Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I love the idea of the library of Cîr Imladris and this is an especially fascinating document and commentary! I appreciate both the uncertainty about the provenance and the archivist's precise observations (until right before the end, that is, when he gets deliberately vague).
[I do hope you don't mind my mentioning it, but you have somehow ended up with one instance of "here" for "hear"]
Thank you! (And thank you for the typo-catch too. Fixed now.)
Originally it was just the double-drabble, and then the archivist in my head piped up with 'You can't just leave it like that!" and the note practically wrote itself. I'm delighted it spoke to you!
Oh! This is wonderful. But you are kicking in an open door with me. I love Fuingon and Maedhros so much. Love Fingon's warmth, heart, courage, and noble aspirations so much in this. So tragic and beautiful.
I love this whole concept so much. The details of the works are so well thought out, and the archival processes (and hiccups) so detailed. The personalities come through so clearly. And there's pathos, and humor, and curiosity. Delightful, every time.
I really love how you construct these - so many little delightful details, like the Dwarf-made paper and oak-gall ink. It really does read (to my layman's eyes) very much like someone describing an ancient text!
An arrow loosed from bowstring twined of hair & shadows plied
It's an interesting and cool idea, to write something for a fragmentary idea in the form of fragmentary manuscript pages! I like your explanations for the various confusions. And I'd be fascinated to read the "Beren Strongbow and the Princess of Night" version(s)!
Your poem is so evocative, the visual presentation as a forest by a lake just gets me so excited, and then to top it off all the little archivist details are simply marvellous!
Wow!! The poem itself but that art and presentation is next level! And I love the commentary on it, guessing the age based on little clues and questioning translations... <3
Comments on Pages from the Archives of Cîr Imladris
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.