Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Mereth Aderthad Interview: Interview with Kai by Shadow Kai is the featured artist for Maglor's Mereth Aderthad 2025 presentation, "Gil-galad was an Elven King: Kingship and Personhood in the last High King of the Noldor." Shadow spoke with Kai about his wide range of interests and inspirations in the legendarium and why Maglor's presentation so intrigued him that he finished the art for it the first night.
Mereth Aderthad Interview: Interview with Dawn Felagund by Shadow In our series of interviews of creators for Mereth Aderthad, Shadow spoke with Dawn about her story, written for Savannah Horrell's "By Guile Committed: Comparing Tolkien’s Thieves to Beowulf" presentation, the balance of planning an event and creating for it at the same time, and the intersection of Tolkien and Beowulf.
Mereth Aderthad Interview: Interview with Cindy Gates by Grundy Cindy Gates' upcoming Mereth Aderthad 2025 presentation "Tolkien, Lunatic Physicists, and Abnegation" considers the ethics of science in the legendarium. Grundy spoke with Cindy about her research, her own experience as a professional scientist, and her long-running fascination with the Manhattan Project.
They passed out of Lhûn and the wider coastline of Middle-earth opened up before his eyes. He had wandered those shores for centuries, and even now he felt the pull of that same wanderlust, and knew he would miss them for the rest of his life. Their wildness, the untamed waves, the rocky…
We get together from time to time on the SWG Discord and produce spontaneous fanworks based on randomly chosen prompts. This collection includes drabbles, ficlets, and other flash fanworks produced as part of our instadrabbling sessions.
Drabbles from the life of Emlinn, Maglor's Sindarin student from Brithombar, who is the narrator of my story "The West Wind Quartet".
Insta-drabbles written on the SWG Discord back in December 2020 (which apparently I did not cross-post here?), with another one written in June 2025. …
Fëanáro thinks of many things during his exile for he has nothing but time and a chest full of fury.
He thinks of his hatred for Melkor. He thinks of his children and the toil the exile is taking on them even if they will not voice it. He thinks of his father and the disappointment he’d…
Long fascinated with the Manhattan Project, Grundy was naturally drawn to Cindy Gates' Mereth Aderthad 2025 presentation “Tolkien, Lunatic Physicists, and Abnegation" and is making a work of glass art to accompany it. Shadow spoke to Grundy about her inspiration on the project and long love of…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Little moments of reflection with Maglor as he comes to terms with grief. A collection of drabbles and other short writings to accompany One in the Deep Waters.
Current Challenge
Period Drama
A Matryoshka challenge where prompts are inspired by common tropes found in period dramas and historical fiction. Read more ...
Random Challenge
Period Drama
A Matryoshka challenge where prompts are inspired by common tropes found in period dramas and historical fiction. Read more ...
Long fascinated with the Manhattan Project, Grundy was naturally drawn to Cindy Gates' Mereth Aderthad 2025 presentation “Tolkien, Lunatic Physicists, and Abnegation" and is making a work of glass art to accompany it. Shadow spoke to Grundy about her inspiration on the project and long love of Tolkien.
Reese is the featured author for polutropos's presentation "'Kidnap Fam' and the Living Legendarium" at Mereth Aderthad 2025. Dawn spoke with reese about the silences storytellers leave, mythology, and the appeal of alternate universe fanfiction.
Kai is the featured artist for Maglor's Mereth Aderthad 2025 presentation, "Gil-galad was an Elven King: Kingship and Personhood in the last High King of the Noldor." Shadow spoke with Kai about his wide range of interests and inspirations in the legendarium and why Maglor's presentation so intrigued him that he finished the art for it the first night.
Part of our Themed Collection series for our newsletter, this collection features fiction, artwork, and essays that transcend the idea of Orcs as the enemy, instead considering their humanity.
Once upon a time, JRR Tolkien wrote a fairy-tale retelling, an attempt to reconstruct an alternative version of the ancient poem called Beowulf, and he called it Sellic Spell: 'strange tale' or 'wondrous tale'.
Once upon a time, on the long road home from the Lonely…
The tale of Dáin Ironfoot, told loosely in the style of a saga of Iceland (in English translation).
Around the World and Web
Scribbles and Drabbles 2025
Scribbles & Drabbles is an annual Tolkien event where artists create artwork and writers then write stories (a drabble or longer) inspired by the art.
Camp Tolkien 2025
A Tumblr event with daily prompts aimed at different stages of the writing process.
Boromir Week 2025
Boromir Week is a Tumblr event for fanworks about Boromir.
Celebrimbor Week 2025
A Tumblr event celebrating Celebrimbor as he is depicted in all books and media.
June challenge at tolkienshortfanworks on Dreamwidth
The June challenge has been posted to the tolkienshortfanworks community on Dreamwidth: thematic prompt: reward - regard; formal challenge: alliteration. As always, these prompts can be filled separately or combined freely with other challenges that allow it.
Shortly after her arrival in Middle-earth, Galadriel visits the beach of Losgar
The sea’s breakers have done their work at Losgar. She has heard—although not at first hand, for she has not spoken about it to anyone who was actually there at the time—that, when the Feanorians left here, hulks of burned ships were still to be seen adrift in the shallows, the charred remains of swans that had once been white and graceful. But in the intervening years the impact of the waves has completed what the flames had begun, breaking up the wreckage into smaller and smaller pieces, grinding them down, scattering them.
Now, as she walks along the beach, there is no sign of the ships anywhere, but underfoot, among the grains of sand, little bits of charcoal crunch at every step, colouring the white sands grey. Artanis tries to imagine the scene as it played out on this beach—and then tries not to imagine it. She used to be afraid of her uncle Feanaro. She used to be ashamed of being afraid of him. She wanted to be afraid of nothing.
It was night when the ships burned at Losgar, the long night after the destruction of the Trees. Now she walks the beach of Losgar under the Sun, although the sun is veiled in cloud today, a grey northern day and a chilly breeze to match it. The beach curves, gently, before the shoreline bends back eastward.
Artanis reaches the westernmost point and halts. She looks out across the straits. Over there lies Araman. She remembers the bleak tundra bordering the Sundering Seas on their western side, growing bleaker the farther north they advanced, even the southern reaches barely touched by the Light of the Trees when they still gave light. There was not much wood for fires and little game over there, and even less of either after the host of the Noldor passed through.
She peers across the waves, but there is nothing to be seen of the western shore. Not so long ago—a lifetime ago—she was standing on a similar beach over there, on the other side, under the night sky, as she saw the flames of burning ships light up the horizon. And now she is here, where Feanaro did not intend them to come, and Feanaro is not.
She could wait until nightfall. She could spend many days building a huge bonfire, collecting driftwood from along the shore and great branches from the woods on the slopes of the Ered Lomin. She could wait until a clear night with no moon, until the darkest hour, and light the bonfire.
We are here. We made it.
But there would be nobody to see it over there, now, even if maybe the power of the Valar would not veil their sight. There is no reason to think that anyone would be watching out for a sign of them, over there. It is childish to imagine that her father would have posted watchers, wished to or been able to, in that no man’s land.
She shrugs. Be that way, then. She knows she is being unfair. She knows she does not know what happened to her father when he turned back towards Valinor. She has no way of knowing whether the Valar punished him, whether the Teleri attacked him, whether her mother chose to stand by him after what had happened. There is nothing whatever she can do about it now.
She walks back along the shore to where Findekano is waiting for her among the sand dunes, Findekano, who did not want her to come here, fearing that she wanted to nurse old grudges, but nevertheless insisted on accompanying her, because after all she is his cousin and this is part of his realm. Having taken care, meticulously, of their horses, he is still standing uncomfortably where she left him, unwilling to even sit down in this place. He looks at her with worried eyes.
He makes her impatient sometimes, does Findekano. She knows it is partly jealousy. He has so clearly arrived where he was going, in Hithlum, in Beleriand. She has not. She has quite a long way still to go.
Chapter End Notes
Note on Quenya names: Feanaro=Feanor; Findekano=Fingon;