New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution
Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
"The Fëanorian Zine" Available to Read and Download
We are pleased to be able to offer "The Fëanorian Zine" to read and download on the SWG for free.
Call for Artists for the 2026 Challenge Stamps
We are soliciting help from artists who want to help create the stamps we award to challenge participants.
[Writing] In Early Spring by Serinquanion
In what Maedhros was re-embodied early and was sent back to Middle Earth on his volition with Glorfindel.
This isn't about what happened right then but years after Fall of Sauron when he still refused to return to Valinor.
He found a strange sapling at the shore of what remains of…
[Writing] Umnenyalië by Serinquanion
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
[Writing] Winter Warmth by Serinquanion
A winter night in Himring. But inside the quarters where fire blazed in hearth was warmer, and not only from the fire or quilt.
[Writing] A Hundred Miles Through the Desert by StarSpray
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
[Writing] Who Will Hear Me? by XirinOfArvada
A lonely elf finds a flute half buried beneath the sand and wonders if its owner will hear him when he calls.
[Writing] Loyal, Faithful by Himring
Late in the Second Age, one of the Faithful reflects critically on past developments. (Free verse.)
[Writing] East Away! by Flora-lass
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
Strength and Beauty
Create a fanwork using the Melville quote about the relationship between strength and beauty. Read more ...
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Twilight, Child Of: Comparisons Between Tinúviel, Lómion, and Undómiel by JazTheBard
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
The Aromantic in Tolkien by daughterofshadows
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
[Writing] here you will dwell, bound to your grief by Elrond's Library
Arwen grieves, and loves.
[Writing] Faramir's Verse by losselen
“Come, Faramir. Let us not stand in ceremony. I think words are due between you and I, and not only those between a King and his Steward.”
Faramir has speech with Gandalf and his King.
[Writing] In a Hole in the Ground... by StarSpray
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
I applaud your courage in writing about cannibalism and I was fascinated by your take on it. You made the reasons for doing it make sense. And I really loved your description of Feanor's death - I loved that you wrote he offered words of comfort before he died.
A really good fic - I enjoyed it immensely!
Thank you so much! When I first read the bingo card, the idea for this fic immediately jumped to mind, but I delayed writing it because of the subject, Even after I'd finished this, I waited a few days, debating whether to post it or not. But in the end, it was a prompt on the bingo card and it wouldn't have been put on there if the subject was unwanted.
I am glad it made sense to you - to me the fic is all over the place (I almost never write such timeskips, nor make a 'they' the subject instead of a 'he/she'), but I am quite satisfied with how it turned out.
As for Fëanor, I don't think he was afraid of death and pain never made much impression on him, so he had a clear mind and said what his Sons needed to hear (I almost deleted the canonical part where he cursed Morgoth!)
You make it conceivable that that might be a way they would react to the trauma they were unable to deal with--the death first of Finwe and then of Feanor and finally their brothers. Canon sometimes seems to treat the seven brothers as a single entity and they might look at it that way themselves and take things very literally...
(Of course, that observation that other deaths don't count is pretty damning--however, traumatized they are.)
I think the Sons are both mentally incredibly strong and very weak - if hte right buttosn are pushed, they will resort to practically anything. And I don't know if this is canon or just too much fanfiction that I've read, but it seems that the House of Fëanor, even before the rift within the Noldor, has always been treated separately from the Houses of Fingolfin and Finarfin; therefore, it wouldn't be too far a stretch that they see themselved as separate from the rest of the Noldor and by extension, the same as each other.
The thing about being so in-tune with your brothers results almost automatically in being relatively out-of-tune with the rest of the world, and indeed the happenings during the First Age only strenghtened that feeling...
A taboo story worthy of the categorization! Impressive handling of a disturbing subject. As those who know me well might tell you, I can be a delicate little snowflake when it comes to horror. I don't watch Hannibal, either!
But I have done some small amount of anthropological reading on the subject. So I am not totally unfamiliar with the real world versions (do not know how accurate or reliable they are necessarily) of what are said to have been some social and religious reasons for eating the flesh of deceased loved ones, for example in the highlands of New Guinea. I wondered if you were influenced by those reports of cannibalism being considered an act of love and grief and perferable to the deceased being consumed by insects or worms.
Yep. This story for me definitely addresses a big taboo. I was shuddering as I finished it, and horrified at thinking one could almost understand Maglor's logic and sense of duty/responsibility to stay alive for his father and his brothers.
Haha, concerning horror topics, I have no problem reading it, but I'm as squeamish as anything when seeing it on TV! I've recently watched the zombie show Z Nation though, so I am forcing myself to get over (some of) those things.
While I have only heard about the practices in New Guinea in passing, I cannot claim to have come up with it by myself; in Queen of the Damned, the third book in Anne Rice's Vampire Chronicles, the Story of the Twins tells how in their ancient civilisation it was custom to eat the flesh of family after they'd died. Although I must add that there, the flesh was first cooked before it was eaten.
Cannibalism is one of the biggest taboos imaginable; I think that's exactly the reason why I had to write it, or put differently, why my muse could not let go of this particular plotbunny. I am glad (?) it made such an impact and that you were able to understand Maglor's view; I mean, after having lost absolutely everything and everyone, he had to have a reason to keep going, and I think this is a possible explanation (assuming, of course, the cannibalism thing happened in canon! Though I really hope it didn't...)
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Comments on Fire and Worms
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