New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
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New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution
Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
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[Writing] In Early Spring by Serinquanion
In what Maedhros was re-embodied early and was sent back to Middle Earth on his volition with Glorfindel.
This isn't about what happened right then but years after Fall of Sauron when he still refused to return to Valinor.
He found a strange sapling at the shore of what remains of…
[Writing] Umnenyalië by Serinquanion
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
[Writing] Winter Warmth by Serinquanion
A winter night in Himring. But inside the quarters where fire blazed in hearth was warmer, and not only from the fire or quilt.
[Writing] A Hundred Miles Through the Desert by StarSpray
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
[Writing] Who Will Hear Me? by XirinOfArvada
A lonely elf finds a flute half buried beneath the sand and wonders if its owner will hear him when he calls.
[Writing] Loyal, Faithful by Himring
Late in the Second Age, one of the Faithful reflects critically on past developments. (Free verse.)
[Writing] East Away! by Flora-lass
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
Laws and Customs
Place the a law, custom, or tradition of Middle-earth as the focus of a fanwork. Read more ...
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Twilight, Child Of: Comparisons Between Tinúviel, Lómion, and Undómiel by JazTheBard
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
The Aromantic in Tolkien by daughterofshadows
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
[Writing] here you will dwell, bound to your grief by Elrond's Library
Arwen grieves, and loves.
[Writing] Faramir's Verse by losselen
“Come, Faramir. Let us not stand in ceremony. I think words are due between you and I, and not only those between a King and his Steward.”
Faramir has speech with Gandalf and his King.
[Writing] In a Hole in the Ground... by StarSpray
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
You had my attention at "Melkor." Then I saw the term "theological romance."
This is a very impressive incorporation of all the TW prompts. I love how you presented the "Torchlight" and "Lamplight" sections as excerpted religious texts. The section headings are very evocative in that context: for the former, I could picture sacred scrolls displayed by torchlight in a dark temple or someplace, and for the latter I saw someone piously reading a large tome by lamplight.
I also love the concept of love as painful, consuming. That seems very fitting for Melkor's character and for those who would devote themselves to him.
Good show!
-Huin
Hi Huin - thanks for your comments! I'm so glad you enjoyed the series.
<b> I love how you presented the "Torchlight" and "Lamplight" sections as excerpted religious texts.</b>
Thanks! It's a fun tactic - books and chronicles are so important to Tolkien's universe, clearly. Why shouldn't there be "primary" texts for the Haradrim? Having direct access to those stories to me helps the Haradrim feel more real, because there's a bit of their cultural history laid out for the reader. It's a little like putting an epigraph in the middle of a story, which is another favorite tactic of mine for creating cultural artifacts that can just be there, without being questioned, the same way that the poems and stories and songs in Silm and LOTR are just there, and unquestioned as part of the world.
<i>I also love the concept of love as painful, consuming. That seems very fitting for Melkor's character and for those who would devote themselves to him.</i>
Definitely! Word play being the awesome thing it is, you can reach just about anything, if you're good at stringing equivalencies together. Love *is* passion, and passion is suffering, ergo... And I think it's a larger religious theme, too - religion is not for the faint at heart at a certain point. I mean, forget about Melkor, how do you love the Valar after the War of Wrath? After Akallabêth? You might think they're wrong or right, but even if you do think they're right, how do you love them after that? Melkor's okay with people immolating themselves as a sign of their dedication to him, the Valar have to be all right with people singing to them after they sank the better part of a continent. Melkor sounds more right than wrong in thinking love and life make you suffer.
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