Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
On the night before the battle, Caranthir and his ally share thoughts about their peoples' traditions:
Burning bones ward off evil.
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Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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Tolkien Gen Week 2026
Tolkien Gen Week will run from July 6-12, 2026 to appreciate all of the incredible characters and relationships within Tolkien’s legendarium that fall under the broad category of “gen.”
Tolkien Disability Pride 2026
This Tumblr event focuses on ALL creative works focusing on disability in Tolkien's universe.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
“When we die, all we have is our works to live after us. We can remember the person who originally made this scene. We can honor those who came before. There are those who speak of Hope in these troubled times.”
Thank you so much for reading and commenting! I agree, that passage was the heart of what I was trying to get at: what is the purpose to fight entropy and save old things and memories? I think it has great value.
Thank you very much for your comment and for reading! I am glad you liked the alpaca. The scene is directly taken from when I was very small- my grandfather (a magician) made the cuckoos hop up a ladder into the cuckoo clock.
Oh. Wow. This is truly a little piece of magic. I really enjoyed the elements of magic incorporated as natural everyday stuff. The setting and Andreth's occupation is so apt. I really love the way the tapestry tells the Tale of Adanel, with the frayed missing edge.
This is so beautifully written, I was immediately there with the scent of dust and old things, and the light, the slight clutter of her workroom, the texture of Finrod's suit, and the pair of them so easy in each other’s company.
I'm really partial to Andreth and particularly the Tale of Adanel, and this is such an original little gem. Thank you!
I am so glad that the mood and details came through. I was trying to conjure the feelings of all the grand old museums I've been to in my life. Andreth is one of my favorite characters as well. There is so much going on there to unpack.
Ah, I am so happy that you feel I captured the spirit of it. I love the story, but wanted to make it slightly less of just a long conversation about Tolkien's philosophy and more of a story. I love Latin American magical realism, and wanted to come up with something like a cross between House of the Spirits and Encanto with a little bit of Sesame Street: Don't Eat the Pictures or Moon Knight (without the deities trashing the place)
Thank you for reading and commenting! It makes me very happy that you feel the AU setting is a good fit. I thought of "what sort of lore could she know that was specialized and someone from another culture might be curious about?" And then I remembered a formative experience when I was very very small and my grandfather (a magician) made the cuckoos hop up a ladder into the cuckoo clock.
Aaaaaah this was magical, I love it so much. Your descriptions are beautiful, I could picture everything so well in my mind. And Andreth as a museum curator is so perfect!
Augh, that goodbye though T-T Heartwrenching in the best way.
I love writing descriptions more than anything, so I am glad they worked for you! The end of the Athrabeth does seem so final, although it says in the footnotes that they all lived for at least 50 more years, etc. I guess everything does work on a longer scale, just as Finrod and Andreth talk about! I just knew that her magic/secret knowledge was going to be about bringing exhibits to life when I randomly drew Museum and Magical Realism from the list. I mean, who wouldn't want to pet a real live mastodon? (Well, there might be some people who would wisely run, but I would stay)
Comments on Tapestries and Fate
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.