Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Once again, you expertly reveal Elond's intent and feelings without exposing us directly to all of his thoughts. I know I've complimented you over and over again for being able to do that so well, but every time you do it again, I have to tell you again.
Thank you very much! There is more to come, but I don't know how long it will take me to write.
I think some people found a bit of time to write over Christmas and there might be a couple more posts soon. But just wait until March! Things will get really lively during B2MeM, I'm sure.
As usual you have reduced me to tears- this is perfect. How you manage to write such sublime prose I cannot imagine- that the small glimpses of life speak so hugely of Maedhros and hsi tragic and heroic life. I think the last part really pulled my heart strings- so much glory, so much courage and now no one speaks of them for shame. But Elrond remembers.
This is fascinating. The mix of Maedhros' Noldorin sensibilities and their Sinda guide's somewhat different attitude, him resolving to look at it as Findekano would, and the idea that even though he's no longer a prisoner, Maedhros is more vulnerable than most to Morgoth's power... (Am I reading into it, or was that also a dash of very subtle Ulmo in there, when the water restored him to himself?)
Glad that these ideas appealed to you! Some of these themes return in different form elsewhere in my stories.
As far as I remember, I wasn't consciously involving Ulmo personally here, although I've written about his canonical influence through Sirion elsewhere. But I do tend to feel somewhat like Tolkien's elves about running water anyway, and this fic in particular also alludes to "A river runs through it", in which the role of water also seems rather Ulmo-esque... There is also meant to be a hint that Gelion is a person, at least to the Sindar.
Comments on The Walls Will Serve
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.