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Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
On the night before the battle, Caranthir and his ally share thoughts about their peoples' traditions:
Burning bones ward off evil.
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In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
What a satisfying Valar-bashing collection! It makes you feel like kicking Manwe and hitting Namo on his pompous head. Poor Vaire, she really got the toughest job of them all.
She and Nienna, I think. But then I also think it's giving her insights the others are lacking. As for Manwë and Námo, I keep having that urge even just reading the published material ^^
To be honest, though, I just had no idea what to do about the Fourth Age for this story, since I haven't got a clue as to what may have happened there. So when this idea for a filler came along, I cheerfully grabbed it ;)
"The same as ever. The song will run its course. People will live and die. There will be deeds of amazing valour and of baffling idiocy. I will always have something to weave into history, and you will always have something to cry over."
Oh, I'm glad! I really didn't want to have another gloomy chapter, but found it hard to deal with the idea of the End of the World in a light-hearted way... so it's good to hear that it worked for you! :)
This is amazing! I really like Vaire's attitude, here. Especially how snarky she is at times. This exchange with Earendil had me laughing:
""I am not certain that I understand," says Vairë. "Námo does, supposedly, but he appears to think that I should just do my job and stop asking questions. Did I say that out loud?" "You did, lady." "Pretend that I didn't." "I shall, lady.""
The Valar are such interesting characters to think about, because of how different they are from humans. This story does a wonderful job of keeping that "alien" feeling while also making the characters sympathetic.
I don't usually go in for religious themes, but I thought the part with the nativity story was really clever...I mean, Eru trying to subvert his own rules? I thought it was an interesting notion!
Thank you! So glad you like Vaire's attitude (I figured she'd become rather deadpan, with her job), and also that you find the Valar convincing in their humanoid alienness. I can't claim credit for the notion of "subverting his own rules", which is a relatively common reading in (liberal?) theology, but I'm glad you think I pulled it off well! In conclusion, thank you for your lovely comment!
Wow, so many lovely comments! It's going to be such fun to read and resond to them all. Thank you already! No, I definitely wouldn't want it, either. I prefer to pick and choose the moments in history (and story) that I "record"... :)
I found myself annoyed with Manwe in this chapter, I totally agree with the points raised by Vaireand Ulmo, whereas Manwe is quite the hands-off, imperious type.
Manwe is so convinced that he's right that he's probably irritated when anyone questions his decisions. As you probably guessed, I like Vaire and Ulmo a lot more (so of course, I'm biased and may be unjust towards poor Manwe ;))...
Námo doesn't mean to be, of course; he is as he is (judging practically ;)). But yeah, he isn't exactly my favourite Vala, either. Glad my portrayal of the Valar works for you! It's been quite a lot of fun to figure out how they tick. :)
Short but silky chapter, enjoyed this Valaric exchange before the battle at Beleriand, the Valar should have pro-actively battled Melkor way before this time and I agree with Vaire's assessment of the true cause of delay.
Daeron. :) I keep vaccillating on whether or not the two would a) meet (they both end up walking the shores and making sad music, but there's a lot of shore in the world...), b) talk to each other and c) get along. But it's a fun idea to play with, so I've actually written quite a few pieces in which they live through events in history together. I'm assuming that their love of music, and the burden of immortality they both share, would eventually overcome any hard feelings left by the sack of Doriath...
Phew, so glad you like this chapter! It was a lot of fun to work out how to bring the Valar and Christianity together, so to say, but I know that it's a touchy subject for a lot of people so I was frightened of doing it wrong. So it's nice to hear that one other people finds it wonderful. :)
My favorite line for this chapter is when Namo opines that he's not sure if they can blame all the discord on Melkor. For the first time in this story, I kind of felt sorry for Namo.
From this line "even if we were still in office", I take it that the Valar are no longer in office at this point?
Knowledge is a burden, so Námo's job can't be easy, either. Glad I managed to conjure up some sympathy for him - I don't particularly like what I see of him in Tolkien's works, but then, he can't help that (on several levels)... They officially laid down their office just before the Downfall of Númenor, and while they may technically have taken it back up afterwards, with Valinor physically removed from the world, their influence is a lot less immediate. So I'm assuming that they're no longer "the Powers of the World", even though they continue to do their jobs as usual.
Not necessarily - I assumed that she became aware of Feanor's release, and then automatically jumped to the conclusion that it was time for the world's end, and it would be an end in fire. (Of course, with Melkor as the counterpart, ice is still just as likely. In the Ainulindale, Eru specifically points out "the cunning work of frost" as Melkor's part...)
Comments on As Time Unrolls
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.