Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Thanks so much, Indy! This has been lingering on my hard drive for a while now, and being under the weather yesterday (and hence not up for work-related writing), I fiddled around with the fic a bit and decided to post it. Very glad that you had a read and reviewed!
I'm glad to be part of that limited audience; Pandë-verse fic is a treat that's not to be missed, and you more than delivered! Sad, of course, in the first two chapters - but convincingly so, and the backdrop of their love scene did leave me with a lump in my throat.
But the two of them as girls were adorable and I loved the idea of dwarven clockwork toys as well as the impromptu trip to the forges - I'm sure that meeting turned out to be formative for them both!
And of course you're very welcome to future language help, whenever it's needed. Wonderful work, Pandë.
Thanks so much, Elleth! Oh, yes, you are definitely part of that limited (and high quality!) audience. :^)
These ficlets are a bit rough and maybe less developed than some of my other stuff, but with a little downtime yesterday, I fiddled around with the drafts a bit and decided what the heck, why not post it? That decision might have been prompted by coming across a certain Tumblr-post bemoaning the lack of female characters and femslash *whistles innocently*. Because Mél and Dísa are OFCs, they are of limited appeal (versus, for example, some of the more prominent pairings of canon characters like Aredhel and Galadriel or Lúthien and Galadriel or [my favorite] Lúthien and Thuringwethil), but I'm way too fond of them not to give them their own series of ficlets.
I know I have read some version of this before. It's absolutely fantastic.
The sense of loss, so clear at the beginning of the story, the rich and sweet eroticism conveyed so vividly without any graphic detail in the next part is heartbreaking. And just when the heartbreak is most intense, you give the reader the momentary relief of the humor and mischief of that first meeting of the two girls, Dwarf and Elf, with such lovely hints of their grownup selves shining through sharp and vibrant.
It leaves me longing for more. Really great stuff. So happy that you decided to share it now!
Oh, wow, thanks so much, Oshun! Yes, indeed, you read the chapter about the two little girls when they first meet. I posted that on my f-locked LJ a good while back. As I noted to Elleth, this is a bit rough, and I'm not engaging in a lot of world-building here, but want to focus on Dísa and Mélamírë. It's also a way for me to keep exploring the ramifications of relationships between the quasi-immortal Elves and mortals.
These drafts have been rattling around on my hard drive for a while now. With a bit of downtime this weekend, I was able to fiddle around with them a bit and post them. It will be sort of a series that I'll add to when I can.
Really like seeing Mélamírë basically drop (almost literally) everything, knowing her mortal friend has so little time. Also noted the public formality between Mél and Aldis, though they actually know each other.
I appreciate that she keeps herself open to close relations with mortals, both here and in later stories, rather than insulating herself from the inevitable loss. Though with the violence of some eras of the history of the Elves, even associating only with immortals will not prevent grief...
It's so good to have women interacting on different levels! Mél, Dísa, Aldis, Culinen--I love them all.
I remember the third bit, when Mél and Dísa meet; it's such fun!
Thanks so much, 'Wench! One of the motivations I had for giving Mél that Maiaran blood was my notion that the latter confers an exceptional ability to adapt to change, far better than the Elves can (with reference to Tolkien's concept that the Elves of Eregion were seeking a kind of stasis or "embalming"). She's a vehicle, in a sense, for progress forward instead of looking behind in regret. Had I the courage to do so, my alternative story line for Mél was to have her lineage "captured" in mortal Men (and thus on to Oppenheimer, Hypatia, et alia) by the same means as Lúthien - finding a mortal Man as a companion and having children with him, but then losing her life in the downfall of Númenor, but...well, I just couldn't do it. Probably would have been the braver choice on my part.
"Also noted the public formality between Mél and Aldis, though they actually know each other."
Thanks so much, Himring, and definitely understandable that one needs to be in the right place for sad stories (or chapters). It was fun to write that bit about the two little girls.
I think the order you've placed these in is highly effective. The yearning sense of loss in the second one lends to the third, which is otherwise a fun romp, a bittersweet sense.
The image of two girls from different cultures bonding by disassembling and reassembling clockwork toys is priceless.
"The elf-girl opened her mouth, but snapped it shut, as if she meant to say something but thought better of it."
Not sure what she was really going to say, but I swear in my head it was 'superstitious nonsense'!
Hey, thanks, Huin! When writing the third chapter, I wondered what kind of toys a young Dwarf-girl might have, and it took me about 5 seconds to come up with "Clockwork (or wind-up to be accurate)!"
"Not sure what she was really going to say, but I swear in my head it was 'superstitious nonsense'!"
HA! Well OF COURSE that was what she was about to say! :^D
Comments on Songs of Stone and Mountain
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.