Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Oh, these are all lovely! I especially liked The Sound of Our Voices. The prose flows so well and is evocative. A real passion within the words. Nicely done!
Oh, thank you! I'm happy to hear you like The Sound of Our Voices. A lot of my short pieces are fairly spontaneous, but this one was more so than most. So it almost feels as if I didn't work hard enough on it, but when I look at it, there's nothing I'm ready to change right now.
Ah- you are right. I suppose I mean, more self contained - certainly not lacking passion and fire, but more thoughtful and refelctive. Your Maedhros is clearly affected deeply by Angband, as he would be. Its making me think quite a lot more about all this and you probably are the World MAedhros expert!! :)
Boethius was an important influence on a couple of medieval English authors that I was studying (quite a long time ago now). So I did a bit of research on him, too, and some of it stuck.
I think I commented on this already somewhere (unless I dreamed that), but you managed to get me solidly into Maedhros' head here - not easy in such a short space, and I think I did let out a sigh of relief at the final sentence. Tiny eucatastrophes like this may be a favourite trope of mine.
(I don't think you had commented on this before--unless a notification went missing somehow--but I'm gratefully accepting it as a double review anyway!)
I was thinking, horribly, that somehow Maedhros was mad, in the Void, and (in some way) dreaming. I am so glad for the end sentence which proved he was not.
Yes, that is more or less what Maedhros is afraid of at that moment, although he is not in a state in which he would be able to put that clearly to himself or think it through. But, as you say, he is not!
Thank you very much for your comment and I'm very glad this piece worked for you!
Comments on More Than One Hundred Words About Maedhros
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.