Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
cloudyhymns has requested the following types of constructive criticism on this fanwork: Characterization, Conflict, Description/Imagery, Fulfilled Intent, Mood/Tone, Point of View, Research, Sensitivity Read, Spelling, Grammar, and Mechanics. All constructive criticism must follow our diplomacy guidelines.
....Itarillë might be the only other named child in The Silmarillion who was born in Aman and brought over to Beleriand with the exiles. As Turukáno canonically (I think) didn't like or trust the Fëanorians, especially after losing his wife on the Helcaraxë, Idril may not have interacted with Celebrimbor at all after Finwë's death. But I do agree that it feels like Celebrimbor never had a home, other than the forge.
....are exactly right. Those are all Celebrimbor. And I really like your short scene of him with Annatar, "herding cats". A very enjoyable mix of facts and fiction.
Hehe, thank you! “Herding cats” is one of my favorite phrases, and I find it has his brand of warm and slightly offbeat to it. I think he’d be a solid leader, particularly with a mind for numbers and the bigger picture…. and a “small” amount of stubbornness!
What an impressive work! Some very interesting observations, and a nice headcanon about him being red-headed. I especially liked the little scene with the poor dead pony.
Thank you so much! Even if they're "shortcomings," (thinking about the pony) they're difficult to call them that, when they're part of what make Celebrimbor so good and complex as a character.
Thank you! Indeed, the poor pony.... I'm fascinated by the juxtaposition of "It's alive, so therefore it's good" and "It's alive, so therefore it's useful/It's no longer alive, so therefore it's no longer useful" in the Celebrimbor and Annatar that I write, and am hopeful that it comes through ^^
Wow those character tags are so complicated, I can’t believe there are so many to describe the Silvergifting ship alone.
I think it’s interesting how they spell versions of his Quenya name too.
I wonder if it might be argued that “Celebrimbor/Sauron” is a useful distinction between “Celebrimbor/Annatar.” Though from looking at various fics it doesn’t seem that it’s used to make a precise distinction in the way it probably could.
Wow those character tags are so complicated, I can’t believe there are so many to describe the Silvergifting ship alone.
I think it’s interesting how they spell versions of his Quenya name too.
I wonder if it might be argued that “Celebrimbor/Sauron” is a useful distinction between “Celebrimbor/Annatar.” Though from looking at various fics it doesn’t seem that it’s used to make a precise distinction in the way it probably could.
"...that's what draws Annatar to him alongside his skill in the forge--the opening, the opportunity for his doubt to be played with and shaped in the way Annatar wishes."
Fascinating characterization. I so enjoyed reading your 30 day study and following along for the deep dive into aspects of Celebrimbor I had never considered before!
Comments on Celebrimbor: 30-Day Character Study
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
cloudyhymns has requested the following types of constructive criticism on this fanwork: Characterization, Conflict, Description/Imagery, Fulfilled Intent, Mood/Tone, Point of View, Research, Sensitivity Read, Spelling, Grammar, and Mechanics. All constructive criticism must follow our diplomacy guidelines.