Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Scavenger Hunt In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Around the World and Web
Scribbles and Drabbles 2026
Scribbles & Drabbles is a fic and art exchange with a minimum word count of 100 words.
Russingon Week 2026
A Tumblr week event focusing on the relationship between Maedhros and Fingon.
Boromir Week 2026
If you are Boromir girlies/gents/stans/simps, then this event is for you! So, come join us, and bring your fanfiction, art, gifs, moodboards, and headcanons that highlight everything you love about our Captain of Gondor!
Silmarillion Epistolary Week 2026
Silmarillion Epistolary Week is a Tumblr challenge dedicated to creating fanworks to tell the story of the Silmarillion in the style of an epistolary novel.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Oh this is beautifully captured: from frustration and exhaustion to wonder & discovery. At first her weary voice shows what it is like to life with a craftsman like that, yet there is love and such proud feelings at the end. A small story told in this short form: well done!
Rhapsy, thank you for the review. I am glad you liked the story, and that Nerdanel's voice rang out so clearly - you definitely picked up on the main moods I hoped to convey. It must be especially frustrating as 'my' Nerdanel is also a near-perfectionist craftswoman and can imagine part of what it must be like to be Feanor at work and totally immersed in creation - but she also knows her limits and is constantly worried that he overtaxes his own.
As for the story length - sometimes the story determines and writes itself, so really, there is little to credit me for, but thank you anyway. :)
You can actually speak Adûnaic? Now that is impressive. I can’t help you linguistically, although I can tell you that I like the way the words flow together (even though I can’t actually understand them). The poem itself (well, the translation, obviously) is nice: straight-ahead, but with an ending that I like very much. (“One road was crooked, one road was straight, / Now all roads lead to longing.”) It’s sad, but so beautiful.
First of all, thank you for the review - unfortunately, speaking Adûnaic is not quite the case; I started learning the grammar last year and gave up quickly because it was just too complicated, though some things did stick. Ardalambion is a wonderful resource when Tolkien's languages are concerned, and I wouldn't have managed to piece the poem together without that site.
As for the ending - I could go on and on about Tolkien's myth of the Straight Road, the Númenoreans, and the impact of choices (Ar-Pharazôn's choice to serve Sauron and so himself, and Elendil's choice to remain true to the old ways, with both being punished, each in their own way), but that would probably end up far too long for a reply here. The message just seemed fitting to sum up and end the poem, and I'm very glad it worked. Again, thank you. :)
The absence of a daughter must have chaffed Feanaro so. This line was the most thought-provoking: "a quick movement and a tumble to the floor have spared her his attentions many times..."
Comments on Embers
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.