Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Have you ever wondered what would happen if the characters in The Silmarillion were smoooooth like they were sippin' a Sex on the Beach on a party barge in the harbor at Alqualondë? The "Yacht Rock Silmarillion" retells The Silmarillion as though the characters all had perms…
"Move farther north," Caranthir says to her a month after the attack, gaze steady on her even as his hands continue briskly gutting fish. "There is plenty of land closer to my fortress, and my people can help protect yours if there is another attack."
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
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Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Wow. This chapter of the Sil has always confused and fascinated me, especially the way it's portrayed in fandom. I guess I just have a hard time figuring out how no one noticed Ambarussa was missing...
But, anyway, what I find so powerful about this piece is Nelyo's acknowledgement that merely standing aside did not do much good. Also chilling is the middle part, where Nelyo is wondering who really ruled between Feanor and Finwe in the later days.
But the most heartwrenching lines for me were "Ambarussa burned while I stood aside. / There is no singing now." Amazing.
You are really getting the maximum ouch effect out of the "standing aside" theme here, aren't you? Strictly speaking, I suppose, merely "standing aside" is just as inadequate a response whether it only allows Elenwe and a great number of Fingolfinians to die in the ice or whether it also allows Ambarussa to be burnt practically in front of Maedhros's eyes, but it does sort of bring it home to you.
I've read stories about Maglor going all artistic at Losgar before (Look at the pretty flames!), but that bit about the singing is really something.
I sure am! Really reading that passage, I've always thought, well that's nice for you, Maedhros, but it didn't do much good, did it? And I'm sure he would have realized that...
Elves love to sing! That's not always a good thing.
A wide range of conflicting thoughts and emotions very well laid out...
(they have shed blood for us, they had come to our aid, they are as cursed as we....)
This line worked well, evoking for me not just the abandoned Noldor but the Teleri also; in which these ships to them were as their life-blood, like the jewels to the oath makers. Of course the pay off comes with your rendition with the actual death of Feanor's youngest son so brutally punctuating the very impotency bemoaned by Maedhros throughout the piece...
A possible follow-on piece could be the breaking of the news to Feanor in his quarters - madness tempered by guilt, perhaps?
I thought I reviewed already, but apparently it became a comment on my adding this to my favourites! For what it's worth: This was amazing. I love how you made his standing aside not...well..heroic, but rather some sort of defeated. I've come across many fanfictions who paint him as this One Good Feanorian, which is just less interesting. I've always wondered how no one noticed Umbarto...And Macalaurë's song was a terrifying idea. Somehow "a song that is terrible in its beauty. Like the fire itself, it crackles and roars into violent life" reminded me of the "le sacrifice" part in Stravinsky's Rite Of Spring...which is odd I suppose as it doesn't contain singing. But your describtion of the music reminds me of it I guess.
Oh, I definitely think it's a defeat for him -- if he had suceeded, the ships wouldn't have burned. Standing aside is just the very least he could do to save face, and I think, even then, it doesn't really succeed. Really, Maedhros is the "One Good Feanorian"? Huh. I like him a lot, but I think putting such label on him sort of takes the enjoyment you get from a character who is -- or ought be, any way, at the very least, morally gray.
Interesting that you thought of sacrifices when it came to the song/Umbarto's death. I was thinking a lot of Iphigenia and the parallels between her fate and poor Ambarussa's -- both are unwitting sacrifices to their father's martial ambitions, if you will...
Sorry to clutter your reviews but - I just wanted to say that funnily enough Maedhros has always, somehow, reminded me in certain aspects of Achillis, who incidentally also did not agree with the sacrifice at hand but was unable to stop it. So the Iphigenia/Ambarussa connection makes sense alot of to me I suppose. Though my reason for connecting Achillis to Amedhros was more about the "enemies fled from his face"thing Maedhros and Achillis seem to share.
Comments on I was like smoke without the fire
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.