Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Reembodied in Aman, Celebrimbor decides to return to Middle earth to help heal the darkness and hurt wrought by the ring.
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Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
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In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
Scribbles and Drabbles 2026
Scribbles & Drabbles is a fic and art exchange with a minimum word count of 100 words.
Russingon Week 2026
A Tumblr week event focusing on the relationship between Maedhros and Fingon.
Boromir Week 2026
If you are Boromir girlies/gents/stans/simps, then this event is for you! So, come join us, and bring your fanfiction, art, gifs, moodboards, and headcanons that highlight everything you love about our Captain of Gondor!
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Yes, it's the same 'verse. (Most of my Tolkien stories are - otherwise I find it hard to keep track of what I decided applies to which story. Dancing in the Dark is the exception that might stand alone. Although now that I say that, I think I incorporated a detail from DitD into this without thinking about it...)
This made me cry, but I love it. Poor Elurín, trying to drag Eluréd to safety, and poor Ambarussa, to be left with both of them and unable to join his own twin.
And I love that the tree was willing to protect their bodies.
The tree felt like a fitting resting place - and I thought if the river of Gondor would ensure no evil creatures disturbed Boromir's body, a tree of Doriath ought to be willing to do the same for the twins.
This is a real tear jerker. Not only for the actual horrible death of the two little princes, but also because Amras seems other, not whole, with a huge hole in his soul and that "otherness" is palpable. And hat's off to you for the tree :)
Amras in my mind is never quite right again after the death of his twin, so I am glad that came through. He is also the one person who would completely and totally understand Dior's sons not wanting to be separated, even though his initial impulse is to try to save Elurin.
Robinka turned me on to this story and I'm very glad/sad that she did, because what a tale! The horrible fate of the little princes, and how gently Ambarussa handled them, how he recognised his own pain in Elurin's. D:
Very sad, very touching story, and altogether well-done. You write an intriguing portrayal of Amras; he's sweet-tempered and brighter than anyone appreciates, but there's a lack you can feel.
I'm fascinated by the dynamic you create between Amras and his older brothers. They love him but have no faith in him, and he knows it but is privately indulgent. They treat him so much like a child, and he seems so aware, that the older brothers come off as controlling. But this is from Amras' point of view; from theirs, it might look differently.
Two details I have to highlight and praise, because they capture so much: The line "I was twins once" and Maedhros chiding Amras for not having the sense to wear a cloak when we know the real reason Amras hasn't got it.
Wow! This is a great story. I missed it earlier. It's devastating and totally believeable. You took the sadness to another level by weaving the Ambarussa story around it.
Comments on Us Two
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.