. The latter two seem more attuned to one another.
At any rate, very nice work!
Thank you very much! I'm glad you like my Aredhel (I like her too - and she's rather fun to write!).
I greatly enjoyed this story. Aredhel is wonderful. Beautifully characterized, complex and not perfect either, but a decent person, with a good heart who does not shut her brain off, even when she makes choices based upon the needs of others, while making a conscious decision to subvert her own interests. But there is a sense of her, lacking positive alternatives, she recognizes that there are people she cares to support.
I never really examined the idea that Idril might have felt as trapped in Gondolin as Aredhel did. Maybe for slightly different reasons. I was wondering as I was reading it if it actually passed the Bechtel test. (I am not as in love with that idea as most of my friends might think I should be--but that's a discussion for another place.) Actually, I think it does not. We do have a long interaction between two women, extended would perhaps be a better word (because one enjoys it so much that it does not feel long at all), wherein no man is mentioned except briefly in passing. But really it IS all about Turgon--brother and father, idealistic, and perhaps very wrong. And the choices I see Idril and Aredhel making are women's choices.
I know I'm not supposed to think holing up in Gondolin is wrong. Ulmo, a pretty good guy as Vala go, one of ones I like, told him to do it and he does have their interest at heart. Tolkien spent years plotting this out and he would have us believe that Gondolin actually served its purpose. It did protect Idril and bring Idril and Tuor together and save Earendil to give the light of the Silmaril to the world and bring hope to Middle-earth, etc., etc., etc., and all the way down to Arwen and Aragorn. Whatever. Well, I don't buy all of that 100 percent. But I do very much like this story. Because it examines motivations, personal loyalities and relationships, and does raise a lot of questions, unanswered and unanswerable.
Perhaps my favorite part, a small but very telling detail, is when Aredhel figures out how long Turgon has been plotting this city without including her and then asking for her support at the very last possible moment and she still gives it. She has a big heart. I have to love her for that.
Sorry I did not mean to go on so long or make this so contentious. Thanks so much for sharing. Two thumbs up.
Thank you for the wonderfully long review! And I certainly don't mind it - you raise some good points there :)
I think that much of what goes unspoken in Aredhel and Idril's conversation is, in fact, about Turgon. Clearly, Aredhel and Idril's lives at this point in time are greatly influenced by him (they are, after all, living in a hidden city of his devising). And there are many things about Gondolin that make it an interesting place to think about, regardless of whether or not you think it was right!
Site © Dawn Felagund
Logo © Bunn
All copyrights for creative work hosted on this site are retained by their creators.
This site is built using Drupal and the theme W3CSS.
Characters and stories associated with J.R.R. Tolkien's works remain the property of his estate. Creative work using this material has been written solely for the enjoyment and enlightenment of its creator and their associates. No profit is made on the materials shared on this site.
Comments on Cage of Light
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.