Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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Tolkien Gen Week 2026
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Tolkien Disability Pride 2026
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I really admire your talent to take a very minor character and transform him into a well-rounded person with a background and a life of his own while you tell a story that has so many themes: the passing of time and how Elves and Men live it, the contrast between youthful expectations and adult achievements (or lack of them), the difference (or lack o f them) between Elves and Men, the role of a leader and of a father, the working of memory in elves (when Maedhros can repeat the interview word by word while Amlach has forgotten most of it) And how the grestest stories (the great eagle) have become some kind of hazy unbelievable legend for men - though the participants are still around. Really wonderful.
Your Maedhros, whether the story is romance or war, whether he's with Fingon or his brothers or somebody else, is always irresistible.
Thank you very much--I'm so glad that you still find this series worth following! I'm also really happy to hear that you find Amlach a believable character. As for my Maedhros, he and I are both blushing, but feeling extremely flattered!
By virtue of reading this fic, I've found that I somehow managed to miss a page and a half out of The Silmarillion. O.o? Maybe I just never cared about the smelly humans before? Regardless, I found the requisite passage and read it, finding I had no recollection of ever having done so before; it was completely new to me. Odd, since I've read the book all the way through three times to date.
Your Maedhros intrigues me to no end, but what I really loved was the subtle jab in one of the earlier chapters, that if you find the blood of your kin dripping off your sword you can be sure that your a servant of Morgoth. That line was... wow. Amazing.
I also loved getting a glimpse at the Eldar (particularly Nelyo) through the eyes of a mortal. The dynamic and interplay of cripples, care-takers and dependents, father and son, really... also wow. Amazinf ending paragraphs.
Thank you very much for another lovely review! I don't think many people are interested in Amlach. But his is really quite an intriguing story--although I'm not sure I would have noticed that myself, if I hadn't been thinking about ways of writing about Maedhros from different points of view. I read another fanfic about Amlach once (on the Henneth Annun site?), but it took quite a different attitude to both Amlach and Maedhros, and for some reason I haven't been able to find it again.
Thank you very much also for telling me that that comment of Maedhros's about servants of Morgoth works! I was a bit worried about it.
Your concluding paragraphs are really amazing and thought-provoking. I had always believed the Eldar were lucky to be immortal, but after reading your story I realized the same thing also means the first-age Noldor in Middle-Earth could not expect a natural death like human. The end of all those soldiers, if they ever met it, would be gory and painful. It made me feel a bit sad and almost sympathetic towards them.
Tolkien called death a Gift to Men, although he sometimes seems to have had to work hard at seeing it that way himself--if you look at the last words of Arwen to Aragorn, for example. Most of those soldiers are going to meet a gory and painful end at the Nirnaeth Arnoediad or, if not there, then at Doriath or Sirion. And they sort of know it, too, because they heard the Doom of Mandos in Araman.
This is really interesting and I especially loved this line -
'But then, I hadn’t ever met anybody quite like him before—certainly not those Eldarin followers of Finrod who descended on us with the best of intentions, determined to bring the light of knowledge to our benighted selves.'
I could certainly imagine the elves wanting to teach what humans must have seemed to them, children who knew barely anthing.
When Finrod first encounters Beor and his group, he is already very much in teaching mode. His harp playing is clearly meant to teach and inform as much as delight. It was not for nothing that they named him "Wisdom". I think his followers would have shared some of his attitudes.
I'm glad you found things to interest you in this story! Thank you very much for reading and reviewing!
Comments on An Intense Dislike of Elves
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.