New Challenge: Scavenger Hunt
In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Scavenger Hunt
In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
[Writing] I Sit and Think of Times There Were Before by Erdariel
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
[Writing] A Thousand Winds that Blow by StarSpray
When uneasy dreams bring him back into Beleriand, Daeron finds a pair of twins who have lost their home, and an enemy who has lost himself. The Shadow's reach is growing ever longer, and if they are to survive, they must do it together.
[Writing] Eä's Redemption by AaronAzrael
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
[Writing] From That Rubble by StarSpray
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.”
“It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?”
“It’s not as though I…
[Writing] I have no wings to fly by Elrond's Library
Elwing waits.
[Writing] Nasyalossë by Lovimmy3365
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
[Writing] Those Lost Yesterdays by Himring
In Tol Eressea, in the late Second Age, Voronwe looks back on his shared past with Numenor.
Scavenger Hunt
Solves clues to find your prompts for this Matryoshka challenge. Read more ...
Communities Do Comment: Expanding the 3C's of Commenting with SWG Data by Dawn Walls-Thumma
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Tolkien Native Language Appreciation Fest 2026
A Tumblr event to celebrate the linguistic diversity of the Tolkien fandom.
Scribbles and Drabbles 2026
Scribbles & Drabbles is a fic and art exchange with a minimum word count of 100 words.
Russingon Week 2026
A Tumblr week event focusing on the relationship between Maedhros and Fingon.
Boromir Week 2026
If you are Boromir girlies/gents/stans/simps, then this event is for you! So, come join us, and bring your fanfiction, art, gifs, moodboards, and headcanons that highlight everything you love about our Captain of Gondor!
I love that you incorporated the dancing bears. :D
Weirdly, I had the impression that Elros was getting younger as he walked through the forest and talked to Maglor, although there isn't really anything in the text on which I can fix it (except maybe the leaning on Maglor's shoulder, but that happens very late). Although the unavoidable ending made me sad, it feels reassuring that Elros died knowing that it's been a good year (if there are bad years in Númenor at all) and that everything was in good order.
Thank you! I love those bears and how they link up with the bear lore in The Hobbit! But my head has trouble seeing them literally on the same island with Aldarion and Erendis and the others. I can see them as a Beorian folk tale, though, for instance!
I hadn't consciously thought of Elros getting younger, when I wrote, but it fits very well with what I meant to suggest about how he was feeling!
I think of the beginning years in Numenor as being quite tough for the new settlers, but by the time this is set I envision them having no disastrously bad harvests, although not all of them equally good, and enough planning in place to deal with any less good years without much strain (quite unlike the later distribution issues in Azruhar's time!).
I absolutely love the dancing bears of Númenor (out of place though they feel at first) because Númenor was on my mind when I was travelling around Hokkaidô, a long time ago, and the bear is majorly important in the Ainu culture of Hokkaidô. It makes no actual sense, and it certainly doesn't fit with the southern Mediterranean vibes of the rest of Númenor, but it makes me happy. XD
For all we know from canon, there may have been no distribution issues in the days of Tar-Ancalimon and Tar-Telemmaite either. Perhaps those days were just golden and happy and I'm just an evil author! ;) I agree that the beginning years must have been a challenge! In that context, the observation that all of the trees are younger than Elros was very poignant. They not only had to settle a country where nobody had settled before, it was a country that literally hadn't existed before, and that must have been tough. And that isn't even getting into how different peoples had to grow together as one people, and how plenty of them were probably bringing generational trauma and defensive residue from Middle-earth under Morgoth's rule! Elros surely had his work cut out, but he seems to have managed to leave his descendants a well-functioning kingdom at the end of his long life.
Oh, this is so beautiful, tears spontaneously came to my eyes when I reached the ending.
I love that he let go in the comforting presence of both dads (comforting despite all the reasons for the (justifiably) loud words he'd like to say!) And also comforted that the trees they'd planted, along with the other agriculture, had become so well established by now that the island wouldn't need as much tending at the start of his grandson's reign as it did at the beginning of his. (This made me picture Númenor as a kind of inverted Easter Island, relatively barren and harsh initially and gradually forested. And with mystery bears instead of mystery statues, I guess!)
Comparing his age to the great girth of common trees really does give an impression of how old 500 years really is!
I'd love for Maglor to be there on the Island with his fostor son, and then it suddenly made me so sad that Elros is leaving most of his ancestral family here in Arda, inside Mandos and out — although they're mostly people we've come to know and love and of course he didn't.
I do like the implication that Tinfang plays, and in a way calls, to people when it's their time to depart, and that Maglor somehow made a deal with him to play in his stead for Elros. (And bringing in the Warble at the end was a touch that made me smile.)
Very belated thank you for this wonderful comment!
Really loved this!
It felt like a nice ending for Elros and the bears were an interesting feature.
Also fits the time of year really well, since all the acorns and chestnuts and beechnuts are currently falling from the trees and try to hit you when you least expect it.
Belatedly: thank you very much!
Hope you did not get hit by any falling chestnuts in the meantime!
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Comments on The Emperor's Goodbye
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