New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution
Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
"The Fëanorian Zine" Available to Read and Download
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Call for Artists for the 2026 Challenge Stamps
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[Writing] In Early Spring by Serinquanion
In what Maedhros was re-embodied early and was sent back to Middle Earth on his volition with Glorfindel.
This isn't about what happened right then but years after Fall of Sauron when he still refused to return to Valinor.
He found a strange sapling at the shore of what remains of…
[Writing] Umnenyalië by Serinquanion
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
[Writing] Winter Warmth by Serinquanion
A winter night in Himring. But inside the quarters where fire blazed in hearth was warmer, and not only from the fire or quilt.
[Writing] A Hundred Miles Through the Desert by StarSpray
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
[Writing] Who Will Hear Me? by XirinOfArvada
A lonely elf finds a flute half buried beneath the sand and wonders if its owner will hear him when he calls.
[Writing] Loyal, Faithful by Himring
Late in the Second Age, one of the Faithful reflects critically on past developments. (Free verse.)
[Writing] East Away! by Flora-lass
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
Fanon Inverted
Take a fanon you feel passionately about and turn it on its head, creating a fanwork that goes against the fanon norm. Read more ...
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Twilight, Child Of: Comparisons Between Tinúviel, Lómion, and Undómiel by JazTheBard
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
The Aromantic in Tolkien by daughterofshadows
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
[Writing] here you will dwell, bound to your grief by Elrond's Library
Arwen grieves, and loves.
[Writing] Faramir's Verse by losselen
“Come, Faramir. Let us not stand in ceremony. I think words are due between you and I, and not only those between a King and his Steward.”
Faramir has speech with Gandalf and his King.
[Writing] In a Hole in the Ground... by StarSpray
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
I love that you incorporated the dancing bears. :D
Weirdly, I had the impression that Elros was getting younger as he walked through the forest and talked to Maglor, although there isn't really anything in the text on which I can fix it (except maybe the leaning on Maglor's shoulder, but that happens very late). Although the unavoidable ending made me sad, it feels reassuring that Elros died knowing that it's been a good year (if there are bad years in Númenor at all) and that everything was in good order.
Thank you! I love those bears and how they link up with the bear lore in The Hobbit! But my head has trouble seeing them literally on the same island with Aldarion and Erendis and the others. I can see them as a Beorian folk tale, though, for instance!
I hadn't consciously thought of Elros getting younger, when I wrote, but it fits very well with what I meant to suggest about how he was feeling!
I think of the beginning years in Numenor as being quite tough for the new settlers, but by the time this is set I envision them having no disastrously bad harvests, although not all of them equally good, and enough planning in place to deal with any less good years without much strain (quite unlike the later distribution issues in Azruhar's time!).
I absolutely love the dancing bears of Númenor (out of place though they feel at first) because Númenor was on my mind when I was travelling around Hokkaidô, a long time ago, and the bear is majorly important in the Ainu culture of Hokkaidô. It makes no actual sense, and it certainly doesn't fit with the southern Mediterranean vibes of the rest of Númenor, but it makes me happy. XD
For all we know from canon, there may have been no distribution issues in the days of Tar-Ancalimon and Tar-Telemmaite either. Perhaps those days were just golden and happy and I'm just an evil author! ;) I agree that the beginning years must have been a challenge! In that context, the observation that all of the trees are younger than Elros was very poignant. They not only had to settle a country where nobody had settled before, it was a country that literally hadn't existed before, and that must have been tough. And that isn't even getting into how different peoples had to grow together as one people, and how plenty of them were probably bringing generational trauma and defensive residue from Middle-earth under Morgoth's rule! Elros surely had his work cut out, but he seems to have managed to leave his descendants a well-functioning kingdom at the end of his long life.
Oh, this is so beautiful, tears spontaneously came to my eyes when I reached the ending.
I love that he let go in the comforting presence of both dads (comforting despite all the reasons for the (justifiably) loud words he'd like to say!) And also comforted that the trees they'd planted, along with the other agriculture, had become so well established by now that the island wouldn't need as much tending at the start of his grandson's reign as it did at the beginning of his. (This made me picture Númenor as a kind of inverted Easter Island, relatively barren and harsh initially and gradually forested. And with mystery bears instead of mystery statues, I guess!)
Comparing his age to the great girth of common trees really does give an impression of how old 500 years really is!
I'd love for Maglor to be there on the Island with his fostor son, and then it suddenly made me so sad that Elros is leaving most of his ancestral family here in Arda, inside Mandos and out — although they're mostly people we've come to know and love and of course he didn't.
I do like the implication that Tinfang plays, and in a way calls, to people when it's their time to depart, and that Maglor somehow made a deal with him to play in his stead for Elros. (And bringing in the Warble at the end was a touch that made me smile.)
Very belated thank you for this wonderful comment!
Really loved this!
It felt like a nice ending for Elros and the bears were an interesting feature.
Also fits the time of year really well, since all the acorns and chestnuts and beechnuts are currently falling from the trees and try to hit you when you least expect it.
Belatedly: thank you very much!
Hope you did not get hit by any falling chestnuts in the meantime!
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Comments on The Emperor's Goodbye
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