New Challenge: Epic 80s
This month's challenge features hundreds of fresh prompts from the bodacious decade of the 1980s.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Epic 80s
This month's challenge features hundreds of fresh prompts from the bodacious decade of the 1980s.
Cultus Dispatches: Communities Do Comment
Comment data from the SWG underscores community as an essential component to a robust commenting culture.
Instadrabbling Sessions for July, August, and September
Instadrabbling continues on the first Saturday of each month on our Discord server.
New Challenge: Scavenger Hunt
In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
[Writing] Is it raining with you? by AdmirableMonster
In the last days of Númenor, two very different men meet in Umbar and fall in love.
(Please note that while this work is heavily inspired by Disco Elysium, no knowledge of the game is necessary to read the fic!)
[Writing] Nasyalossë by Lovimmy3365
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
[Writing] From That Rubble by StarSpray
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.”
“It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?”
“It’s not as though I…
[Writing] Eä's Redemption by AaronAzrael
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
[Writing] Wrensong and Roses by Isilme_among_the_stars
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
[Writing] The Mirror Crack'd by AdmirableMonster
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
[Writing] Bon(e)fire by Fuin
On the night before the battle, Caranthir and his ally share thoughts about their peoples' traditions:
Burning bones ward off evil.
Epic 80s
Create a fanwork using on of our righteous prompts based on popular culture from the 1980s. Read more ...
Dark Matter
Create a fanwork using anti-prompts: prompts that don't appear in your fanwork. Read more ...
Communities Do Comment: Expanding the 3C's of Commenting with SWG Data by Dawn Walls-Thumma
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Tolkien Gen Week 2026
Tolkien Gen Week will run from July 6-12, 2026 to appreciate all of the incredible characters and relationships within Tolkien’s legendarium that fall under the broad category of “gen.”
Tolkien Disability Pride 2026
This Tumblr event focuses on ALL creative works focusing on disability in Tolkien's universe.
Scribbles and Drabbles 2026
Scribbles & Drabbles is a fic and art exchange with a minimum word count of 100 words.
Congrats to you! This is an interesting piece. It took me five years after I first picked up The Silmarillion to go back and finish the Ainulindalë--not that it does not have its moments. There is Melkor trying to mess everything up.
John Garth apparently recently produced something on the Ainulindalë. I wanted to see if I could find it and my internet is not working. I'm stopping now! Hope this goes through.
I never enjoyed reading it for fun; I am not one of the Tolkien fans that found it so beautiful or uplifting or poetic. But I do enjoy creation myths as a research topic, so I've found interest in it through that. I've been meaning to write something up fannishly for the last five years (!!), since that Mythmoot presentation, and today's prompt was the kick in the pants to do so.
I'd be interested in the Garth article, if you have access to it. When I researched all this five years ago, the scholarship was pretty disappointing. There were bright points (ha) but there was a lot of religiosity masquerading as serious academic work ... I know you are familiar with *that*.
this was a very informative and thought-provoking essay.
as I commented to oshun regarding her biography of the month I have recently been listening to the Silmarillion audiobook. I am finding it a very rich experience and it actually made the Ainulindalë a far more pleasant experience this time.
I agree on what a creative and unique creation myth this is. Creation from song has it's only other parallel in the creation of Narnia--CS Lewis' world, which is intriguing in itself, considering the close friendship of those two authors.
I have always found some kinship of the Valar to the Greek gods--in some of the characterizations, some of their poor decision-making, in their inability to truly understand the Elves, and their overall lack of insight.
The songs of power have always been fascinating to me and I wish we had more information about them. I imagine Maglor had great power in his songs and I always wonder what would have happened if he had entered into the battle of song against Sauron.
Songs were such an ancient and powerful method of oral tradition--from Homer to the troubadours of the Middle Ages, to indigenous communities that carry their history to this day in stories and songs.
Thank you! I'm glad you liked it! ^_^
I think it's fitting that the Ainulindale works better recited aloud than read as a written text since its power is in vocal song (and that, in Tolkien's imagined in-universe history, it almost certainly started as an oral tale told among or to the Elves).
I had forgotten that Narnia used a similar mode of creation. I am not a Lewis expert by any stretch of the imagination, but I'm almost certain that the Ainulindale is older; it began as "The Music of the Ainur" in BoLT that Tolkien wrote in his twenties. I do not, however, know if he ever shared it (although, as one of his oldest texts, it is hard to believe he did not) ... but it would not be the first time Lewis borrowed from him! :D Tolkien was rather salty over Lewis's appropriation of "Numinor"!
I agree that Maglor--whose father-name Canafinwe means "commanding"--was a powerful character *because* of his voice. I think this is an area where the popular understanding of music and musicians leads to mischaracterization of Maglor, who gets cast as the simpering, soft-hearted poet when the scops and skalds Tolkien likely had in mind when creating his character were anything but that: they governed public opinion, and a skilled singer could unseat a king. And they controlled the history: who was remembered and how. Powerful indeed!
Thank you again for reading and commenting. <3
I cannot find a copy anywhere! So I wrote him and asked where it might be found! (Given at a Tolkien conf in Germany in Nov 2017 [Das Tolkien Seminar 2017] and the website gives no info about a conf document.)
We'll see if responds. I told him how much I loved his Tolkien and the Great War, which is totally true.
I searched for it too and couldn't find it either! But I figured you knew more about it in the first place and might have better luck. Thanks for emailing him--that's awesome of you! (There you go banging on doors again ... <3<3<3)
You nailed me: brass balls.
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Comments on "A Greater Still": The Importance of Song in Tolkien's Creation Myth
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