Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
On the night before the battle, Caranthir and his ally share thoughts about their peoples' traditions:
Burning bones ward off evil.
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In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Optimism is a pretty little thing isn't it? That is the feeling I sense on reading this. And just because something is beautiful and delicate in appearance it does not mean that it is weak - ask the spider!
Your allusions to various Springtimes in Arda work well throughout the piece along with the snippets of hopeful possibility that this, my favourite, season offers...
Thank you very much! No, nice is not an offensive word at all!
I agree, optimism is pretty, perhaps, but not weak. As I rather tend to pessimism myself, it is something I really admire.
By the way, I was glad to see you are working on The Great Tales of Beleriand again! I've been meaning to re-read, but at the moment I've got a lot of reading to catch up on.
Oh I recall that conversation. How pleasant to see this pop up today. This is an excellent way to explain Vána's function, an undying curiosity while the world's other attributes as manifest in the other Valar decline to weariness. The way you illustrated Vána-nature in several familiar characters was perfect.
I'm glad you approve! Actually, when I had written this, I went back and realized that I'd missed part of the conversation, but that some of what had been said remarkably agreed with what I'd been trying to convey here!
Which reminds that I was going to go and check out Lirillo at HASA, but I haven't got around to it yet...
For whatever reason, from last night to this, I've been lonely, mopey and just plain lazy. I've had all the chapters from this story up in tabs for about a week and only just now read them.
I've noticed that this one in particular has gottent the most attention from your reviewers, and rightfully so. It seems simple at first, but underneath is a deeply uplifting sentiment, and one reading has elevated my entire mood tenfold.
When I'm depressed, I often think about when people tell me that I need to do something different or make some kind of change in order to improve my situation, but it never makes me feel any better nor does it make me feel like acting on that sentiment. I think this little piece highlights why: the new and unexpected should be about the wonder and the possibilities, not just the chance of personal fulfilment.
"And Bilbo runs out the door without a handkercheif." Brilliant, absolutely brilliant.
I'm very sorry to hear you've been depressed--and delighted if this piece managed to lift your spirits a bit!
It's a rather unusual story for me. I was partly influenced by Dwimordene's piece on Nessa, which I had just read-- and so writing it, too, was a bit like an unexpected gift at the time, which I'm happy to share if I can...
This breaks my heart. Very poignant and effective, and I like the idea of a few small stories that compose this drabble, because each sentence is a story itself. Powerful ending. Thank you for sharing. Poor Sindar...
Poor Sindar, yes. At least the Noldor had a little more idea about what they were getting themselves into. The Sindar just suddenly had Morgoth and an army of orcs appear in their backyard, so to speak!
I've always thought that not only Fëanor, but all Noldor, must have felt almost "trapped" in Valinor. They really belonged to Middle-Earth, they loved to have their own kingdoms, their own spaces to live, learn and explore. Valinor was, to them, a "golden cage", but a cage anyway.
But the Vanyar, in my headcanon, were different. But it's possible that, as you say, they were also trying to find their own place in Valinor, and, in a way, were as restless as the Noldor. Interesting point of wiew.
Yes, I agree about the Noldor or at least many of them. Not all the Noldor who felt restless were even of Feanor's party and I think at least some of the restlessness was there even before Melkor fanned the flames. Feanor certainly shows it. But it must have been quite a shock after Feanor's trial, for some of them, to realize how they had been manipulated by Melkor nevertheless.
As for the Vanyar, their movements here are more or less canonical: first to Tirion, then to Valmar, then further up Taniquetil. Of course those movements are usually interpreted differently--but it seemed to me that you could argue that there is a similar restlessness here, just in a different direction, with a different focus.
Of course, there is a reason I gave these words to Aegnor: because he has both Vanyarin and Telerin relatives and connections and also because of what we know about his fate later on.
Comments on Taking Readings I
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.