Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Scavenger Hunt In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Around the World and Web
Scribbles and Drabbles 2026
Scribbles & Drabbles is a fic and art exchange with a minimum word count of 100 words.
Russingon Week 2026
A Tumblr week event focusing on the relationship between Maedhros and Fingon.
Boromir Week 2026
If you are Boromir girlies/gents/stans/simps, then this event is for you! So, come join us, and bring your fanfiction, art, gifs, moodboards, and headcanons that highlight everything you love about our Captain of Gondor!
Silmarillion Epistolary Week 2026
Silmarillion Epistolary Week is a Tumblr challenge dedicated to creating fanworks to tell the story of the Silmarillion in the style of an epistolary novel.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I have been meaning to comment for a good long while on The Night the Sea Came In. Oshun called my attention to it around the Slashy Santa reveal, as she thought I'd like the story. She was right. I devoured it. Characters are well-drawn per your exacting standards, and the storm and the sea? Holy moly. Brilliantly done!
I'm thrilled you enjoyed this, Pande. Thank you so much for such a positive review, it quite made my day. Loved writing this and I'd like to try a prequel later, I suspect Maedhros might have a better idea of what was happening in the north than they did on Balar.
So good to see this posted here so that I can now tell you "officially" how much I like it. It's so much characterized by the more low-key heroics of survival--if that way of putting it makes sense? But of course the danger is anything but low-key and impressively described! And it is very much an ensemble piece--everyone working together to survive and getting their share of loving attention from you.
I also like how you've expanded the end with a bit more detail of the later life in Lindon--it feels very satisfying!
Ooh, you originally saw it before I posted the end piece? :D I had it outlined but needed sleep before fleshing it out. (I posted as Red revealed the stories, I really was that close to the deadline, lol)
*low key heroics of survival* Yes, that's it precisely. People in a dire situation doing their best. I knew it should be a 'couple' story and had I not known the recipient well I might have tried to keep the Gil/Lindir relationship more centre stage, but it would have felt artificial, so it was a relief to just write it as I saw it. I'm so glad you liked the end result, that means a lot to me. Thank you :)
I have never thought much about the effect on the coast of Beleriand- the description of the storm was really fantastically done- I was there, under the table, unable to see but only hear and feel the effect. A real masterclass.
I had a great time writing this, trying to imagine how it would have seemed from the pov of elves on the very edge of the main action. I'd also never thought about the effect of drowning that huge landmass - never even realised how much went under the waves till I came across a map while I was researching for the story. I'm delighted you enjoyed it and that the descriptions worked for you - that's a great compliment. Thank you so much for making time to review.
I am almost completely certain I have already given you feedback on this, if I haven't I certainly intended to. The breaking of beleriad was such a huge thing and I love how you caught the horror and sheer wrongness of the event, the callousness behind all those lost lives, lost land, lost histories... It was a horrific event and you captured it so well from that small group of elves that experienced it together.
I don't remember if you commented on this anywhere - I think it's on lj and AO3, or possibly the old Slashy Santa archive, but it is so incredibly cool to get another review for it. I have always loved this fic, had so much pleasure in writing it, but it kind of sits between worlds, too first age for the second and third age readers, too second age for the first age fans and so it's tended to get overlooked. I was smiling so much when I read this. That was the heart of it yes, the lives, whole cultures gone, breeds of animal never seen again, all for an objective that rendered them expendible. Thank you so very much, sweetie!
Comments on The Night the Sea Came In
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.