Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
“They can’t just assume we’ll let them leave us behind.” “But they are, and they will. Our fathers are the Heads of their Houses. Fëanáro is king. Defiance would be treason, beloved.” “I am his firstborn.” “You are his only daughter.” “I have…
“You’re not going to break me,” Russo huffed, finally cracking open his eyes, which were bright with amusement. “They could not, what makes you think you could?”
When Celebrimbor's attempts at forging the Rings of Power fail yet again, Annatar knows where to find the missing know-how. For all the wrong reasons, Celebrimbor agrees to an expedition to the ruins of Angband to search Morgoth's own laboratory, deep in the icy Northern Wastes. What…
Current Challenge
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
Random Challenge
Naturalist's Guide to Middle-earth
Sneak a peek into notebooks of the scholars and explorers of Middle-earth, with prompts that are images from historical naturalist publication. Read more ...
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
Around the World and Web
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Tehta has requested the following types of constructive criticism on this fanwork: Characterization, Conflict, Description/Imagery, Fulfilled Intent, Mood/Tone, Organization/Structure, Pacing, Plot, Point of View, Research, Sensitivity Read, Setting, Spelling, Grammar, and Mechanics, Style, Worldbuilding. All constructive criticism must follow our diplomacy guidelines.
I very much sympathize with Egalmoth's overambitious project, applaud him for seeing it through, and then 🥺 oh that last dagger to the heart that you twisted in there...
He will regret the lost appreciation for his work (and I am sure you are right anything to boost morale on the way to Sirion would be welcome!), but I am sure he will also regret the hours he might have spent with friends and didn't, not realizing he would not be able to catch up, at least not for a long time...
Oh gosh! These lamps of many colours look so absolutely beautiful in my mind from your description. (And indeed, ever since I first saw a real rainbow, I've always been baffled by how people define an edge to the colours that are an infinite continuum! I used to think it was just me that was stupid about this.)
And... phew, it's so hard to judge where time is best spent. Maybe, in hindsight, he would have preferred to have that time with his friends in their beloved city, yet also time spent in creation (even when it frustrates the heck out of us!) is never a waste, imo.
Comments on Tehtar
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Tehta has requested the following types of constructive criticism on this fanwork: Characterization, Conflict, Description/Imagery, Fulfilled Intent, Mood/Tone, Organization/Structure, Pacing, Plot, Point of View, Research, Sensitivity Read, Setting, Spelling, Grammar, and Mechanics, Style, Worldbuilding. All constructive criticism must follow our diplomacy guidelines.