Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Current Challenge
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
Random Challenge
Hidden Figures
Create a fanwork featuring a rare character or textual ghost in a leading role. Read more ...
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
Around the World and Web
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Wow. This chapter of the Sil has always confused and fascinated me, especially the way it's portrayed in fandom. I guess I just have a hard time figuring out how no one noticed Ambarussa was missing...
But, anyway, what I find so powerful about this piece is Nelyo's acknowledgement that merely standing aside did not do much good. Also chilling is the middle part, where Nelyo is wondering who really ruled between Feanor and Finwe in the later days.
But the most heartwrenching lines for me were "Ambarussa burned while I stood aside. / There is no singing now." Amazing.
You are really getting the maximum ouch effect out of the "standing aside" theme here, aren't you? Strictly speaking, I suppose, merely "standing aside" is just as inadequate a response whether it only allows Elenwe and a great number of Fingolfinians to die in the ice or whether it also allows Ambarussa to be burnt practically in front of Maedhros's eyes, but it does sort of bring it home to you.
I've read stories about Maglor going all artistic at Losgar before (Look at the pretty flames!), but that bit about the singing is really something.
I sure am! Really reading that passage, I've always thought, well that's nice for you, Maedhros, but it didn't do much good, did it? And I'm sure he would have realized that...
Elves love to sing! That's not always a good thing.
A wide range of conflicting thoughts and emotions very well laid out...
(they have shed blood for us, they had come to our aid, they are as cursed as we....)
This line worked well, evoking for me not just the abandoned Noldor but the Teleri also; in which these ships to them were as their life-blood, like the jewels to the oath makers. Of course the pay off comes with your rendition with the actual death of Feanor's youngest son so brutally punctuating the very impotency bemoaned by Maedhros throughout the piece...
A possible follow-on piece could be the breaking of the news to Feanor in his quarters - madness tempered by guilt, perhaps?
I thought I reviewed already, but apparently it became a comment on my adding this to my favourites! For what it's worth: This was amazing. I love how you made his standing aside not...well..heroic, but rather some sort of defeated. I've come across many fanfictions who paint him as this One Good Feanorian, which is just less interesting. I've always wondered how no one noticed Umbarto...And Macalaurë's song was a terrifying idea. Somehow "a song that is terrible in its beauty. Like the fire itself, it crackles and roars into violent life" reminded me of the "le sacrifice" part in Stravinsky's Rite Of Spring...which is odd I suppose as it doesn't contain singing. But your describtion of the music reminds me of it I guess.
Oh, I definitely think it's a defeat for him -- if he had suceeded, the ships wouldn't have burned. Standing aside is just the very least he could do to save face, and I think, even then, it doesn't really succeed. Really, Maedhros is the "One Good Feanorian"? Huh. I like him a lot, but I think putting such label on him sort of takes the enjoyment you get from a character who is -- or ought be, any way, at the very least, morally gray.
Interesting that you thought of sacrifices when it came to the song/Umbarto's death. I was thinking a lot of Iphigenia and the parallels between her fate and poor Ambarussa's -- both are unwitting sacrifices to their father's martial ambitions, if you will...
Sorry to clutter your reviews but - I just wanted to say that funnily enough Maedhros has always, somehow, reminded me in certain aspects of Achillis, who incidentally also did not agree with the sacrifice at hand but was unable to stop it. So the Iphigenia/Ambarussa connection makes sense alot of to me I suppose. Though my reason for connecting Achillis to Amedhros was more about the "enemies fled from his face"thing Maedhros and Achillis seem to share.
Comments on I was like smoke without the fire
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.