Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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Tolkien Gen Week 2026
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Tolkien Disability Pride 2026
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
It's very scary. Reminds me of the White Walkers in George R.R. Martin, which come to think of it, go very, very well with the Helcaraxë. Now you have me thinking of horror genre Silm fics and I do not DO horror. Runs screaming from the room.
Seriously, it might be AU in its factual details, but these guy really feel like your interpretations of Fingon and Maedhros.
Very nice story (OK, nice is not the word I want! but you get my point).
Thank you very much, Oshun, and thank you very much again for your recommendation of the story on LiveJournal!
I'm not very familiar with ASOIAF, so don't have any strong associations with the White Walkers, but the image you posted on LJ looked very convincing--and in fact, it rather resembles Sirielle's painting of the Noldor crossing the Helcaraxe!
(I don't usually do horror myself but Zeen is a lot more intrepid than me!)
I popped over here upon Oshun's recommendation, and a solid recommendation this proved to be. Very subtle horror, this is. Nothing horrid or in your face, but subtle, like ice crystals creeping out over the still waters of a pond or the sleepiness that takes over when one succumbs to the cold. Beautiful prose and evocative images. I have to say that this...
"But by the fire Fingon would not go, and instead, smiling, he took his place near the window, peering through the glass for the view outside. His breath did not fog up the glass."
...showed your cards, but did not detract at all from the fabulously strange feelings of loss and repulsion that this wonderful ficlet evokes.
I really love ghost stories and it takes a lot to creep me out, but this really did. I love Fingon's melancholy and Maedhros feeling the numbing cold. There are a lot of nice touches here but I especially liked:
"For, of course, he had known all along: ever since the temperature in the room had plummeted when Fingon entered until it was colder inside than outside, ever since he had seen frost bloom under Fingon’s boots in midsummer, ever since the mere touch of Fingon’s fingers had been enough to cauterize the bleeding stump of his wrist."
Maedhros sees all the signs but denies it because he doesn't want it to be true.
And then this:
"it is a different sort of place, the Grinding Ice. It has an intelligence, a will of its own. I knew that well enough, even before...”
And I'm especially pleased to see you quoting from both the part that I wrote and the one Zeen wrote, because to me it means that we achieved an organic whole.
I'm still beyond thrilled that my silly little spur-of-the-moment prompt yielded this gem. There was a lot of squee in Zeen's journal back then, I believe, so I'll confine myself here a bit more and say that yes, this was excellent - beyond excellent even - and still as good as the first time around. Squee! :D Thank you both!
Comments on Love Like Winter, Hands Like Ice
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.