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Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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I liked this, especially the concept that the stars are for the consolation of the Children. Also, the concept of the Valar "becoming" the world is intriguing, as it takes Tolkien's conception a bit farther than the original (as far as I remember). In fact, it reminds of the Aedra in the Elder Scrolls games universe, who basically gave their existence to give it to the world. Is something like this what you meant, or only the fact that the Valar were tied to Ëa after entering it?
I'm sorry I took a little while in responding. Thank you for commenting! I really love the idea of the stars as consolation for the Children, and it is a concept I keep coming back to(in the very little that I have written.)
As for the Valar "becoming" the world, I actually do think there is some degree of canon support for this concept. "But this condition Ilúvatar made, or it is the necessity of their love, that their power should thenceforward be contained and bounded in the World, to be within it for ever, until it is complete, so that they are its life and it is theirs."-Ainulindale " But mostly Ulmo speaks to those who dwell in Middle-earth with voices that are heard only as the music of water. For all seas, lakes, rivers, fountains and springs are in his government; so that the Elves say that the spirit of Ulmo runs in all the veins of the world. "-Valaquenta (Emphasis my own.)
In my mind, the "spirit of Ulmo running in all the veins of the world," sound like he is the water, as it runs its course through all the depths of Arda. So that's really what inspired it. I suspect this is mostly headcanon, but I do feel that Tolkien's conception does contain the concept of it.
As for the Elder Scrolls universe, I know nothing about it so any resemblence was purely unintentional. I didn't really mean that the Valar "gave their existence" for the world, more that they are continually creating it and forever apart of it's being.
Yes, I have a special fondness for the Valier. Someting about them just fascinates me. Even the ones about whom we hear almost nothing,(I'm thinking Nessa,Este etc...) the little bit that we do here is so intriguing.
Comments on The Meanings We Give, The Light We Find
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.