Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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It captures the feeling of intense relief that the war is finally over perfectly (I imagine it's a bit like I feel when the anxiety inducing thing I had to do is finally done)
Thank you! I'm glad you think it captures the feeling!
I was having to imagine it, too (well, fortunately for me!), and I agree that, whatever else, the War of the Last Alliance must have been the most anxiety-inducing thing...
Yes, elves would have a slightly different perspective, given that they've already experienced that relief of the war being over once, only to find out it was more like a pause before the next round. At least the Men will get to have (mostly) peaceful lives!
I think so (I tried to have a look). In the Appendices, there is a hint that Gondor was seldom at peace for long, but when you look at the recorded wars the next one actually seems to be several generations later!
My Sinda is partly echoing Elrond at the Council of Elrond with her observation (if she is indeed my OFC Huntress, they know each other), but it was important to me that this ends on a note of hope!
As usual with your ficlets, there are so many things tucked in here.
I really love where you took the prompt, and I have to admit that my eyes waters while I was reading.
The homecoming of all those men (ex-adolescents) to the outlying regions of Gondor is quite a thought — and must have been quite a sight. The camaraderie that would have formed runs deep, but adjusting to life beyond the war, with people who can never fully comprehend what you've experienced, is something else entirely.
And Huntress' companion's thought that they may well experience peace for the remainder of their time in Arda hearkens back to that line that even the Powers will come to envy the Gift of Men. I can't wrap my mind around how life must be for the Elves if Middle-earth, although I feel for Huntress here. (And it's nice to glimpse her again.)
After some thought, I realized it was going to be important for this that these are not the kind of combatants that are major names in history. I was partly thinking of the kind of soldiers Aragorn is concerned about in ROTK on the march to the Black Gate. And I only hinted at the problems they might have at fitting back in afterward after these experiences, but we know from history that that would be an issue.
I'm glad that you liked the idea of this being Huntress! I wasn't more definite, because I hadn't really thought before about what she was doing in this period before, so there was no backstory in place. Of course, she is older than Elrond, by this point, even though she was quite young when she joined the Noldor in Mithrim.
I watched the video just before reading this, and I think that you have found the essence of that scene in your beautiful, thoughtful writing. There's this sense of relief and happiness, but bittersweet because not everyone had come back.
I appreciate the perspective of Elves: Men do indeed live at a quicker pace. Perhaps Elves feel the same way we do when we witness our pets be young, adults and old.
Comments on And better, and better is peace
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