Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Finrod and Bëor stop for a while on the road to Nargothrond to rest. The bodies of the Secondborn often grow weary, and Finrod laments, massaging Bëor's back and renewing his beloved's vigor with the work of his hands. But Finrod has other burdens of his own, Bëor soon discovers, returning…
Maglor without Maedhros, Daeron without Lúthien. Alone, they are nothing, but together, they can be something more. Where do you turn, when you have no one else left?
Written for Tolkien Reverse Summer Bang 2023, featuring artwork by athlai.
It was only the second time Finwë had come out foraging with them, and of course this would happen—of course the Hunter would come, the Dark Rider on his steed with its terrible, heavy footfalls, and the deep-throated laughter that held no mirth, only malice.
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
For most of my life, when reading Lord of the Rings, I read it through the perspective of Gandalf's words about Éowyn, that she'd spent years trapped as a caregiver, watching the realm she love fall from honor into disgrace.
But what if Éowyn was also a student of history?
…
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Angbang Week 2026
Angbang Week is a tumblr event focusing on the relationship between Morgoth and Sauron, running from May 5-11, 2026
Gondor Week 2026
A Tumblr week event focusing on the history of the realm of Gondor.
Crablor Day
A day dedicated to everyone's favourite warcriminal crustacean - April 26, 2026
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I love the idea of the library of Cîr Imladris and this is an especially fascinating document and commentary! I appreciate both the uncertainty about the provenance and the archivist's precise observations (until right before the end, that is, when he gets deliberately vague).
[I do hope you don't mind my mentioning it, but you have somehow ended up with one instance of "here" for "hear"]
Thank you! (And thank you for the typo-catch too. Fixed now.)
Originally it was just the double-drabble, and then the archivist in my head piped up with 'You can't just leave it like that!" and the note practically wrote itself. I'm delighted it spoke to you!
Oh! This is wonderful. But you are kicking in an open door with me. I love Fuingon and Maedhros so much. Love Fingon's warmth, heart, courage, and noble aspirations so much in this. So tragic and beautiful.
I love this whole concept so much. The details of the works are so well thought out, and the archival processes (and hiccups) so detailed. The personalities come through so clearly. And there's pathos, and humor, and curiosity. Delightful, every time.
I really love how you construct these - so many little delightful details, like the Dwarf-made paper and oak-gall ink. It really does read (to my layman's eyes) very much like someone describing an ancient text!
An arrow loosed from bowstring twined of hair & shadows plied
It's an interesting and cool idea, to write something for a fragmentary idea in the form of fragmentary manuscript pages! I like your explanations for the various confusions. And I'd be fascinated to read the "Beren Strongbow and the Princess of Night" version(s)!
Your poem is so evocative, the visual presentation as a forest by a lake just gets me so excited, and then to top it off all the little archivist details are simply marvellous!
Wow!! The poem itself but that art and presentation is next level! And I love the commentary on it, guessing the age based on little clues and questioning translations... <3
Comments on Pages from the Archives of Cîr Imladris
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.