New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Instadrabbling Sessions for April, May, and June
Instadrabbling continues on the first Saturday of each month on our Discord server.
New Challenge: Famous Last Words
For our March challenge, our moderators will assign you a famous last line to use as a prompt.
[Writing] a life freely given, a favor returned by skywardstruck
Finrod and Bëor stop for a while on the road to Nargothrond to rest. The bodies of the Secondborn often grow weary, and Finrod laments, massaging Bëor's back and renewing his beloved's vigor with the work of his hands. But Finrod has other burdens of his own, Bëor soon discovers, returning…
[Writing] dye me, nocturne by skywardstruck
Maglor without Maedhros, Daeron without Lúthien. Alone, they are nothing, but together, they can be something more.
Where do you turn, when you have no one else left?
Written for Tolkien Reverse Summer Bang 2023, featuring artwork by athlai.
[Writing] Til We're on the Other Side by StarSpray
It was only the second time Finwë had come out foraging with them, and of course this would happen—of course the Hunter would come, the Dark Rider on his steed with its terrible, heavy footfalls, and the deep-throated laughter that held no mirth, only malice.
In the dark…
[Writing] A Hundred Miles Through the Desert by StarSpray
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
[Writing] Hill and Water Under Sky by StarSpray
a collection of drabbles and mini ficlets in the meanwhile the world goes on 'verse that aren't long enough to stand on their own
[Writing] The Long Arm of the Law by Elrond's Library
Turgon cannot be above the law.
[Writing] Despair and Shadows by octopus_fool
Haleth leaves to find her brother, even though her father does not permit her to.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
[Writing] Why did Éowyn ask Faramir if he'd rather have a "woman of the race of Númenor"? by Quente
For most of my life, when reading Lord of the Rings, I read it through the perspective of Gandalf's words about Éowyn, that she'd spent years trapped as a caregiver, watching the realm she love fall from honor into disgrace.
But what if Éowyn was also a student of history?
…
Angbang Week 2026
Angbang Week is a tumblr event focusing on the relationship between Morgoth and Sauron, running from May 5-11, 2026
Gondor Week 2026
A Tumblr week event focusing on the history of the realm of Gondor.
Crablor Day
A day dedicated to everyone's favourite warcriminal crustacean - April 26, 2026
April/May Teitho Challenge
Teithio is running a prompt challenge around the theme of "heartbreak."
April Challenge Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge around the theme of "fools," "foolishness," or "being fooled."
I love that you incorporated the dancing bears. :D
Weirdly, I had the impression that Elros was getting younger as he walked through the forest and talked to Maglor, although there isn't really anything in the text on which I can fix it (except maybe the leaning on Maglor's shoulder, but that happens very late). Although the unavoidable ending made me sad, it feels reassuring that Elros died knowing that it's been a good year (if there are bad years in Númenor at all) and that everything was in good order.
Thank you! I love those bears and how they link up with the bear lore in The Hobbit! But my head has trouble seeing them literally on the same island with Aldarion and Erendis and the others. I can see them as a Beorian folk tale, though, for instance!
I hadn't consciously thought of Elros getting younger, when I wrote, but it fits very well with what I meant to suggest about how he was feeling!
I think of the beginning years in Numenor as being quite tough for the new settlers, but by the time this is set I envision them having no disastrously bad harvests, although not all of them equally good, and enough planning in place to deal with any less good years without much strain (quite unlike the later distribution issues in Azruhar's time!).
I absolutely love the dancing bears of Númenor (out of place though they feel at first) because Númenor was on my mind when I was travelling around Hokkaidô, a long time ago, and the bear is majorly important in the Ainu culture of Hokkaidô. It makes no actual sense, and it certainly doesn't fit with the southern Mediterranean vibes of the rest of Númenor, but it makes me happy. XD
For all we know from canon, there may have been no distribution issues in the days of Tar-Ancalimon and Tar-Telemmaite either. Perhaps those days were just golden and happy and I'm just an evil author! ;) I agree that the beginning years must have been a challenge! In that context, the observation that all of the trees are younger than Elros was very poignant. They not only had to settle a country where nobody had settled before, it was a country that literally hadn't existed before, and that must have been tough. And that isn't even getting into how different peoples had to grow together as one people, and how plenty of them were probably bringing generational trauma and defensive residue from Middle-earth under Morgoth's rule! Elros surely had his work cut out, but he seems to have managed to leave his descendants a well-functioning kingdom at the end of his long life.
Oh, this is so beautiful, tears spontaneously came to my eyes when I reached the ending.
I love that he let go in the comforting presence of both dads (comforting despite all the reasons for the (justifiably) loud words he'd like to say!) And also comforted that the trees they'd planted, along with the other agriculture, had become so well established by now that the island wouldn't need as much tending at the start of his grandson's reign as it did at the beginning of his. (This made me picture Númenor as a kind of inverted Easter Island, relatively barren and harsh initially and gradually forested. And with mystery bears instead of mystery statues, I guess!)
Comparing his age to the great girth of common trees really does give an impression of how old 500 years really is!
I'd love for Maglor to be there on the Island with his fostor son, and then it suddenly made me so sad that Elros is leaving most of his ancestral family here in Arda, inside Mandos and out — although they're mostly people we've come to know and love and of course he didn't.
I do like the implication that Tinfang plays, and in a way calls, to people when it's their time to depart, and that Maglor somehow made a deal with him to play in his stead for Elros. (And bringing in the Warble at the end was a touch that made me smile.)
Very belated thank you for this wonderful comment!
Really loved this!
It felt like a nice ending for Elros and the bears were an interesting feature.
Also fits the time of year really well, since all the acorns and chestnuts and beechnuts are currently falling from the trees and try to hit you when you least expect it.
Belatedly: thank you very much!
Hope you did not get hit by any falling chestnuts in the meantime!
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Comments on The Emperor's Goodbye
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