New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Instadrabbling Sessions for April, May, and June
Instadrabbling continues on the first Saturday of each month on our Discord server.
New Challenge: Famous Last Words
For our March challenge, our moderators will assign you a famous last line to use as a prompt.
[Writing] a life freely given, a favor returned by skywardstruck
Finrod and Bëor stop for a while on the road to Nargothrond to rest. The bodies of the Secondborn often grow weary, and Finrod laments, massaging Bëor's back and renewing his beloved's vigor with the work of his hands. But Finrod has other burdens of his own, Bëor soon discovers, returning…
[Writing] dye me, nocturne by skywardstruck
Maglor without Maedhros, Daeron without Lúthien. Alone, they are nothing, but together, they can be something more.
Where do you turn, when you have no one else left?
Written for Tolkien Reverse Summer Bang 2023, featuring artwork by athlai.
[Writing] Til We're on the Other Side by StarSpray
It was only the second time Finwë had come out foraging with them, and of course this would happen—of course the Hunter would come, the Dark Rider on his steed with its terrible, heavy footfalls, and the deep-throated laughter that held no mirth, only malice.
In the dark…
[Writing] A Hundred Miles Through the Desert by StarSpray
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
[Writing] Hill and Water Under Sky by StarSpray
a collection of drabbles and mini ficlets in the meanwhile the world goes on 'verse that aren't long enough to stand on their own
[Writing] The Long Arm of the Law by Elrond's Library
Turgon cannot be above the law.
[Writing] Despair and Shadows by octopus_fool
Haleth leaves to find her brother, even though her father does not permit her to.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Jubilee
This January, for our annual amnesty challenge, any challenge from January 2017 onward is fair game! Read more ...
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
[Writing] Why did Éowyn ask Faramir if he'd rather have a "woman of the race of Númenor"? by Quente
For most of my life, when reading Lord of the Rings, I read it through the perspective of Gandalf's words about Éowyn, that she'd spent years trapped as a caregiver, watching the realm she love fall from honor into disgrace.
But what if Éowyn was also a student of history?
…
Angbang Week 2026
Angbang Week is a tumblr event focusing on the relationship between Morgoth and Sauron, running from May 5-11, 2026
Gondor Week 2026
A Tumblr week event focusing on the history of the realm of Gondor.
Crablor Day
A day dedicated to everyone's favourite warcriminal crustacean - April 26, 2026
April/May Teitho Challenge
Teithio is running a prompt challenge around the theme of "heartbreak."
April Challenge Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge around the theme of "fools," "foolishness," or "being fooled."
I applaud your courage in writing about cannibalism and I was fascinated by your take on it. You made the reasons for doing it make sense. And I really loved your description of Feanor's death - I loved that you wrote he offered words of comfort before he died.
A really good fic - I enjoyed it immensely!
Thank you so much! When I first read the bingo card, the idea for this fic immediately jumped to mind, but I delayed writing it because of the subject, Even after I'd finished this, I waited a few days, debating whether to post it or not. But in the end, it was a prompt on the bingo card and it wouldn't have been put on there if the subject was unwanted.
I am glad it made sense to you - to me the fic is all over the place (I almost never write such timeskips, nor make a 'they' the subject instead of a 'he/she'), but I am quite satisfied with how it turned out.
As for Fëanor, I don't think he was afraid of death and pain never made much impression on him, so he had a clear mind and said what his Sons needed to hear (I almost deleted the canonical part where he cursed Morgoth!)
You make it conceivable that that might be a way they would react to the trauma they were unable to deal with--the death first of Finwe and then of Feanor and finally their brothers. Canon sometimes seems to treat the seven brothers as a single entity and they might look at it that way themselves and take things very literally...
(Of course, that observation that other deaths don't count is pretty damning--however, traumatized they are.)
I think the Sons are both mentally incredibly strong and very weak - if hte right buttosn are pushed, they will resort to practically anything. And I don't know if this is canon or just too much fanfiction that I've read, but it seems that the House of Fëanor, even before the rift within the Noldor, has always been treated separately from the Houses of Fingolfin and Finarfin; therefore, it wouldn't be too far a stretch that they see themselved as separate from the rest of the Noldor and by extension, the same as each other.
The thing about being so in-tune with your brothers results almost automatically in being relatively out-of-tune with the rest of the world, and indeed the happenings during the First Age only strenghtened that feeling...
A taboo story worthy of the categorization! Impressive handling of a disturbing subject. As those who know me well might tell you, I can be a delicate little snowflake when it comes to horror. I don't watch Hannibal, either!
But I have done some small amount of anthropological reading on the subject. So I am not totally unfamiliar with the real world versions (do not know how accurate or reliable they are necessarily) of what are said to have been some social and religious reasons for eating the flesh of deceased loved ones, for example in the highlands of New Guinea. I wondered if you were influenced by those reports of cannibalism being considered an act of love and grief and perferable to the deceased being consumed by insects or worms.
Yep. This story for me definitely addresses a big taboo. I was shuddering as I finished it, and horrified at thinking one could almost understand Maglor's logic and sense of duty/responsibility to stay alive for his father and his brothers.
Haha, concerning horror topics, I have no problem reading it, but I'm as squeamish as anything when seeing it on TV! I've recently watched the zombie show Z Nation though, so I am forcing myself to get over (some of) those things.
While I have only heard about the practices in New Guinea in passing, I cannot claim to have come up with it by myself; in Queen of the Damned, the third book in Anne Rice's Vampire Chronicles, the Story of the Twins tells how in their ancient civilisation it was custom to eat the flesh of family after they'd died. Although I must add that there, the flesh was first cooked before it was eaten.
Cannibalism is one of the biggest taboos imaginable; I think that's exactly the reason why I had to write it, or put differently, why my muse could not let go of this particular plotbunny. I am glad (?) it made such an impact and that you were able to understand Maglor's view; I mean, after having lost absolutely everything and everyone, he had to have a reason to keep going, and I think this is a possible explanation (assuming, of course, the cannibalism thing happened in canon! Though I really hope it didn't...)
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Comments on Fire and Worms
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