Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Scavenger Hunt In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Looks good to me! And I'm omniscient--what were you thinking?(Dear lord, I hope I didn't miss any typos.) Seriously, I love Maglor. And this is so poetic and atmospheric. So glad you did it.
Of course you're omniscient, you see right through me. ;-) The icon you made for today's stories inspired me. It reminded me of Maglor for some reason.
This vignette has a very special vibe to it, to me it feels as if Maglor either is not ready to let go and that in a way he has not dealt with his past actions fully. There is that Feanorian pride as well, for example his demand that Manwë's wind should caress his face ere he feels that Manwë has forgiven him. Then there is the loss of his singing voice: is that his own self-inflicted punishment or not. Don't worry about if I think it isn't clear, I love stories which leaves things unsaid or for the reader themselves to figure out (although I might squee if I get your intent right). This is a great story!
Thanks, Rhapsody. You're right on all counts. Maglor can't forgive himself and, until he does, he can't be forgiven by the Valar. I tend to leave little ficlets like this vague so the reader can interpret the motivations and emotions as they see fit. Kind of mini Rorschach tests. I'm glad you enjoyed this and got so much out of it.
This is very haunting, IgB. I can hear the waves and smell the sea, and Maglor's regret is a thing embodied. I love the idea -- and the imagery you use to convey it -- of the wind summoning Maglor. And then the end is suitably ambiguous: it would seem that breeze summons Maglor but he chooses to ignore it, turning his face from the wind and contemplating another path.
Thanks Pandemonium! Maglor does choose to ignore the breeze. He's so wrapped up in his grief that he's unable to see or seek outward. I'm glad you like the atmosphere and imagery here. It's difficult to set the right tone in a short piece sometimes.
I appreciate your comments, Moreth. Thanks so much. The sea has always been romantic to me, but there is nothing quite as melancholy as the sea in the rain. It's a powerful image for regret.
What a beautifully sad and evocative story. I do like how certain things are left open to the readers' own interpretations. This took me back to a burial I attended about ten years ago. It was not at all depressing despite how it sounds. Those of us who were there read poetry, reflected on the person's life and it was all quite beautiful. Maglor is perhaps my favourite of the Fëanorians and I did empathize with him here.
I wrote this one in response to an icon Oshun posted for one of the Back to Middle-earth challenges. It reminded me of Maglor and I was inspired to write this. I think it's wonderful when a burial celebrates a person's life in that way, with storys and poetry. Maglor is one of my favorite Feanorians too. I like his interactions with Maedhros in some of the stories I've read but he's a great character by himself too. Thank you for your comments.
Comments on Breath of Forgiveness
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.