Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
chrissystriped has requested the following types of constructive criticism on this fanwork: Spelling, Grammar, and Mechanics, Style. All constructive criticism must follow our diplomacy guidelines.
I love how you connected Finrod's foreseen doom to Bëor's mortality, because I've made the same connection myself and it made me so happy to read. I'm also really glad it has a fluffy ending, where they let themselves cast away those foreboding thoughts, because they deserve to live in the moment, while they both have time. This is beautiful, the soft touches, the sweet words, everything. I hope you write more for these two.
Oooh, I'm always happy if I match with someone else's headcanon.
My challenge fics are often a bit random character wise, but Finrod/Beor is one of the ships I enjoy and would like to write more, so maybe there'll be more in the future.
I love Finrod’s compassion, allowing the relationship to grow while knowing that the deeper it is the more he'll hurt when Beör's inevitable death comes.
And I really like the way Beör has the greater wisdom in this interaction, helping Finrod to be more present in the moment, without dismissing his fear of impending grief.
It's always of interest to me to consider inter mortal/immortal relationships and how they attempt to have empathy — to really feel into — each other's fates.
I think Beor is much more practical about it than Finrod and helps him to not lose himself in useless brooding. For Finrod the certainty of death is something new and strange and a little frightening, but it's completely normal for Beor.
This was a touching scene, you have written Finrod’s emotions beautifully. Ah, the idea that he doesn’t dare to love an immortal elf because of his dark fate looming ahead, but a mortal man - there might still be time for them.
Thank you! Yes, the though that Beor will die, hurts Finrod of course, but it also means he can allow himself to love him. He can take the pain of being left behind on himself, he could never ask someone to love him who might then have to stay behind alone, when Finrod's foresights come true.
Comments on Live in the Moment
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
chrissystriped has requested the following types of constructive criticism on this fanwork: Spelling, Grammar, and Mechanics, Style. All constructive criticism must follow our diplomacy guidelines.