New Challenge: Epic 80s
This month's challenge features hundreds of fresh prompts from the bodacious decade of the 1980s.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Epic 80s
This month's challenge features hundreds of fresh prompts from the bodacious decade of the 1980s.
Cultus Dispatches: Communities Do Comment
Comment data from the SWG underscores community as an essential component to a robust commenting culture.
Instadrabbling Sessions for July, August, and September
Instadrabbling continues on the first Saturday of each month on our Discord server.
New Challenge: Scavenger Hunt
In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
[Writing] Is it raining with you? by AdmirableMonster
In the last days of Númenor, two very different men meet in Umbar and fall in love.
(Please note that while this work is heavily inspired by Disco Elysium, no knowledge of the game is necessary to read the fic!)
[Writing] Nasyalossë by Lovimmy3365
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
[Writing] From That Rubble by StarSpray
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.”
“It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?”
“It’s not as though I…
[Writing] Eä's Redemption by AaronAzrael
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
[Writing] Wrensong and Roses by Isilme_among_the_stars
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
[Writing] The Mirror Crack'd by AdmirableMonster
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
[Writing] Bon(e)fire by Fuin
On the night before the battle, Caranthir and his ally share thoughts about their peoples' traditions:
Burning bones ward off evil.
Epic 80s
Create a fanwork using on of our righteous prompts based on popular culture from the 1980s. Read more ...
Cheesy Corn Chips
Celebrate the corny and the cheesy, the sappy and sweet and schmaltzy and saccharine in popular culture by choosing from our collection of corny, sentimental, and heartstring-rending prompts. Read more ...
Communities Do Comment: Expanding the 3C's of Commenting with SWG Data by Dawn Walls-Thumma
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Tolkien Gen Week 2026
Tolkien Gen Week will run from July 6-12, 2026 to appreciate all of the incredible characters and relationships within Tolkien’s legendarium that fall under the broad category of “gen.”
Tolkien Disability Pride 2026
This Tumblr event focuses on ALL creative works focusing on disability in Tolkien's universe.
Scribbles and Drabbles 2026
Scribbles & Drabbles is a fic and art exchange with a minimum word count of 100 words.
I applaud your courage in writing about cannibalism and I was fascinated by your take on it. You made the reasons for doing it make sense. And I really loved your description of Feanor's death - I loved that you wrote he offered words of comfort before he died.
A really good fic - I enjoyed it immensely!
Thank you so much! When I first read the bingo card, the idea for this fic immediately jumped to mind, but I delayed writing it because of the subject, Even after I'd finished this, I waited a few days, debating whether to post it or not. But in the end, it was a prompt on the bingo card and it wouldn't have been put on there if the subject was unwanted.
I am glad it made sense to you - to me the fic is all over the place (I almost never write such timeskips, nor make a 'they' the subject instead of a 'he/she'), but I am quite satisfied with how it turned out.
As for Fëanor, I don't think he was afraid of death and pain never made much impression on him, so he had a clear mind and said what his Sons needed to hear (I almost deleted the canonical part where he cursed Morgoth!)
You make it conceivable that that might be a way they would react to the trauma they were unable to deal with--the death first of Finwe and then of Feanor and finally their brothers. Canon sometimes seems to treat the seven brothers as a single entity and they might look at it that way themselves and take things very literally...
(Of course, that observation that other deaths don't count is pretty damning--however, traumatized they are.)
I think the Sons are both mentally incredibly strong and very weak - if hte right buttosn are pushed, they will resort to practically anything. And I don't know if this is canon or just too much fanfiction that I've read, but it seems that the House of Fëanor, even before the rift within the Noldor, has always been treated separately from the Houses of Fingolfin and Finarfin; therefore, it wouldn't be too far a stretch that they see themselved as separate from the rest of the Noldor and by extension, the same as each other.
The thing about being so in-tune with your brothers results almost automatically in being relatively out-of-tune with the rest of the world, and indeed the happenings during the First Age only strenghtened that feeling...
A taboo story worthy of the categorization! Impressive handling of a disturbing subject. As those who know me well might tell you, I can be a delicate little snowflake when it comes to horror. I don't watch Hannibal, either!
But I have done some small amount of anthropological reading on the subject. So I am not totally unfamiliar with the real world versions (do not know how accurate or reliable they are necessarily) of what are said to have been some social and religious reasons for eating the flesh of deceased loved ones, for example in the highlands of New Guinea. I wondered if you were influenced by those reports of cannibalism being considered an act of love and grief and perferable to the deceased being consumed by insects or worms.
Yep. This story for me definitely addresses a big taboo. I was shuddering as I finished it, and horrified at thinking one could almost understand Maglor's logic and sense of duty/responsibility to stay alive for his father and his brothers.
Haha, concerning horror topics, I have no problem reading it, but I'm as squeamish as anything when seeing it on TV! I've recently watched the zombie show Z Nation though, so I am forcing myself to get over (some of) those things.
While I have only heard about the practices in New Guinea in passing, I cannot claim to have come up with it by myself; in Queen of the Damned, the third book in Anne Rice's Vampire Chronicles, the Story of the Twins tells how in their ancient civilisation it was custom to eat the flesh of family after they'd died. Although I must add that there, the flesh was first cooked before it was eaten.
Cannibalism is one of the biggest taboos imaginable; I think that's exactly the reason why I had to write it, or put differently, why my muse could not let go of this particular plotbunny. I am glad (?) it made such an impact and that you were able to understand Maglor's view; I mean, after having lost absolutely everything and everyone, he had to have a reason to keep going, and I think this is a possible explanation (assuming, of course, the cannibalism thing happened in canon! Though I really hope it didn't...)
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Comments on Fire and Worms
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