Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Instadrabbling Sessions for April, May, and June
Instadrabbling continues on the first Saturday of each month on our Discord server.
[Writing] How Tolkien Presents Ordinary People in "The Silmarillion" by Dawn Felagund
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
[Writing] Blessed are the Leave-takers by Isilme_among_the_stars
As prince Curufinwë Fëanáro makes an historical speech from the high court of the King upon Túna, those at the back of the crowd strain to hear.
A silly little scene inspired by Monty Python's "Blessed are the Cheesemakers" scene from The Life of Brian, written for …
[Writing] After the Kinslaying by Deborah Judge
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
[Writing] I Sit and Think of Times There Were Before by Erdariel
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
[Writing] Until the Stars are All Alight by Dagstjarna
Reembodied in Aman, Celebrimbor decides to return to Middle earth to help heal the darkness and hurt wrought by the ring.
[Writing] a riot of shadow and shine by Elrond's Library
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
But…
[Writing] The Exchange by Elrond's Library
An exchange is made during the Great Journey
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Sitcom
Create a fanwork using prompts from a bingo card of sitcom tropes. Read more ...
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Week of Kiliel
A Tumblr event dedicated to the relationship between Kili and Tauriel.
Aspec Arda Week 2026
This week-long event celebrates asexual and aromantic spectrum interpretations and headcanons of Tolkien’s Legendarium.
April/May Teitho Challenge
Teithio is running a prompt challenge around the theme of "heartbreak."
Tolkien Reverse Summer Bang 2026
The Tolkien Reverse Summer Bang is back for another summer of collaboration between artists and writers!
Congrats to you! This is an interesting piece. It took me five years after I first picked up The Silmarillion to go back and finish the Ainulindalë--not that it does not have its moments. There is Melkor trying to mess everything up.
John Garth apparently recently produced something on the Ainulindalë. I wanted to see if I could find it and my internet is not working. I'm stopping now! Hope this goes through.
I never enjoyed reading it for fun; I am not one of the Tolkien fans that found it so beautiful or uplifting or poetic. But I do enjoy creation myths as a research topic, so I've found interest in it through that. I've been meaning to write something up fannishly for the last five years (!!), since that Mythmoot presentation, and today's prompt was the kick in the pants to do so.
I'd be interested in the Garth article, if you have access to it. When I researched all this five years ago, the scholarship was pretty disappointing. There were bright points (ha) but there was a lot of religiosity masquerading as serious academic work ... I know you are familiar with *that*.
this was a very informative and thought-provoking essay.
as I commented to oshun regarding her biography of the month I have recently been listening to the Silmarillion audiobook. I am finding it a very rich experience and it actually made the Ainulindalë a far more pleasant experience this time.
I agree on what a creative and unique creation myth this is. Creation from song has it's only other parallel in the creation of Narnia--CS Lewis' world, which is intriguing in itself, considering the close friendship of those two authors.
I have always found some kinship of the Valar to the Greek gods--in some of the characterizations, some of their poor decision-making, in their inability to truly understand the Elves, and their overall lack of insight.
The songs of power have always been fascinating to me and I wish we had more information about them. I imagine Maglor had great power in his songs and I always wonder what would have happened if he had entered into the battle of song against Sauron.
Songs were such an ancient and powerful method of oral tradition--from Homer to the troubadours of the Middle Ages, to indigenous communities that carry their history to this day in stories and songs.
Thank you! I'm glad you liked it! ^_^
I think it's fitting that the Ainulindale works better recited aloud than read as a written text since its power is in vocal song (and that, in Tolkien's imagined in-universe history, it almost certainly started as an oral tale told among or to the Elves).
I had forgotten that Narnia used a similar mode of creation. I am not a Lewis expert by any stretch of the imagination, but I'm almost certain that the Ainulindale is older; it began as "The Music of the Ainur" in BoLT that Tolkien wrote in his twenties. I do not, however, know if he ever shared it (although, as one of his oldest texts, it is hard to believe he did not) ... but it would not be the first time Lewis borrowed from him! :D Tolkien was rather salty over Lewis's appropriation of "Numinor"!
I agree that Maglor--whose father-name Canafinwe means "commanding"--was a powerful character *because* of his voice. I think this is an area where the popular understanding of music and musicians leads to mischaracterization of Maglor, who gets cast as the simpering, soft-hearted poet when the scops and skalds Tolkien likely had in mind when creating his character were anything but that: they governed public opinion, and a skilled singer could unseat a king. And they controlled the history: who was remembered and how. Powerful indeed!
Thank you again for reading and commenting. <3
I cannot find a copy anywhere! So I wrote him and asked where it might be found! (Given at a Tolkien conf in Germany in Nov 2017 [Das Tolkien Seminar 2017] and the website gives no info about a conf document.)
We'll see if responds. I told him how much I loved his Tolkien and the Great War, which is totally true.
I searched for it too and couldn't find it either! But I figured you knew more about it in the first place and might have better luck. Thanks for emailing him--that's awesome of you! (There you go banging on doors again ... <3<3<3)
You nailed me: brass balls.
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Comments on "A Greater Still": The Importance of Song in Tolkien's Creation Myth
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