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Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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Thanks so much, Indy! This has been lingering on my hard drive for a while now, and being under the weather yesterday (and hence not up for work-related writing), I fiddled around with the fic a bit and decided to post it. Very glad that you had a read and reviewed!
I'm glad to be part of that limited audience; Pandë-verse fic is a treat that's not to be missed, and you more than delivered! Sad, of course, in the first two chapters - but convincingly so, and the backdrop of their love scene did leave me with a lump in my throat.
But the two of them as girls were adorable and I loved the idea of dwarven clockwork toys as well as the impromptu trip to the forges - I'm sure that meeting turned out to be formative for them both!
And of course you're very welcome to future language help, whenever it's needed. Wonderful work, Pandë.
Thanks so much, Elleth! Oh, yes, you are definitely part of that limited (and high quality!) audience. :^)
These ficlets are a bit rough and maybe less developed than some of my other stuff, but with a little downtime yesterday, I fiddled around with the drafts a bit and decided what the heck, why not post it? That decision might have been prompted by coming across a certain Tumblr-post bemoaning the lack of female characters and femslash *whistles innocently*. Because Mél and Dísa are OFCs, they are of limited appeal (versus, for example, some of the more prominent pairings of canon characters like Aredhel and Galadriel or Lúthien and Galadriel or [my favorite] Lúthien and Thuringwethil), but I'm way too fond of them not to give them their own series of ficlets.
I know I have read some version of this before. It's absolutely fantastic.
The sense of loss, so clear at the beginning of the story, the rich and sweet eroticism conveyed so vividly without any graphic detail in the next part is heartbreaking. And just when the heartbreak is most intense, you give the reader the momentary relief of the humor and mischief of that first meeting of the two girls, Dwarf and Elf, with such lovely hints of their grownup selves shining through sharp and vibrant.
It leaves me longing for more. Really great stuff. So happy that you decided to share it now!
Oh, wow, thanks so much, Oshun! Yes, indeed, you read the chapter about the two little girls when they first meet. I posted that on my f-locked LJ a good while back. As I noted to Elleth, this is a bit rough, and I'm not engaging in a lot of world-building here, but want to focus on Dísa and Mélamírë. It's also a way for me to keep exploring the ramifications of relationships between the quasi-immortal Elves and mortals.
These drafts have been rattling around on my hard drive for a while now. With a bit of downtime this weekend, I was able to fiddle around with them a bit and post them. It will be sort of a series that I'll add to when I can.
Really like seeing Mélamírë basically drop (almost literally) everything, knowing her mortal friend has so little time. Also noted the public formality between Mél and Aldis, though they actually know each other.
I appreciate that she keeps herself open to close relations with mortals, both here and in later stories, rather than insulating herself from the inevitable loss. Though with the violence of some eras of the history of the Elves, even associating only with immortals will not prevent grief...
It's so good to have women interacting on different levels! Mél, Dísa, Aldis, Culinen--I love them all.
I remember the third bit, when Mél and Dísa meet; it's such fun!
Thanks so much, 'Wench! One of the motivations I had for giving Mél that Maiaran blood was my notion that the latter confers an exceptional ability to adapt to change, far better than the Elves can (with reference to Tolkien's concept that the Elves of Eregion were seeking a kind of stasis or "embalming"). She's a vehicle, in a sense, for progress forward instead of looking behind in regret. Had I the courage to do so, my alternative story line for Mél was to have her lineage "captured" in mortal Men (and thus on to Oppenheimer, Hypatia, et alia) by the same means as Lúthien - finding a mortal Man as a companion and having children with him, but then losing her life in the downfall of Númenor, but...well, I just couldn't do it. Probably would have been the braver choice on my part.
"Also noted the public formality between Mél and Aldis, though they actually know each other."
Thanks so much, Himring, and definitely understandable that one needs to be in the right place for sad stories (or chapters). It was fun to write that bit about the two little girls.
I think the order you've placed these in is highly effective. The yearning sense of loss in the second one lends to the third, which is otherwise a fun romp, a bittersweet sense.
The image of two girls from different cultures bonding by disassembling and reassembling clockwork toys is priceless.
"The elf-girl opened her mouth, but snapped it shut, as if she meant to say something but thought better of it."
Not sure what she was really going to say, but I swear in my head it was 'superstitious nonsense'!
Hey, thanks, Huin! When writing the third chapter, I wondered what kind of toys a young Dwarf-girl might have, and it took me about 5 seconds to come up with "Clockwork (or wind-up to be accurate)!"
"Not sure what she was really going to say, but I swear in my head it was 'superstitious nonsense'!"
HA! Well OF COURSE that was what she was about to say! :^D
Comments on Songs of Stone and Mountain
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.