Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Mereth Aderthad Interview: Interview with Kai by Shadow Kai is the featured artist for Maglor's Mereth Aderthad 2025 presentation, "Gil-galad was an Elven King: Kingship and Personhood in the last High King of the Noldor." Shadow spoke with Kai about his wide range of interests and inspirations in the legendarium and why Maglor's presentation so intrigued him that he finished the art for it the first night.
Mereth Aderthad Interview: Interview with Dawn Felagund by Shadow In our series of interviews of creators for Mereth Aderthad, Shadow spoke with Dawn about her story, written for Savannah Horrell's "By Guile Committed: Comparing Tolkien’s Thieves to Beowulf" presentation, the balance of planning an event and creating for it at the same time, and the intersection of Tolkien and Beowulf.
Mereth Aderthad Interview: Interview with Cindy Gates by Grundy Cindy Gates' upcoming Mereth Aderthad 2025 presentation "Tolkien, Lunatic Physicists, and Abnegation" considers the ethics of science in the legendarium. Grundy spoke with Cindy about her research, her own experience as a professional scientist, and her long-running fascination with the Manhattan Project.
Long fascinated with the Manhattan Project, Grundy was naturally drawn to Cindy Gates' Mereth Aderthad 2025 presentation “Tolkien, Lunatic Physicists, and Abnegation" and is making a work of glass art to accompany it. Shadow spoke to Grundy about her inspiration on the project and long love of…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Little moments of reflection with Maglor as he comes to terms with grief. A collection of drabbles and other short writings to accompany One in the Deep Waters.
They passed out of Lhûn and the wider coastline of Middle-earth opened up before his eyes. He had wandered those shores for centuries, and even now he felt the pull of that same wanderlust, and knew he would miss them for the rest of his life. Their wildness, the untamed waves, the rocky…
Reese is the featured author for polutropos's presentation "'Kidnap Fam' and the Living Legendarium" at Mereth Aderthad 2025. Dawn spoke with reese about the silences storytellers leave, mythology, and the appeal of alternate universe fanfiction.
Maedhros finds that regret and pain do not end with death. But it does at last bring release from the oath and he can at last embark upon the long, hard road toward redemption.
Period Drama
A Matryoshka challenge where prompts are inspired by common tropes found in period dramas and historical fiction. Read more ...
Random Challenge
Sibling Rivalry
Create an AU fanwork where an original character--you!--tries to influence his or her canon sibling in some way or in which you choose a sibling to influence you. Read more ...
Long fascinated with the Manhattan Project, Grundy was naturally drawn to Cindy Gates' Mereth Aderthad 2025 presentation “Tolkien, Lunatic Physicists, and Abnegation" and is making a work of glass art to accompany it. Shadow spoke to Grundy about her inspiration on the project and long love of Tolkien.
Reese is the featured author for polutropos's presentation "'Kidnap Fam' and the Living Legendarium" at Mereth Aderthad 2025. Dawn spoke with reese about the silences storytellers leave, mythology, and the appeal of alternate universe fanfiction.
Kai is the featured artist for Maglor's Mereth Aderthad 2025 presentation, "Gil-galad was an Elven King: Kingship and Personhood in the last High King of the Noldor." Shadow spoke with Kai about his wide range of interests and inspirations in the legendarium and why Maglor's presentation so intrigued him that he finished the art for it the first night.
Part of our Themed Collection series for our newsletter, this collection features fiction, artwork, and essays that transcend the idea of Orcs as the enemy, instead considering their humanity.
Once upon a time, JRR Tolkien wrote a fairy-tale retelling, an attempt to reconstruct an alternative version of the ancient poem called Beowulf, and he called it Sellic Spell: 'strange tale' or 'wondrous tale'.
Once upon a time, on the long road home from the Lonely…
The tale of Dáin Ironfoot, told loosely in the style of a saga of Iceland (in English translation).
Around the World and Web
Scribbles and Drabbles 2025
Scribbles & Drabbles is an annual Tolkien event where artists create artwork and writers then write stories (a drabble or longer) inspired by the art.
Camp Tolkien 2025
A Tumblr event with daily prompts aimed at different stages of the writing process.
Boromir Week 2025
Boromir Week is a Tumblr event for fanworks about Boromir.
Celebrimbor Week 2025
A Tumblr event celebrating Celebrimbor as he is depicted in all books and media.
June challenge at tolkienshortfanworks on Dreamwidth
The June challenge has been posted to the tolkienshortfanworks community on Dreamwidth: thematic prompt: reward - regard; formal challenge: alliteration. As always, these prompts can be filled separately or combined freely with other challenges that allow it.
The first problem is that there are simply not enough children.
Among the hosts of the Noldor, only twenty-two remain of the appropriate age and temperament to render Maglor’s vision. He can see it in his mind’s eye as he would have cast it for the stage in Tirion: thirty-six small bodies of perfectly equal height, their hair falling dark and pure against their silken gowns. Lantern-bearers. Wisdom-carriers. Bringers of light.
But there are only twenty-two, and those ill-matched. All dark, true, but some tall, some short, more than one halting from an injury on the Ice. Their people are unlikely to beget in the stress of war, and those who have done so guard their children jealously, as treasures far more precious than anything they have already lost to the snow or the flames. The littler ones will not be shared for this festival, nor indeed are they of an age to balance grace with joy, as he envisions.
There is nothing for it but to borrow from the Sindar. The children of Mithrim are by nature smaller and lighter than the Noldor; there will be no perfect symmetry. But there is something to a blended rank, a gesture to their hopes for integration. It will have to do.
And of course there is no silk, or not enough for theater!, as Caranthir tells him with an astounded roar when Maglor queries him on their stocks. What have they come to, that he must tear and recombine their linen sheets, cramping his own hands with needlework to fit frills to collars and hems?
Lanterns are easy enough to make, however, with willow-withies and the fine-scraped skins of rabbits and of deer. Thin enough to shed a gentle light, soothing and uplifting. Not the glory of the pierced brass pendants of Valinor, the luminaria crafted of bone or stone, or the hallowed Fëanorian lamps. But the softer glow suits this new landscape. It offers tenderness, as well as light. Very satisfactory, in terms of mood.
He is deep into rehearsals with his cast of little lantern-bearers when the greatest gaffe occurs.
Daeron of Doriath, scouting the Noldor ahead of the feast of reuniting, sniffs out the local drama and sidles into the clearing where the processional has convened. He watches and listens with amusement, silvery and wry, his eyebrows creeping slowly higher and higher the longer the children sing.
Maglor frowns, waving the little ones through their paces, listening as each sings the merits of a tengwa – gesturing for telco and lúva, telling the tale of the meaning of each letter, elucidating how they capture sound in sight. It is a Great Work they are illustrating in song: an elevation of the Speaking Peoples. Father’s own foundational achievement (yes, after Rumil, yes, yes): binding meaning into ink, taming memory’s darkness, letting in the light.
Daeron’s quirked mouth and ironic brow are not at all what Maglor hoped to achieve with this didactic art. The Noldor have much to offer these people of the mists and groves: work of their hands finer than any to be found here, to be sure, but even more so the work of their hearts. Capturing language! Writing down their thinking, their feeling, their imagining!
Maglor’s own heart sinks at the thought that the smirking Sinda might represent a world of people with no use or taste for script. He pastes on his most welcoming, professional smile and introduces himself, ready with a simplified explanation of the pageantry and of its desired effect.
Daeron smiles and nods and pats the children approvingly on their heads as Maglor expounds.
“It’s lovely and instructive,” he agrees. “How fortunate that I stopped by and heard your alphabet in song, with the feast still a full moon away. That will give me time to pull together a little lesson - for comparison, you know - on the source and shapes and meanings of the letters of my own.”
John Singer Sargent, 1885
Chapter End Notes
The lamps in the gorgeous banner for the calma prompt for this challenge reminded me of this painting, which I have always loved. Imagine the children are Maglor’s little artistes, getting ready to perform their alphabet song, with lanterns symbolizing the light of the mind. Noldor: always given to such overwrought metaphors!
Maglor hasn't paid attention to the Cirth before because he's an absolute snob. Hot Daeron's certainly gotten his attention now, though...