New Challenge: Scavenger Hunt
In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Scavenger Hunt
In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
[Writing] She who holds a Circa by vigil_ardensole
She is one and many, the heroine and the victim, the courageous and the victim, the dead and the living, her feelings and sufferings are felt and shared together, and no justice, divine or earthly could mend her pain in the aftermath.
[Writing] Systems in place by daughterofshadows
Tuor arrives in Gondolin and admires the gardens.
[Writing] From That Rubble by StarSpray
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.”
“It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?”
“It’s not as though I…
[Writing] Funeral Dirge by Artano
Two Dwarves mourn the loss of their lord after the Ninraeth Arnoediad.
[Writing] Add Another Stone by StarSpray
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
[Writing] How Tolkien Presents Ordinary People in "The Silmarillion" by Dawn Felagund
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
[Writing] A Very Fire by Deborah Judge
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
"The madness will not end," Feanor…
Scavenger Hunt
Solves clues to find your prompts for this Matryoshka challenge. Read more ...
Times of Bliss
We honor the theme of hope in Tolkien's work with prompts about joyful or happy times in the text. Read more ...
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Week of Kiliel
A Tumblr event dedicated to the relationship between Kili and Tauriel.
Aspec Arda Week 2026
This week-long event celebrates asexual and aromantic spectrum interpretations and headcanons of Tolkien’s Legendarium.
April/May Teitho Challenge
Teithio is running a prompt challenge around the theme of "heartbreak."
Tolkien Reverse Summer Bang 2026
The Tolkien Reverse Summer Bang is back for another summer of collaboration between artists and writers!
I'm going to write a stream of consciousness review as I read. :)
Firstly, I love the opening song. It fits the story and now I shall never hear this song without thinking of Fingolfin! :)
This sentence:
"Opening his eyes, he once more sought for his son, so like himself – driven by duty and responsibility. He smiled slightly to himself. There were some things Findekáno had inherited from his mother rather than himself: the compassion, the love and the humility that he and his own elder brother both lacked."
I was a bit confused by this sentence; I had to read it a few times. There are lot of pronouns that make it hard for me to follow who the "he" and "him" are. I'd suggest putting proper names in their places, something like:
"Opening his eyes, he once more sought for his son, so like himself – driven by duty and responsibility. Fingolfin smiled slightly to himself. There were some things Findekáno had inherited from his mother rather than his father: the compassion, the love and the humility that Fingolfin and his elder brother both lacked."
Fingon's musings about the world Ereinion will inherit--and Fingolfin's reply--is heartbreaking. So is the way that Fingolfin folds his rings into his son's hand. One can only imagine Fingon's awakening (and you mention this too, later! What a sad moment.)
In the fight scene, the word "dance" is used a lot. It's a great word, but I'd suggest being a little more sparing so that it doesn't become redundant.
But in all, a beautiful and heartbreaking story about a time in the history of the Noldor that receives surprisingly little attention. (I am among the guilty. :) You effectively bring these characters down from their places as epic figures, princes, and kings and show the personal impact that this must have had on the Noldor.
Hi Dawn, and thank you for a lovely piece of feedback. :)
There were severeal elves fighting for the use of the starting song but Fingolfin won ;) He pointed out how badly I had negelcted him until that point.
Thank you regarding the constructive critism regarding the pronouns in the particular sentance and also regarding the overuse of the word 'dance' I will take both suggestions under consideration and edit the story accordingly. (Probably it will take a few days dueto more pressing commitments though)
I am glad that you enjoyed the story and found it both heartbreaking and that I managed to bring the characters down to a personal level. I struggled a lot in writing this story and it is always ncie to hear that I managed to in the end post a successful story.
Thanks again!
*hugs*
Uli
Very powerful. I very much like the characterization of Fingolfin and Fingon in this piece. Extremely plausible scenario of why and how Fingolfin chose to act as he did. I've often asked myself what kind of man would do what Fingon did to rescue Maedhros--a similarly suicidal stunt, but with a purpose that is, despite that, life-affirming. Well, the one answer could be: the kind of man who had a father who would act as Fingolfin did when he called out Morgoth.
Thank you for another lovely review and once again sorry to take so long to respond. I had been trying to get into Fingolfin;s head for some time when I started writing this, deciding to start from the end of why he decided to take on a battle he must have known he could never win.
I had also seen/heard to many interprentions of FIngolfin as a harsh possibly abusive father and I go stubborn :) A lot of the reason behind wriitng it was a backlash agaisnt that and writing a loving father instead. I am very glad you enjoyed the story, in many ways it was the hardest one I have written so far (I do not do fightscenes well and lost count of the amount of times I was told by my betas that it didn;t work and needed rewritten again :D)
Thanks for the review.
*hugs*
Uli
I think this is a very vivid retelling of Fingolfin's death. You were able to convey the dark hopelessness of the Quendi at that hour so well.
Thank you. I love the Noldor, they are all flawed but at the same time so increadibly heroic.
Really glad to find this. Fingolfin has to be one of the most unfairly underappreciated characters in the Silm (I really want to write something for him but haven't managed it yet). I've often wondered what was going through his mind at the end and this is a fine take on it.
Thank you for the lovely feedback. You are right, I read far too many stories with Fingolfin as a bad or even abusive father and I wanted to write him as someone who, in the end, sacrifices himself to give his children a chance to escape and survive. :)
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