Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Instadrabbling Sessions for April, May, and June
Instadrabbling continues on the first Saturday of each month on our Discord server.
[Writing] A Very Fire by Deborah Judge
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
"The madness will not end," Feanor…
[Writing] After the Kinslaying by Deborah Judge
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
[Writing] Add Another Stone by StarSpray
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
[Writing] How Tolkien Presents Ordinary People in "The Silmarillion" by Dawn Felagund
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
[Writing] Blessed are the Leave-takers by Isilme_among_the_stars
As prince Curufinwë Fëanáro makes an historical speech from the high court of the King upon Túna, those at the back of the crowd strain to hear.
A silly little scene inspired by Monty Python's "Blessed are the Cheesemakers" scene from The Life of Brian, written for …
[Writing] I Sit and Think of Times There Were Before by Erdariel
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
[Writing] Until the Stars are All Alight by Dagstjarna
Reembodied in Aman, Celebrimbor decides to return to Middle earth to help heal the darkness and hurt wrought by the ring.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Sirens and Songstresses
Use a prompt by a female musical artist or a band with a female lead to create your fanwork. Read more ...
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Week of Kiliel
A Tumblr event dedicated to the relationship between Kili and Tauriel.
Aspec Arda Week 2026
This week-long event celebrates asexual and aromantic spectrum interpretations and headcanons of Tolkien’s Legendarium.
April/May Teitho Challenge
Teithio is running a prompt challenge around the theme of "heartbreak."
Tolkien Reverse Summer Bang 2026
The Tolkien Reverse Summer Bang is back for another summer of collaboration between artists and writers!
This seems to be a very interesting story.
Aside from the ugliness of Ungoliat (as I hate spiders from early childhood), I am currently sympathetic to her in everything: her wonderment in the beginning, her crave to be "accepted" among the "good fellows" and her intelligence as to the manipulates of Melkor.
I hope to see the next chapter soon.
Hi there, and thanks for the review!
She was a very interesting character to find whispering in my ear; and even if I still don't appreciate what she did, writing this story helped me understand her actions better.
I'm glad you're enjoying this.
Aeärwen, I am absolutely delighted to see this on the SWG and that you perservered when wrestling with a new archive format. As one who has been privileged to read the drafts of Along Came a Spider on the Lizard Council, I will tell other readers that they are in for a story of remarkable depth and one which will challenge previously held concepts.
Your treatment of the Ainulindalë is marvelous. I love the imagery here, and one can see the influence of your own musical expertise in the passages. Ungoliantë's voice is so well-rendered as is Melkor's. Although the latter is strong, you do not allow him to truly dominate her, and that is oh, so satisfying for she is the primordial darkness. His arguments put forth to her ring with plausibility, too, and given her role -- and her loneliness in it -- it's entirely believable that she would seek his company and listen to him.
I also love the way you have portrayed sensuality between Ainu and Aini. It's subtly erotic, yet the sense of disembodiment is apparent. It's strange, "other" and yet...human. Again, very subtle.
The philosophical concepts put forth are fantastic, e.g., from Eru Iluvatar:
To you, child of my Intent, is given a different, more difficult task. Even as it was necessary to destroy the perfection of the Void to allow this new World to come into being, each act of Creation will necessarily require some act of Destruction to precede it. Were this not so, the Void itself would fill eventually with all that is to come until Creation itself becomes All There Is.
As I have said to you before, this is such a beautiful metaphor for the matter, energy, creation and annihilation in the universe: dark matter vs. galaxies, black holes vs. the gas clouds that give birth to stars, the orchestration of genes and proteins to form an embryo vs. the senescence of death, electron vs. positron. it's all about balance, and with Along Came a Spider, you give us an intriguing balanced view of a character so often reviled. And female character at that!
I've posted this elsewhere but for others who might read my review of your work, I'll repost it. Have a look at The Long Defeat: Tolkien's Lilith by Jason Tondro. An excerpt:
In all of Tolkien’s novels, in his work on the Silmarillion and its unpublished relations, there are only three wicked women – and two of them are giant spiders.
Aeärwen, your story goes a long way in remediating the party line of metaphysical dualism so often toued in Tolkienian fandom (although less so here on the SWG, i would like to think). Furthermore, it complicates (in a most wonderful way) the archetype of the devouring mother that Tolkien himself put forth.
In short, brava! And welcome. :^)
Wow!
I'm not exactly certain what to say in the face of this wonderful review. Thank you, thank you, for your kind words and for showing me that interesting article. And thank you a thousand times more for the encouragement you gave me along the way of writing this. You have no idea how much that helped.
What a nice thing to come home to see after such a long and hard weekend, Pandë.
Thank you again!
An interesting and thought-provoking story!
Well written.
I have a bit of a problem with the end, but it is an emotional one, not a literary one, and it does not detract from the quality of the story. Maybe it is even not unintentional? I do find myself really, really resenting Iluvatar in that last scene...
(I am planning to rec your story at the current Silm Re-read fanworks chapter but, as it has gone very quiet over there just now, I don't know whether it will have any noticeable effect.)
Site © Dawn Felagund
Logo © Bunn
All copyrights for creative work hosted on this site are retained by their creators.
This site is built using Drupal and the theme W3CSS.
Characters and stories associated with J.R.R. Tolkien's works remain the property of his estate. Creative work using this material has been written solely for the enjoyment and enlightenment of its creator and their associates. No profit is made on the materials shared on this site.
Comments on Along Came A Spider
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.