New Challenge: Scavenger Hunt
In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Scavenger Hunt
In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
[Writing] Systems in place by daughterofshadows
Tuor arrives in Gondolin and admires the gardens.
[Writing] From That Rubble by StarSpray
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.”
“It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?”
“It’s not as though I…
[Writing] Funeral Dirge by Artano
Two Dwarves mourn the loss of their lord after the Ninraeth Arnoediad.
[Writing] Add Another Stone by StarSpray
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
[Writing] How Tolkien Presents Ordinary People in "The Silmarillion" by Dawn Felagund
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
[Writing] A Very Fire by Deborah Judge
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
"The madness will not end," Feanor…
[Writing] After the Kinslaying by Deborah Judge
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
Scavenger Hunt
Solves clues to find your prompts for this Matryoshka challenge. Read more ...
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Week of Kiliel
A Tumblr event dedicated to the relationship between Kili and Tauriel.
Aspec Arda Week 2026
This week-long event celebrates asexual and aromantic spectrum interpretations and headcanons of Tolkien’s Legendarium.
April/May Teitho Challenge
Teithio is running a prompt challenge around the theme of "heartbreak."
Tolkien Reverse Summer Bang 2026
The Tolkien Reverse Summer Bang is back for another summer of collaboration between artists and writers!
This is a very impressive portrait of an artist's ego! I have a bit of difficulty seeing this version of Maglor decide to foster Elrond and Elros, but I guess there's room for development here: after all, that decision comes much later in the story, doesn't it?
Awesome. It seems intead of replying to your review, I chose to review myself in response to your review.
Thank you! I will confess that some of my bias bled into this fic, as I've always been rather outraged on Maglor's behalf when reading about how he was the greatest singer ever- except for Daeron. And this is one of the more positive reactions to this story I've gotten since the second chapter came out (the other being an abject denial of Maglor ever even considering not singing for the rest of his life).
There's tons of room for development in Maglor's story (I've actually come up with two separate theories just now that could lead to the dear artist mellowing out enough to adopting some kids.)
Thanks again for the review!
I loved this story, it's very touching. Poor Canafinwë, always the second... His jealousy and despair resonate deeply with me, I feel like hugging him and saying he's still # 1 for me ^ ^ Honestly, Daeron is something like da Vinci in Tolkien's work- a multitalented genius, but I still never particularly liked him. It's so unfair that in the House of Fëanor, only Fëanor himself has a talent unparalleled... Cáno must be feeling such a failure after being bested by a Moriquendë who overshadows him in everything except possibly fighting -_-
I'm curious to read a story of yours telling how he progressed from the state he's in at the end of this story to being the only one who wishes to break the Oath.
The only thing that didn't sit too well with me was the fact that the Noldolantë, a tale of the fell deeds of the Noldor, should be sung at such a joyous event as the Mereth, where the Sindar are present as well.
Wow, thanks for your review!
I've always really taken exception with the assertion that Daeron was the better singer. It seemed a bit unfair for that distinction to be taken away from Mako (Maglor + Cano = Mako... somehow), considering ALL THE OTHER STUFF that eventually gets taken away from him. Looking at the published Silmarillion as a biased historical document frees me up to call shenanigans on Pengolodh, who would have had no reason to be nice to the Feanorians by the end of the First Age, but I wanted to capture something of the sense of injustice of it all in this piece, which necessitated an acceptance of Daeron's superiority.
Re: Noldolante: I've actually heard that from a lot of people who read this piece, which is one of the things that surprised me, in terms of things that didn't enter my head when I was writing it. I suppose I tend to see the Noldolante in an odd way? That while it was a lament for the evil the Noldor have done, it was also meant as a way of acknowledging shared culpability and a determination to move forward, while at the same time always looking back. Kind of a "Never forget" sort of thing. I feel like there's an emotional honesty to Maglor, where he would want to "come clean," so to speak, before this grand, reconciliatory meeting. In essence, it was going to be his version of Maedhros surrendering the crown to Nolofinwe. (And then he was upstaged.)
Looking at it from what seems to be a majority of readers' perspectives, however, I can totally see why having him sing the Noldolante at the Aderthad is an issue.
Thanks again for your review!
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Comments on The Greatest of Gifts
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