Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Narya has requested the following types of constructive criticism on this fanwork: Spelling, Grammar, and Mechanics. All constructive criticism must follow our diplomacy guidelines.
This was so original! It gave me that sense of faerie that I get from Tolkien's early writings, especially the poems. I felt like I was watching all of this mystery and magic unfold through a screen. (Look forward to discussing in book club, but wanted to drop a comment also :-).)
I love this type of stories, and the wonder of the child made me also go back to my own childhood when all tunnels made by bushes were a portal to another world. I love portal fantasies and this is just perfect. The descriptions are so vivid. I can smell and hear everything.
Me screaming “laurie”!!! Maglor, I see you there. Ooh I’m sure Maglor also saw somehow that Robin travelled through worlds…and I do wonder why Robin does no longer go to there. I can see it metaphorically being the crush of the adult life “bills and deadlines” but maybe, who knows…
He was not from this world? Star blazing on his forehead? Who can it be? Gil-Galad??? I love the mystery, the way it reads as a coming of age story, how magic and mundane interact, the whimsical tone, it’s beautiful.
Smith of Wootton Major was more of a favourite with me than The Hobbit when I first read them (a long, long time ago), just after finishing The Lord of the Rings trilogy - which had been a Christmas present. This story that you have written is so beautiful and evocative of both the worlds of Smith and The Silmarillion.
I really want May and Laurie to also be able to go home....
Comments on Gone With The Harp's Echo
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Narya has requested the following types of constructive criticism on this fanwork: Spelling, Grammar, and Mechanics. All constructive criticism must follow our diplomacy guidelines.