New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution
Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
"The Fëanorian Zine" Available to Read and Download
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Call for Artists for the 2026 Challenge Stamps
We are soliciting help from artists who want to help create the stamps we award to challenge participants.
[Writing] In Early Spring by Serinquanion
In what Maedhros was re-embodied early and was sent back to Middle Earth on his volition with Glorfindel.
This isn't about what happened right then but years after Fall of Sauron when he still refused to return to Valinor.
He found a strange sapling at the shore of what remains of…
[Writing] Umnenyalië by Serinquanion
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
[Writing] Winter Warmth by Serinquanion
A winter night in Himring. But inside the quarters where fire blazed in hearth was warmer, and not only from the fire or quilt.
[Writing] A Hundred Miles Through the Desert by StarSpray
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
[Writing] Who Will Hear Me? by XirinOfArvada
A lonely elf finds a flute half buried beneath the sand and wonders if its owner will hear him when he calls.
[Writing] Loyal, Faithful by Himring
Late in the Second Age, one of the Faithful reflects critically on past developments. (Free verse.)
[Writing] East Away! by Flora-lass
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
Turgon's Rock Opera
On the anniversary of the publication of "The Silmarillion," we’re reflecting on the importance of music in Arda with prompts that come from rock songs. Read more ...
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Twilight, Child Of: Comparisons Between Tinúviel, Lómion, and Undómiel by JazTheBard
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
The Aromantic in Tolkien by daughterofshadows
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
[Writing] here you will dwell, bound to your grief by Elrond's Library
Arwen grieves, and loves.
[Writing] Faramir's Verse by losselen
“Come, Faramir. Let us not stand in ceremony. I think words are due between you and I, and not only those between a King and his Steward.”
Faramir has speech with Gandalf and his King.
[Writing] In a Hole in the Ground... by StarSpray
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
This is a very impressive portrait of an artist's ego! I have a bit of difficulty seeing this version of Maglor decide to foster Elrond and Elros, but I guess there's room for development here: after all, that decision comes much later in the story, doesn't it?
Awesome. It seems intead of replying to your review, I chose to review myself in response to your review.
Thank you! I will confess that some of my bias bled into this fic, as I've always been rather outraged on Maglor's behalf when reading about how he was the greatest singer ever- except for Daeron. And this is one of the more positive reactions to this story I've gotten since the second chapter came out (the other being an abject denial of Maglor ever even considering not singing for the rest of his life).
There's tons of room for development in Maglor's story (I've actually come up with two separate theories just now that could lead to the dear artist mellowing out enough to adopting some kids.)
Thanks again for the review!
I loved this story, it's very touching. Poor Canafinwë, always the second... His jealousy and despair resonate deeply with me, I feel like hugging him and saying he's still # 1 for me ^ ^ Honestly, Daeron is something like da Vinci in Tolkien's work- a multitalented genius, but I still never particularly liked him. It's so unfair that in the House of Fëanor, only Fëanor himself has a talent unparalleled... Cáno must be feeling such a failure after being bested by a Moriquendë who overshadows him in everything except possibly fighting -_-
I'm curious to read a story of yours telling how he progressed from the state he's in at the end of this story to being the only one who wishes to break the Oath.
The only thing that didn't sit too well with me was the fact that the Noldolantë, a tale of the fell deeds of the Noldor, should be sung at such a joyous event as the Mereth, where the Sindar are present as well.
Wow, thanks for your review!
I've always really taken exception with the assertion that Daeron was the better singer. It seemed a bit unfair for that distinction to be taken away from Mako (Maglor + Cano = Mako... somehow), considering ALL THE OTHER STUFF that eventually gets taken away from him. Looking at the published Silmarillion as a biased historical document frees me up to call shenanigans on Pengolodh, who would have had no reason to be nice to the Feanorians by the end of the First Age, but I wanted to capture something of the sense of injustice of it all in this piece, which necessitated an acceptance of Daeron's superiority.
Re: Noldolante: I've actually heard that from a lot of people who read this piece, which is one of the things that surprised me, in terms of things that didn't enter my head when I was writing it. I suppose I tend to see the Noldolante in an odd way? That while it was a lament for the evil the Noldor have done, it was also meant as a way of acknowledging shared culpability and a determination to move forward, while at the same time always looking back. Kind of a "Never forget" sort of thing. I feel like there's an emotional honesty to Maglor, where he would want to "come clean," so to speak, before this grand, reconciliatory meeting. In essence, it was going to be his version of Maedhros surrendering the crown to Nolofinwe. (And then he was upstaged.)
Looking at it from what seems to be a majority of readers' perspectives, however, I can totally see why having him sing the Noldolante at the Aderthad is an issue.
Thanks again for your review!
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Comments on The Greatest of Gifts
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