Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
This is fantastic. An entirely new and fascinating perspective on the Helcaraxë. Beautiful (if chilling) imagery and very intriguing ideas! And as you can probably imagine, my favourite line is this: Helcaraxë begins to sing, and they learn to listen to its language, for are they not Quendi? b29;
You've captured the Helcaraxe's dangerous beauty, magic, treacherous and alluring at the same time, and the 'fever' that drove the Noldor to the unknown. Brilliant! Thank you.
Thank you so much! I'm glad the interplay between Helcaraxe and Noldorin behaviour works for you; many of the descriptions owe a lot to a documentary about Greenland I saw recently, and wondered how anyone could not fall for such surroundings... dangerously beautiful indeed.
Thank you again. :) That line quickly seems to be becoming a favourite - and I'm glad the story as a whole seems to be a successful piece of work. But then I can't claim the glory for the beauty of an arctic landscape. ;)
A very creative comparison between Fingon and Gil-galad and an interesting speculation on the differences and why. No doubt in my mind that Fingon is written as bold and reckless in the texts. Not than any of the Noldor were timid.
Thank you! :) The Noldor never quite struck me as timid either (how, if even the arguably most gentle of them killed a werewolf with his teeth?), and I definitely agree with your assessment of Fingon, even if it's packed into slightly different terms in the story. That recklessness undoubtedly caused some of young Gil-galad's resentment here.
I'm glad it made such an impact for you, at any rate; I was hoping it would drive home the mindset of the Noldor after the Crossing and am glad it succeeded. Thank you for the review. :)
That plan didn't quite work out, did it? Although Gil-galad did rule for longer. But in the end, he was more like his father than he had planned to be: valiant, steadfast, defiant until the last. Did he remember his father that day, I wonder?
That cloven helm on the sea floor is a very striking image!
Thank you for the review. :) I wonder, too... Gil-galad very much met the default messy end for a Noldorin ruler, and perhaps he understood that some things are hard to avoid - but he's not a character I usually write, so he is keeping his secrets (for now).
I like this very much. I completely understand and sympathize with Maglor's logic and also feel his pain. He also knows his older brother well. Curufin seems in character also and I understand his frustration. Very nice characterization throughout. Hard to do so much in so few words. Like the concept of Curufin crafting a crown for Maglor. I related to your interpretation here beginning to end. So many people write about the same subject matter and choices and my reaction is "no way that is happened like that!" Thanks for sharing,
Thank you for the review, I'm glad you enjoyed the fic. It's never easy to offer a fresh (and own!) spin on an often-written story, especially with characters that fandom tends to interpret in as many diverse ways as the Feanorians, so it's easy to find characterizations or ideas that may not fit into the personal view. Which (please forgive me the preening ;)) makes me doubly glad that my take on this particular chapter convinced you.
Hope and encouragement are (to me, at any rate) very strong messages of the Beren and Lúthien epic in general, so it seemed only fair to include that in the drabble. Thank you for the review.
Very vivid! Any situation less like Bilbo's birthday party is difficult to imagine, but the story manages to capture the basic reassuring quality of food that would have been felt by Elf and hobbit alike--I think your adaptation of the bread and salt ritual works well. One of the many details here that I like is the bit about Maedhros's braid. (Did Maglor's Sindarin wife die in the Dagor Bragollach?)
Thank you for the review, and I'm glad one of the messages I was trying to convey came through. All four of them, I think, were strongly in need of reassurance in this story. (Yes, that was a good guess; she died when Glaurung destroyed Maglor's lands in the Bragollach. I expect it will come up in a story sooner or later, too.)
I think this is the first time that I learn more about Lasbaneth! I like her already. I also like the difficult diplomacy Fingon and Lasbaneth get to attempt here. Good thing they're both reasonable people. As usual, I am tempted to take your Maglor and shake him a little... but I guess he could use it. I suspect there's more truth to Noldóranis than Fingon realises...
First of all, sorry for the late reply, I thought I'd caught up on responding to reviews when that wasn't the case. I'm glad Lasbaneth invited a favourable response... I'm quite fond of her as a character, she's fun to write and has an interesting story to tell. Plus, more importantly, she's going to feature in an upcoming story, so that support is good to know about (you know what they say about OFCs...). She certainly deserves the title, at any rate, and is trying to do it justice.
Maglor could, without a doubt, benefit from that shaking, for the reasons outlined in this story and many others. Thank you for the review.
Hi Elleth, thought I'd repost my Mefa review here:
Thought I'd repost my Mefa review here:
This is an absolutely gorgeous ficlet with a very creative approach to a Back to Middle-earth month writing prompt in which seduction had to play a central role. Elleth has rendered the power of the treacherous landscape of the Helcaraxë in such a way that it becomes a character unto itself, one that bewitches with its cruel beauty requiring the elves attempting to cross to listen to its song and learn its ways and to change fundamentally who they are. [“Helcaraxë begins to sing, and they learn to listen to its language, for are they not Quendi?”] I admire the wisdom in this piece – the idea that treachery requires the occasional kindness to work; the idea that the elves must learn the secrets of the terrible terrain to survive; that some become so beguiled that they purposefully become lost; and that the others who find their way, they lose some part of who they are too; and the inspired description of how they learn to talk in the bitter cold, yes with a rise of eyebrows, and no with a frown. And then there is Elleth's poetic language that sings and soars, and we hear the groan and grind and creak of the wind and the ice, and every word carries meaning and weight. When I tried to pick one line to quote, I ended up wanting to quote the entire piece. And finally there is the ending that catches one’s breath. Fabulous work!
Yet another over-late response! Once more (I think I did thank you for the Mefa review?) -- thank you so much for taking the time to write up such an effusive and thoughtful treatment of my little fic. :)
Just as a drabble should be: an economy of words with tremendous power in them. Not to mention a stark look at how less-than-perfect the Firstborn are.
I've been remiss replying (officially, at least), sorry - but thank you very much. I'm glad this drabble still holds up to your scrutiny. And the Firstborn definitely are as flawed as any human being can be.
Oh, Maedhros, you silly boy. You do make the eagle brooch sound very beautiful, though! Good thing I suspect Fingon and Alphangil will both forgive him, even if he causes a stir among other guests.
Comments on Postcards from Arda
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.