New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Instadrabbling Sessions for April, May, and June
Instadrabbling continues on the first Saturday of each month on our Discord server.
New Challenge: Famous Last Words
For our March challenge, our moderators will assign you a famous last line to use as a prompt.
[Writing] a life freely given, a favor returned by skywardstruck
Finrod and Bëor stop for a while on the road to Nargothrond to rest. The bodies of the Secondborn often grow weary, and Finrod laments, massaging Bëor's back and renewing his beloved's vigor with the work of his hands. But Finrod has other burdens of his own, Bëor soon discovers, returning…
[Writing] dye me, nocturne by skywardstruck
Maglor without Maedhros, Daeron without Lúthien. Alone, they are nothing, but together, they can be something more.
Where do you turn, when you have no one else left?
Written for Tolkien Reverse Summer Bang 2023, featuring artwork by athlai.
[Writing] Til We're on the Other Side by StarSpray
It was only the second time Finwë had come out foraging with them, and of course this would happen—of course the Hunter would come, the Dark Rider on his steed with its terrible, heavy footfalls, and the deep-throated laughter that held no mirth, only malice.
In the dark…
[Writing] A Hundred Miles Through the Desert by StarSpray
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
[Writing] Hill and Water Under Sky by StarSpray
a collection of drabbles and mini ficlets in the meanwhile the world goes on 'verse that aren't long enough to stand on their own
[Writing] The Long Arm of the Law by Elrond's Library
Turgon cannot be above the law.
[Writing] Despair and Shadows by octopus_fool
Haleth leaves to find her brother, even though her father does not permit her to.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
[Writing] Why did Éowyn ask Faramir if he'd rather have a "woman of the race of Númenor"? by Quente
For most of my life, when reading Lord of the Rings, I read it through the perspective of Gandalf's words about Éowyn, that she'd spent years trapped as a caregiver, watching the realm she love fall from honor into disgrace.
But what if Éowyn was also a student of history?
…
Angbang Week 2026
Angbang Week is a tumblr event focusing on the relationship between Morgoth and Sauron, running from May 5-11, 2026
Gondor Week 2026
A Tumblr week event focusing on the history of the realm of Gondor.
Crablor Day
A day dedicated to everyone's favourite warcriminal crustacean - April 26, 2026
April/May Teitho Challenge
Teithio is running a prompt challenge around the theme of "heartbreak."
April Challenge Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge around the theme of "fools," "foolishness," or "being fooled."
I like your idea of looking at the women from the perspective of motherhood. You bring up some very valid points.
I would say Melian and Morwen break the mold as they are not absent mothers and do carry some narrative weight. But they are only two among so many.
I know Tolkien despised Disney but he does share the absent mother theme that Disney has going on. But of course so many Disney films and stories are fairy tale based.
very interesting read and good points made.
Thanks!
You are absolutely right! I never realised it, but it is the exact same thing that happens with Disney.
This can't be mere coincidence. Really leaves me to wonder what the common denominator is...
I know the lack of women is brought up periodically, but it really is stunning to see all the dead/absent mothers listed out like this. Unlike the elves and Men, Hobbit mothers seem to largely escape the "carnage", though at the price of being reduced to mere names in the appendices. (Three out of four hobbits in the Fellowship had living mothers. And Rosie Cotton does seem to manage a normal lifespan, despite having 13 children. But again, that's all 'off camera'.)
I wonder what was going on in Tolkien's mind to produce this effect. (I can think of multiple potential reasons, but Tolkien himself having lost his mother at a relatively young age is the only one that doesn't involve some degree of sexism.)
Thank you for reading and commenting.
Hobbit mothers do seem to have te best life expectancy! The Shire was meant to be a safe haven from all the war and geopolitical upheaval going on elsewhere in Middle-earth, so Tolkien couldn't very well kill off mothers at the same rate as in Beleriand, Gondor or Rohan. That said, he just could not resist doing in Frodo's mom anyway.
I didn't even mention Dwarves and Orcs: we have only 1 named female Dwarf and not a single female Orc, even though Tolkien explicitly says they reproduce like everyone else so 50% of Orcs is supposedly female.
Tolkien was orphaned at 12, when his mother died. He lost his father much earlier when he was 3, so if there was any logic to this we should be looking at a list of dead and absent fathers. I'm afraid the explanation is going to involve sexism to some degree.
If only Tolkien was still alive so we could ask himi
I think there's definitely something there!
I do feel you're overstating individual cases.
I would argue that Gilraen is more important in the Tale of Aragorn and Arwen than you say, even though I agree the way and the moment she dies raises questions.
Nerdanel isn't quite as insignificant as that even in the published Silmarillion text; Feanor listens to her advice at first and that he stops doing so is one of the ways in which he goes off the rails. And, of course, if you take the late HoME version into account, in fact she is a very noteworthy artist and quarrels with Feanor about his going off with her sons and she is also given a speaking part in this. In any case, she survives, presumably. It's the rest of her family who proceed to die horribly!
Thank you for reading and commenting, I'm so sorry for taking forever to reply!
There definitely is a pattern of women being removed from the narrative before events get underway, and Gilraen fits right into it despite getting a speaking part in the Tale of Aragorn and Arwen. LOTR has no wizened dowager-chieftainess of the Dunedain attending the Council of Elrond to speak on behalf of her people. Neither does Rohan have a strong-willed queen to temper Wormtongue's influence over Theoden, or Denethor of Gondor a wife with enough common sense to tell him to stop watching Palantir and come to bed right now. Sauron might have been defeated a lot faster if they had ;-)
You make an excellent point about Nerdanel's character being far more developed than it seems in the Silmarillion! She does not die (though losing her husband and all of her children does seem like an sure way to die of grief!), but neither does she play any further role in the story, to the point that we never even learn her eventual fate.
A fascinating read! It's hard not to be aware of the deadliness of womanhood in Tolkien's work, but it's really interesting to see it all put together in one place. Thanks for posting this!
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Comments on The great dying: JRR Tolkien’s missing mothers
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