Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Current Challenge
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
Random Challenge
Woman's Sceptre
Create a fanwork using a quote from a woman who has advanced the cause of women's rights or participation of women in the arts. Read more ...
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
Around the World and Web
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
“When we die, all we have is our works to live after us. We can remember the person who originally made this scene. We can honor those who came before. There are those who speak of Hope in these troubled times.”
Thank you so much for reading and commenting! I agree, that passage was the heart of what I was trying to get at: what is the purpose to fight entropy and save old things and memories? I think it has great value.
Thank you very much for your comment and for reading! I am glad you liked the alpaca. The scene is directly taken from when I was very small- my grandfather (a magician) made the cuckoos hop up a ladder into the cuckoo clock.
Oh. Wow. This is truly a little piece of magic. I really enjoyed the elements of magic incorporated as natural everyday stuff. The setting and Andreth's occupation is so apt. I really love the way the tapestry tells the Tale of Adanel, with the frayed missing edge.
This is so beautifully written, I was immediately there with the scent of dust and old things, and the light, the slight clutter of her workroom, the texture of Finrod's suit, and the pair of them so easy in each other’s company.
I'm really partial to Andreth and particularly the Tale of Adanel, and this is such an original little gem. Thank you!
I am so glad that the mood and details came through. I was trying to conjure the feelings of all the grand old museums I've been to in my life. Andreth is one of my favorite characters as well. There is so much going on there to unpack.
Ah, I am so happy that you feel I captured the spirit of it. I love the story, but wanted to make it slightly less of just a long conversation about Tolkien's philosophy and more of a story. I love Latin American magical realism, and wanted to come up with something like a cross between House of the Spirits and Encanto with a little bit of Sesame Street: Don't Eat the Pictures or Moon Knight (without the deities trashing the place)
Thank you for reading and commenting! It makes me very happy that you feel the AU setting is a good fit. I thought of "what sort of lore could she know that was specialized and someone from another culture might be curious about?" And then I remembered a formative experience when I was very very small and my grandfather (a magician) made the cuckoos hop up a ladder into the cuckoo clock.
Aaaaaah this was magical, I love it so much. Your descriptions are beautiful, I could picture everything so well in my mind. And Andreth as a museum curator is so perfect!
Augh, that goodbye though T-T Heartwrenching in the best way.
I love writing descriptions more than anything, so I am glad they worked for you! The end of the Athrabeth does seem so final, although it says in the footnotes that they all lived for at least 50 more years, etc. I guess everything does work on a longer scale, just as Finrod and Andreth talk about! I just knew that her magic/secret knowledge was going to be about bringing exhibits to life when I randomly drew Museum and Magical Realism from the list. I mean, who wouldn't want to pet a real live mastodon? (Well, there might be some people who would wisely run, but I would stay)
Comments on Tapestries and Fate
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.