Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
This was a beautiful piece! The imagery was excellent, I was having all kinds of visuals throughout, and of course you kept pulling on my emotions. What a fascinating perspective on the Bragollach (I assume)!
But the whips at their backs were worse than the bright-eyed creatures before them, and so onward they went.
This is so good.
One benefit - or perhaps downside, she was not quite certain yet - was the fires had cooked some of them nicely and when no whips drove them from behind, some stopped and feasted on the dead.
Yes, this is gruesome, as you warned, but what an interesting detail. The way she mentions it in such a removed way, as if this is just a practical thing to do, is raw and real. Well, I guess it's cooked... eerr.
Roots curled up and hindered her path, branches grasped at her, tearing what little remained of her shirt. The branches shuddered in anger at her passing, but still she pushed on.
This is some of my favourite imagery. The idea of Nan Elmoth fighting her, even after Eöl is gone... I actually felt bad for her, being rejected no matter where she went, but pushing on.
Thank you so much! I wasn't quite sure exactly where it was all going to go when I started, and the end I thought it might reach ended up not quite materializing, but I think the end it has works very well for the overall mood of it.
I'm so glad you enjoyed it, and of course I love seeing what caught your eye. 💖
A vivid group of ficlets, cuarthol, with wonderfully grim details that fit the prompts so nicely and illustrated the plight of the orcs, bred as war fodder. I appreciated poor Kurn's dilemma, caught between the hammer and the anvil (At her master’s hands, death may well become a mercy withheld) and nothing to look forward to but an occasional full belly (even though, yeah, the food), and successfully avoiding pain or death, all of which could happen in so many creative ways. I loved her theft of the lock of golden hair and found myself rooting for Kurn and hoping she could find a better life.
Once I got started it was easier and easier to see through her eyes, however much that view might be unpleasant at times. But I very much wanted her to be a sympathetic character - I absolutely have an "Orcs are people" agenda! lol
Actually, some 18+ months ago, I wouldn't read a story like this. I mean, I was like, "Orcs?!?! Who would like to read about those creatures?!" :)
What changed? A year and a half ago the idea come into my mind, for a novel that happens in Mordor and the characters are orcs, and the idea just didn't want to go away. So I started writing :))) (It is a big project, and real life is not merciful, so it will take a long time. But I *will* finish it. Currently I am doing the first editing.)
So, I dove deep into orcs' world, and I am very interested in everything about them. So, to find a good story about the orcs, is now a real pleasure for me :)
A long and winding road to freedom, but she made it, with a great deal of luck and stubbornness! And by the end, I'm really rooting for her to make it to those mountains and survive.
That prompt "Not a lot of options" describes her general situation so well, but she copes as best she can.
Great use of all those prompts and so many convincing details!
I was delighted by how well the prompts worked out in the end. There were a few I wasn't sure about but by the time I got to them it seemed to just flow. 😊
First being driven ahead of the whips and then the fairly visceral descriptions of marching over bodies and eating the cooked ones with relish should have been more off-putting, but Kum is quite a likable character. I hope she finds the freedom she seeks.
Perhaps on some level as readers we are capable of meeting a character where they are and going from there. I'm very glad you found her likable, and I, also, hope she finds what she seeks. <3
Comments on No Dreams In Darkness
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.