Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Random Challenge
Strong Women
Choose a female character from The Silmarillion or related texts who contributes something of value and create a fanwork about her. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Oh, these are all lovely! I especially liked The Sound of Our Voices. The prose flows so well and is evocative. A real passion within the words. Nicely done!
Oh, thank you! I'm happy to hear you like The Sound of Our Voices. A lot of my short pieces are fairly spontaneous, but this one was more so than most. So it almost feels as if I didn't work hard enough on it, but when I look at it, there's nothing I'm ready to change right now.
Ah- you are right. I suppose I mean, more self contained - certainly not lacking passion and fire, but more thoughtful and refelctive. Your Maedhros is clearly affected deeply by Angband, as he would be. Its making me think quite a lot more about all this and you probably are the World MAedhros expert!! :)
Boethius was an important influence on a couple of medieval English authors that I was studying (quite a long time ago now). So I did a bit of research on him, too, and some of it stuck.
I think I commented on this already somewhere (unless I dreamed that), but you managed to get me solidly into Maedhros' head here - not easy in such a short space, and I think I did let out a sigh of relief at the final sentence. Tiny eucatastrophes like this may be a favourite trope of mine.
(I don't think you had commented on this before--unless a notification went missing somehow--but I'm gratefully accepting it as a double review anyway!)
I was thinking, horribly, that somehow Maedhros was mad, in the Void, and (in some way) dreaming. I am so glad for the end sentence which proved he was not.
Yes, that is more or less what Maedhros is afraid of at that moment, although he is not in a state in which he would be able to put that clearly to himself or think it through. But, as you say, he is not!
Thank you very much for your comment and I'm very glad this piece worked for you!
Comments on More Than One Hundred Words About Maedhros
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.