Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I am noticing the second time around so many details that I rushed through on the first read--galloping to the end. I leave some more comments on the chapters as I go! It is incredibly creative and unique.
Both QN and Return to Aman deserve multiple rereads to garner all the small details, lovely descriptions, vivid characterizations. I'll start rereading them both
I've just realised that although the centering and bold text have copied across, the italics have not: I'll have to go back through and put them back in! I hope it doesn't make Feanor's dialogue too hard to read. This sort of thing is the reason I haven't got to copying across all of Return to Aman yet!
I really liked the scene with Sauron. There was a bit of mystery about who he was, and why he would "help" (unless he's not actually helping?). I wonder when we will meet him again, and if spirit-Fëanor with fight Morgoth head on at some point!
Yes indeed, help from Sauron is to be treated with considerable caution! (I'm sure it's fine. That fine upstanding citizen Sauron is entirely to be relied upon!)
I think the parts with Fëanor and Sauron talking together are my favorite one. This one is very sinister and seems to imply that, somehow, Fëanor has been working for Morgoth all along and Morgoth is somehow... fond of him?
Well, Morgoth does hate Feanor most of all: that's probably about as close to 'fond' as Morgoth can get! I think Morgoth tried to make Feanor into his tool. He didn't entirely succeed!
Really liked the fight between Fëanor and Sauron. It reminds of the song contest between Finrod and Sauron, and the images used were great: kinslaying versus the humiliation of Melkor! I hope for some Fëanor versus Melkor now, and wonder if Fëanor will ultimatly go to Mandos and meet with Fingolfin again.
I'm really enjoying all the magic woven throughout this story. It feels very authentic to me. I love it when Maglor and Maedhros show their superpowers!
“Thank you,” Elrond said, his eyes bright with laughter. “I’d hate to feel my education lacked something compared with a century or so of the finest teaching in Tirion, despite war, orcs and the Black Enemy of All the World.”
I really love this chapter it is one of my favorites. I know these comments I am leaving are insufficient. Sometimes I can write long rambling comments and other times I can't, but I just want you to know how much I love details of this story.
Elrond's curiosity and his optimism are young Elrond as I have always imagined him!
Oh I was so happy to see another chapter. What a lovely end. I like the fact that Celebrimbor wears the Star, even though it is hard. And that he staus among the remnants of the Fëanorion loyalists and free thralls.
His conversation with Elrond reveals so much of both of them. I'm glad Elrond is looking, has thought it out and that they both agree some shouting is necessary. Their palpable frustration that they missed signs of what Maedrhos and Maglor would do in the end and that they were deceived rings true.
Elrond's to speak for them is just right--as we know from your others fics he does accomplish that. And poor Celebrimbor is right--Fëanor's grandson sailing into Alqualondë demanding a Silmaril is asking for trouble. But the advice to seek out Finrod--because he knows everyone and that he of all people would still be willing to help is perfect.
and I loved the twist at the end! That Fëanor wrote and rewrote this history and that it changed in the retelling and is waiting to be found in Elrond's vast library.
Im glad he kept his promise to Maedhros--that really mattered to Maedhros and I'm relieved Fëanor respected that.
Comments on Quenta Narquelion
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.