Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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Tolkien Gen Week 2026
Tolkien Gen Week will run from July 6-12, 2026 to appreciate all of the incredible characters and relationships within Tolkien’s legendarium that fall under the broad category of “gen.”
Tolkien Disability Pride 2026
This Tumblr event focuses on ALL creative works focusing on disability in Tolkien's universe.
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Wow. This chapter of the Sil has always confused and fascinated me, especially the way it's portrayed in fandom. I guess I just have a hard time figuring out how no one noticed Ambarussa was missing...
But, anyway, what I find so powerful about this piece is Nelyo's acknowledgement that merely standing aside did not do much good. Also chilling is the middle part, where Nelyo is wondering who really ruled between Feanor and Finwe in the later days.
But the most heartwrenching lines for me were "Ambarussa burned while I stood aside. / There is no singing now." Amazing.
You are really getting the maximum ouch effect out of the "standing aside" theme here, aren't you? Strictly speaking, I suppose, merely "standing aside" is just as inadequate a response whether it only allows Elenwe and a great number of Fingolfinians to die in the ice or whether it also allows Ambarussa to be burnt practically in front of Maedhros's eyes, but it does sort of bring it home to you.
I've read stories about Maglor going all artistic at Losgar before (Look at the pretty flames!), but that bit about the singing is really something.
I sure am! Really reading that passage, I've always thought, well that's nice for you, Maedhros, but it didn't do much good, did it? And I'm sure he would have realized that...
Elves love to sing! That's not always a good thing.
A wide range of conflicting thoughts and emotions very well laid out...
(they have shed blood for us, they had come to our aid, they are as cursed as we....)
This line worked well, evoking for me not just the abandoned Noldor but the Teleri also; in which these ships to them were as their life-blood, like the jewels to the oath makers. Of course the pay off comes with your rendition with the actual death of Feanor's youngest son so brutally punctuating the very impotency bemoaned by Maedhros throughout the piece...
A possible follow-on piece could be the breaking of the news to Feanor in his quarters - madness tempered by guilt, perhaps?
I thought I reviewed already, but apparently it became a comment on my adding this to my favourites! For what it's worth: This was amazing. I love how you made his standing aside not...well..heroic, but rather some sort of defeated. I've come across many fanfictions who paint him as this One Good Feanorian, which is just less interesting. I've always wondered how no one noticed Umbarto...And Macalaurë's song was a terrifying idea. Somehow "a song that is terrible in its beauty. Like the fire itself, it crackles and roars into violent life" reminded me of the "le sacrifice" part in Stravinsky's Rite Of Spring...which is odd I suppose as it doesn't contain singing. But your describtion of the music reminds me of it I guess.
Oh, I definitely think it's a defeat for him -- if he had suceeded, the ships wouldn't have burned. Standing aside is just the very least he could do to save face, and I think, even then, it doesn't really succeed. Really, Maedhros is the "One Good Feanorian"? Huh. I like him a lot, but I think putting such label on him sort of takes the enjoyment you get from a character who is -- or ought be, any way, at the very least, morally gray.
Interesting that you thought of sacrifices when it came to the song/Umbarto's death. I was thinking a lot of Iphigenia and the parallels between her fate and poor Ambarussa's -- both are unwitting sacrifices to their father's martial ambitions, if you will...
Sorry to clutter your reviews but - I just wanted to say that funnily enough Maedhros has always, somehow, reminded me in certain aspects of Achillis, who incidentally also did not agree with the sacrifice at hand but was unable to stop it. So the Iphigenia/Ambarussa connection makes sense alot of to me I suppose. Though my reason for connecting Achillis to Amedhros was more about the "enemies fled from his face"thing Maedhros and Achillis seem to share.
Comments on I was like smoke without the fire
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.