Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Have you ever wondered what would happen if the characters in The Silmarillion were smoooooth like they were sippin' a Sex on the Beach on a party barge in the harbor at Alqualondë? The "Yacht Rock Silmarillion" retells The Silmarillion as though the characters all had perms…
"Move farther north," Caranthir says to her a month after the attack, gaze steady on her even as his hands continue briskly gutting fish. "There is plenty of land closer to my fortress, and my people can help protect yours if there is another attack."
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
Data from the 2025 Tolkien Fanfiction Survey shows demographic changes in participant gender, age, and education and new revelations about neurodiversity.
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Anérea has requested the following types of constructive criticism on this fanwork: Characterization, Conflict, Description/Imagery, Mood/Tone, Organization/Structure, Pacing, Plot, Point of View, Research, Sensitivity Read, Setting, Spelling, Grammar, and Mechanics, Style, Worldbuilding. All constructive criticism must follow our diplomacy guidelines.
I love the lines you drew here from your human OC/Maia OC characters all the way to Earendil and Elwing. It's hard to appreciate the amount of time the events of the First Age take since it's so focused on elves, but the number of human generations from the rising of the sun really puts it into perspective. I also love how this cute exchange of wisdom between mother and daughter is set amid a moment of consequence for the Edain.
And I'm pleased you like the connections that run all the way through. (Tolkien ensured that worked out nicely for me: when I wrote the earlier fic featuring Fraiwen’s parents, I had just looked at Adanel's descendants to Elwing, but later I realised it was her brother's line that led to Eärendil. And the mathematics worked perfectly, for a change!)
This is really lovely! You've packed a lot of great and fascinating worldbuilding into a small moment between mother and daughter, and I really love the imagery of Adanel and the flowers and the light!
I think these early generations of Men are so interesting! From canon, we only get tantalizing hints of what their own traditions were, before they entered Beleriand and what those first encounters with the Noldor and Sindar looked like from their point of view.
So I think it's great that you are focussing on that and on Zimrahin and Adanel in particular, who I always wanted to know more about. I really like how you show their relationship and how it emerges that Adanel's knowledge of earlier traditions is passed on to her from Zimrahin.
The scene setting is lovely and I think you have integrated the more general message very well into the conversation and the story-telling.
You are also whetting my curiosity for what other tales may be to come, as I gather there is a whole family history here that doesn't just exist as backstory!
Thank you, I'm delighted that you appreciated this piece.
The blank in-between possibility-spaces are one of the magical things I love about Tolkien's work. I didn't expect to find myself writing about 'early man', but now I'm here I'm finding it both fun and fascinating. I wanted to know more about the darkness that Andreth mentions, what form it took and how they overcame it, hence the connection to Adanel. And suddenly her mother was there, a quietly powerful wise woman herself, bridging the generations. So oh yes! There is a whole chain of ancestors who are clamouring for their thoughts and experiences to be cast into words.
Beautiful story! I loved the telling of the dream and how Zimrahin only said “You and I are here, aren’t we?” to Adanel's question (which is also a lovely ending).
Comments on In Light Of Dreams
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Anérea has requested the following types of constructive criticism on this fanwork: Characterization, Conflict, Description/Imagery, Mood/Tone, Organization/Structure, Pacing, Plot, Point of View, Research, Sensitivity Read, Setting, Spelling, Grammar, and Mechanics, Style, Worldbuilding. All constructive criticism must follow our diplomacy guidelines.