New Challenge: Scavenger Hunt
In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Scavenger Hunt
In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
[Writing] The Second Music by Hilya Lórienva
The story diverges from canon at the beginning of the Second Age (SA 600). In this alternate timeline, Sauron does not adopt the guise of Annatar to deceive the Elves of Eregion. Instead, he pursues a different path of dominion - one that threatens the very foundations of Arda itself.
[Writing] Funeral Dirge by Artano
Two Dwarves mourn the loss of their lord after the Ninraeth Arnoediad.
[Writing] She who holds a Circa by vigil_ardensole
She is one and many, the heroine and the victim, the courageous and the victim, the dead and the living, her feelings and sufferings are felt and shared together, and no justice, divine or earthly could mend her pain in the aftermath.
[Writing] Systems in place by daughterofshadows
Tuor arrives in Gondolin and admires the gardens.
[Writing] From That Rubble by StarSpray
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.”
“It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?”
“It’s not as though I…
[Writing] Add Another Stone by StarSpray
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
[Writing] How Tolkien Presents Ordinary People in "The Silmarillion" by Dawn Felagund
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
Scavenger Hunt
Solves clues to find your prompts for this Matryoshka challenge. Read more ...
Gnome Tome
Spin our random generator to receive a prompt inspired by "The Nature of Middle-earth." Read more ...
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Week of Kiliel
A Tumblr event dedicated to the relationship between Kili and Tauriel.
Aspec Arda Week 2026
This week-long event celebrates asexual and aromantic spectrum interpretations and headcanons of Tolkien’s Legendarium.
April/May Teitho Challenge
Teithio is running a prompt challenge around the theme of "heartbreak."
Tolkien Reverse Summer Bang 2026
The Tolkien Reverse Summer Bang is back for another summer of collaboration between artists and writers!
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Comment by erunyauve for Círdan the Shipwright
Círdan! I'm looking forward to the second part - I think his participation in the Nirnaeth is so important, given that Nargothrond and Doriath wouldn't have any part in it. As always, all the references are appreciated!
One minor correction - I'm pretty sure that Círdan remained at least into the Fourth Age. Appendix A has this: 'At the Grey Havens dwelt Círdan the Shipwright, and some say he dwells there still, until the Last Ship sets sail into the West. In the days of the Kings most of the High Elves that still lingered in Middle-earth dwelt with Círdan or in the seaward lands of Lindon. If any now remain they are few.' (p 1039 Kindle Edition). It's given in quotes, meaning that Pippin sourced it from documents in Minas Tirith, so 'now' is hard to pinpoint. However, Sam sails from the Havens in Shire Year 1482, or 4th Age 61.
Re: Comment by erunyauve for Círdan the Shipwright
So sorry!!! I will have to re-read and see if I can figure what you are referring to. Must be clumsy writing and/or bad grammar on my part--unless I accidentally deleted part of a sentence or paragraph or smething. I never, never intended to say he was not there until well into the Fourth Age--although that stuff will be described better in part II.
Thanks for reading.
Comment by oshun for Círdan the Shipwright
I did add a parenthetical sentence to the first paragraph to make clear my intent in the previous sentence. I think that should clarify any possible misreading.
And, after the triumph of the free peoples of Middle-earth at the end of the Third Age, he captains the last ship which leaves from the Grey Havens to sail to Elvenhome. (Although the date and circumstances of said "last ship" are not clearly stated anywhere, it would almost certainly would have left no earlier than a few years into the Fourth Age.")
Comment by IgnobleBard for Círdan the Shipwright
Very informative and well cited. I enjoy reading about Cirdan because, as you say, he shows up everywhere but I know so little about him. He's such a strong, independent character and played a larger role in events than I ever realized. Nice bio. Looking forward to the next part.
Re: Comment by IgnobleBard for Círdan the Shipwright
Thanks you so much! Thanks for reading and for taking the time to comment. I am looking forward to writing the next part! Thanks for the encouragement and also for reading parts of this one before it was finished. I cannot think of him without thinking of your pre-historic elves story (Hearts Like the Sea).
Comment by DrummerWench for Círdan the Shipwright, Part 2
Oshun, this is terrific! And two parts! There's so much here--more than one thinks, at first. It turns out he is there from the beginning, through all the stories, until the end of what we know. (In the Wench-verse, he is still here...)
Thanks for writing this; it is such a great resource!
Re: Comment by DrummerWench for Círdann the Shipwright, Part 2
I must have missed this comment before--thank you so very much. I am really happy that you enjoyed and appreciate it. I had a great time and learned a lot doing the research for this one.
Comment by erunyauve for Círdan the Shipwright, Part 2
You've done a nice job presenting an exhaustive amount of sometimes conflicting information. Laid out like this, Círdan appears even more significant in the history of Middle-earth.
While reading this, I came to a new appreciation for his wisdom (if that is possible!). Círdan intuitively arrives at the heart of the revolt of the Noldor - jealousy between the princes. Though he is giving them the benefit of the doubt - and I think that's part of his nature, not to judge - he has a better grasp of people than Thingol does. Thingol's reaction serves to excaberate those jealousies - I don't think that's his intent, but as you've presented it, the contrast between Círdan's worldliness (I'm not sure that's the right word) and Thingol's insularity with respect to people is more apparent.
Re: Comment by erunyauve for Círdan the Shipwright, Part 2
For some reason, I seem not to have received notification for this comment before now. I am surprised I did not notice. Thank you so much.
I am so glad that you got so much out of it. I certainly enjoyed doing the research.
I really like these points of your:
Círdan intuitively arrives at the heart of the revolt of the Noldor - jealousy between the princes. Though he is giving them the benefit of the doubt - and I think that's part of his nature, not to judge - he has a better grasp of people than Thingol does. Thingol's reaction serves to excaberate those jealousies - I don't think that's his intent, but as you've presented it, the contrast between Círdan's worldliness (I'm not sure that's the right word) and Thingol's insularity with respect to people is more apparent.
I think wordliness works or outwardly focused--whatever is the opposite of insular. He traveled a lot throughout his life, so his perspective was probably necessarily broader for that reason.
Comment by Keiliss for Círdan the Shipwright, Part 2
I looked to see what I'd said on first reading and am annoyed at myself to discover I never left a comment. Nothing to add, Oshun, just a thank you for such a clear and comprehensive bio. I think I've read all the sources at one time or another, but seeing his life set out in chronological order like this is wodnerful. My own assessment of Cirdan as a great lord with a good instinct for politics and the art of the practical, not just a guy who did a fine job of building ships, is underlined the whole way. He always reminded me a bit of one of those independent-minded Highland chiefs who perhaps owed blood or clan loyalty elsewhere, but still ruled his own people and made his own alliances as he saw fit. I very much enjoyed rereading this.
Re: Comment by Keiliss for Círdan the Shipwright, Part 2
Thanks so much, Keiliss! I really enjoyed working on his bio. He seems to pop up at every important place and event throughout his long history. And also have very important connections with everyone who counts! I like analysis very much. "Independent-minded" for sure!